slow as it is, it has traversed your master's country from one end to the other.'
The references in Shakespeare all go to confirm the opinion that the March was played by drums alone—e.g., H. 6. C. 12, 69, where the stage direction is A march afar off, which is immediately followed by 'I hear their drums.' Again, in the same play, Act IV. 5 sc. vii. line 50, 'Drummer, strike up, and let us march away. [A march begun.]
Hautboys. This is an important musical term, and occurs about fourteen times in eight plays. It always implies a certain special importance in the music, and is generally connected with a Royal banquet, masque, or procession. In six cases, at least, the direction has some special qualification—e.g., Hautboys playing loud music; A lofty strain or two to the hautboys; Trumpets and hautboys sounded, and drums beaten all together. In Ant. 43, 12, Hautboys supply the supposed ominous 'music in the air.'
The term is closely connected with 'Music,' the remarks on which apply equally to the present case. (See above, on 'Music,' and the music of 16th century plays).
Not long after Shakespeare's time, orchestral music for the theatre consisted of stringed instruments only
