Page:Shinto, the Way of the Gods - Aston - 1905.djvu/145

From Wikisource
Jump to navigation Jump to search
This page has been validated.
THE PANTHEON—NATURE DEITIES.
135

Yamato no Oho-kuni-dama were worshipped together within the Emperor's Great Hall. He dreaded, however, the power of these Gods, and did not feel secure in their dwelling together. Therefore he entrusted Ama-terasu no Oho-kami to Toyo-suki-iri-bime no Mikoto to be worshipped at the village of Kasanuhi, in Yamato."

Here we must understand that it was the sun-mirror which was sent away from the palace. It was subsequently (B.C. 5) enshrined at Ise, where it is to this day preserved with the greatest care and reverence.[1] It is about eight inches in diameter.

In ancient Peru, the Sun-God was represented by a golden disc, the Moon-Goddess by one of silver.

We find, however, that in A.D. 507 a sacred mirror was still preserved in the Imperial palace as one of the regalia. It was destroyed by fire in the eleventh century, but its successor is to this day transmitted from sovereign to sovereign as a token of royal authority. The religious ceremony in its honour is described below.[2] Associated with the mirror as regalia were a sword and a jewel. These three objects are presented to the Mikado on his accession with great ceremony. In ancient times there were probably only two regalia, the mirror and the sword. The latter was lost in the sea at the battle of Dannoüra. But such losses are not irreparable.

The Sun-Goddess in her capacity as sovereign is attended by a Court of minor deities who belong to the class of man-deities, and will be dealt with in the next chapter.

  1. "The mirror is kept in a box of chamaecyparis wood, which rests on a low stand covered with a piece of white silk. It is wrapped in a bag of brocade, which is never opened or renewed, but when it begins to fall to pieces from age another bag is put on, so that the actual covering consists of many layers. Over the whole is placed a sort of wooden cage, with ornaments said to be of pure gold, over which again is thrown a cloth of coarse silk falling to the floor on all sides."—Murray's 'Japan,' fifth edition, p. 308.
  2. See Index—Naishidokoro.