prisoned state, given to man as his special companion. He is therefore to them a sacrifice of peculiar worth: whether to a guardian spirit or a human friend. Yet nothing would be a greater violation than giving the remains of a sacrificial feast to the dogs, or even suffering them to touch the bones.
Similar inconsistences may be observed in the treatment of the dog by the white man. He is the most cherished companion in the familiar walks of many men; his virtues form the theme of poetry and history; the nobler races present grand traits, and are treated with proportionate respect. Yet the epithets dog and hound, are there set apart to express the uttermost contempt.
Goethe, who abhorred dogs, has selected that animal for the embodiment of the modern devil, who, in earlier times, chose rather the form of the serpent.
There is, indeed, something that peculiarly breaks in on the harmony of nature, in the bark of the dog, and that does not at all correspond with the softness and sagacity observable in his eye. The baying the moon, I have been inclined to set down as an unfavorable indication; but, since Fourier has found out that the moon is dead, and “no better than carrion;” and the Greeks have designated her as Hecate, the deity of suicide and witchcraft, the dogs are perhaps in the right.
They have among them the legend of the carbuncle, so famous in oriental mythos. Adair states that they believe this fabulous gem may be found on the spot where the rattlesnake has been destroyed.
If they have not the archetypal man, they have the
