WINCKELMANN[1].
Goethe's fragments of art criticism contain a few pages of strange pregnancy on the character of Winckelmann. He speaks of the teacher who had made his career possible, but whom he had never seen, as of an abstract type of culture, consummate, tranquil, withdrawn already into the region of ideals, yet retaining colour from the incidents of a passionate intellectual life. He classes him with certain works of art possessing an inexhaustible gift of suggestion, to which criticism may return again and again with undiminished freshness. Hegel, in his Lectures on the Philosophy of Art, estimating the work of his predecessors, has also passed a remarkable judgment on Winckelmann's writings. 'Winckelmann by contemplation of the ideal works of the ancients received a sort of inspiration through which he opened a new sense for the study of art. He is to be regarded as one of those who in the sphere of art have known how to initiate a new organ for the human spirit.' That it has given a
- ↑ Reprinted from the 'Westminster Review,' for January, 1857.
