of condensation into a few compact scenes of material sufficient for five full acts is a remarkable and admirable gift of Heywood's.
After the really dramatic episode in which he had the advantage of guidance by the laughing light of a greater comic genius than his own, Heywood contentedly resumes the simple task of arranging for the stage a mythological chronicle of miscellaneous adventure. The jealousy of Juno is naturally the mainspring of the action and the motive which affords some show of connection or coherence to the three remaining acts of 'The Silver Age': the rape of Proserpine, the mourning and wandering and wrath of Ceres, are treated with so sweet and beautiful a simplicity of touch that Milton may not impossibly have embalmed and transfigured some reminiscence of these scenes in a passage of such heavenly beauty as custom cannot stale. Another episode, and one not even indirectly connected with the labours of Hercules, is the story of Semele, handled with the same simple and straightforward skill of dramatic exposition, the same purity and fluency of blameless and spontaneous verse, that distinguish all parts alike of this dramatic chronicle. The second of the five plays composing it closes with the rescue of Proserpine by Hercules, and the judgment of Jupiter on 'the Arraignment of the Moon.'
