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manner, I have eschewed the use of the letter q, as an equivalent for the dotted or guttural kaf (choosing to run the risk of occasionally misleading the reader as to the original Arabic form of a word by leaving him in ignorance whether the k used is the dotted or undotted one,—a point of no importance whatever to the non-scientific public,—rather than employ an English letter in a manner completely unwarranted by the construction of our language, in which q has no power as a terminal or as moved by any vowel other than u, followed by one of the four others) and have supplied its place, where the dotted kaf occurs as a terminal or as preceding a hard vowel, by the hard c, leaving k to represent it (in common with the undotted kaf generally) in those instances where it is followed by a soft vowel. For similar reasons, I have not attempted to render the Arabic quasi-consonant aïn, save by the English vowel corresponding to that by which it is moved, preferring to leave the guttural element of its sound (for which we have no approach to an equivalent in English) unrepresented, rather than resort to the barbarous and meaningless device of the apostrophe. Again, the principle, in accordance with which I have rendered the proper names of the original, is briefly (and subject to certain variations on the ground of convenience and literary fitness) to preserve unaltered such names as Tigris, Bassora, Cairo, Aleppo, Damascus, etc., which are familiar to us otherwise than by the
