to talk, or even if you hear them laugh or sneeze. If you do not, then grey will your hair be while you are yet a young woman, dull will your eyes be, and limp your body.'
Girls have told me that they got very tired of being away with only the old woman for so long, and were glad enough when she told them they were to move to a new camp, nearer to the big one, which the women had prepared for them.
When they reached this the old woman rubbed off the mud with which she had plastered the girl's limbs when first they went away to camp, and which she had renewed from time to time. When this was all off she painted the girl in different designs with red ochre and white gypsum, principally in spots. She put on her head a gnooloogail, or forehead band, made of Kurrajong fibre, plaited and tied with some Kurrajong string, from over the cars to the back of the head; in this band, which she had painted white, she stuck sprays of white flowers. Sweetly scented Budtha and clustering Birah were the flowers most used for this ceremony. Should neither of these be in bloom, then sprays of Collarene or Coolibah blossom were used. When the flowers were placed in the band the old woman scattered a handful of white swansdown over the girl's head. Next she tied round her a girdle of opossum's sinews with strands of woven opossum's hair hanging about a foot square in front. Round her arms she bound goomils—opossum hair armlets—into which she placed more sprays of flowers, matching those in the girl's hair.
To show that the occasion was a sacred one a sprig of Dheal tree was placed through the hole in the septum of the nose. The toilet of a wirreebeeun was now complete.
The old woman gave her a bunch of smoking Budtha leaves to carry, and told her what to do. Note here the origin of bridal bouquets.
Having received her instructions, the girl, holding the smoking twigs, went towards the big camp.
