THE QUESTION OF STYLE
use of language; or on the other hand are pleased to pursue endlessly the elusive will-o'-the-wisp of perfection, remember always that style ceases to be good the moment that it is cultivated for its own sake and not simply as an integral part of the whole unified structure. They teach a great deal about the importance of onomatopœia as practised by Homer and Vergil; and I think that a great many young students gather the idea that it is a quality which ought to flaunt itself before the eye and ear so that as one scans certain lines of the Iliad or the Æneid one's predominating thought should be: How wonderfully the rhythm and the consonant pattern here suggests the poet's meaning. Now this, of course, is a fallacy, and there is no better way of showing that fallacy than by quoting Daudet's delicious little anecdote:
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