modus and action, are styled the real. Whoever contradicts this mortal mind supposition of reality is called a deceiver, or is said to be deceived. Of a man it has been said, “As he thinketh in his heart, so is he;” hence as a man spiritually understandeth, so is he in truth.
Mortal mind conceives of something as either liquid or solid, and then classifies it materially. Immortal and Good indefinable spiritual facts exist apart from this mortal and material conception. God, good, is self-existent and self-expressed, though indefinable as a whole. Every step towards goodness is a departure from materiality, and is a tendency towards God, Spirit. Material theories partially paralyze this attraction towards infinite and eternal good by an opposite attraction towards the finite, temporary, and discordant.
Sound is a mental impression made on mortal belief. The ear does not really hear. Divine Science reveals sound as communicated through the senses of Soul — through spiritual understanding.
Mozart experienced more than he expressed. The rapture of his grandest symphonies was never heard. He Music, rhythm of head and heart was a musician beyond what the world knew. This was even more strikingly true of Beethoven, who was so long hopelessly deaf. Mental melodies and strains of sweetest music supersede conscious sound. Music is the rhythm of head and heart. Mortal mind is the harp of many strings, discoursing either discord or harmony according as the hand, which sweeps over it, is human or divine.
Before human knowledge dipped to its depths into a so false sense of things, — into belief in material origins which discard the one Mind and true source of being, —