given in this article has been almost literally fulfilled, and the writer realizes more than ever that he was correct in saying that the museums and institutions of our city would "furnish a greater display to the visitor than any exposition yet held on the continent."
New York, with its great variety of public buildings, its miles of waterways, its dozens of museums, its many civic buildings, its great system of parks, stands alone as a prominent and fitting exposition ground. Why erect a city of staff, wood and other inflammable material to hold costly objects? Whoever contributed his much-prized works of art to such shelter, awaited, with fear and trembling, their safe return, and few of the finest things were ever loaned except in Paris, where they were shown in permanent structures such as the artistic Nouveau Salon, and its dainty neighbor, the Petit Salon, to the right of which is the magnificent Pont Alexandre II.
Although not so named, this Hudson-Fulton Celebration really presents the features of a great exposition, for when all the resources
