gigantic "strong man," with his huge torso, colossal arms and legs, holding a tiny teacup in his immense hands, is not easily forgotten. The expression on the man's face is inimitable, and the accessories, such as cannons and dumbbells, are most appropriately chosen. The "Chapeaux l elion" is a more complicated design, representing a crowd of men wearing hats of every conceivable shape. The colour of this design is very good, but its chief merit lies in the facial expression of the different members of the crowd. It would be impossible to conceive any single person in a hat other than the one he is wearing. In another excellent poster we are presented with a very fin-de-siècle young lady riding astride a stork which bears her rapidly through space. It would be hopeless to attempt anything like a complete list of Guillaume's posters, but among the most recent are the following, all of which deserve the attention of the collector: "Dentifrices du Dr. Bonn," "Gigolette," "Old England," " Le Pôle Nord," "Cycles Vincent fils," "Le Vin d'Or" (in two sizes, unsigned), "Parfumerie Diaphane; le Diaphane Sarah Bernhardt," "L'œuvre de Rabelais par J. Garnier," and "Ducreux et Giralduc (Ambassadeurs)".
Although a Frenchman, the work of Jean de Paleologue, or "Pal," as he is more frequently called, is perhaps better known to the Londoner than to the Parisian. His
