Hirata, in his Tamadasuki, has provided a special form of prayer to him. He himself was his devout worshipper. He saluted the God on entering and leaving, and, that people might not forget this duty, recommends that a card be nailed on the door, with the inscription "Ojigi," or "good manners." According to him privies, as well as dunghills and all unclean places, are a favourite resort of evil spirits. They are haunted by flies and maggots, which are the fractional souls of bad men (a Buddhist notion?). There is, therefore, all the greater need to put ourselves under the protection of the presiding deity of the place. He deprecates spitting into it (which causes ophthalmia) or defiling it, and says that women who sweep it out daily and make offering to the God of a light on the last day of each month will be free from diseases below the girdle.
All this shows that the original identity of demons and diseases has not yet been wholly lost sight of in Japan.
Gate-Gods.—Kushi-iha-mado (wondrous-rock-door) and Toyo-iha-mado (rich-rock-door). These two Gods are known to us from the norito entitled Mikado no matsuri.[1] They are obviously personifications of the gates of the Palace. But the difficulty presents itself that these Gods are (apparently) two in number, these two being differentiated out of one original deity by the honorary epithets kushi and toyo, while the gates of the Palace were much more numerous. If it is the gate itself, and not the spirit of the gate, which is worshipped, there ought to be as many Gods as gates. Hirata would no doubt explain this by saying that there are really only two Gods, but that each gate is occupied by a mitama, or emanation from them. It seems more probable that the ancient Japanese had no very definite ideas on the subject. They conceived of the gates as in some way or another instinct with life and exercising certain protective functions; but whether there were two deities for each gate or two for all collectively
- ↑ See Index, s.v.
