Page:Studies in the history of the renaissance (IA studiesinhistor01pategoog).djvu/167

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vii.
JOACHIM DU BELLAY.
145

whole phase of taste from which that school derives, a certain silvery grace of fancy, nearly all the pleasure of which is in the surprise at the happy and dexterous way in which a thing slight in itself is handled. The sweetness of it is by no means to be got at by crushing, as you crush wild herbs to get at their perfume. One seems to hear the measured falling of the fans with a child's pleasure on coming across the incident for the first time in one of those great barns of Du Bellay's own country, La Beauce, the granary of France. A sudden light transfigures a trivial thing, a weather-vane, a wind-mill, a winnowing flail, the dust in the barn door; a moment,—and the thing has vanished, because it was pure effect; but it leaves a relish behind it, a longing that the accident may happen again.

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