root principles of life are, in some lowly form, exemplified in all types of physical existence. In the Way of Rhythm a round of experiences, forming a determinate sequence of contrasts attainable within a definite method, are codified so that the end of one such cycle is the proper antecedent stage for the beginning of another such cycle. The cycle is such that its own completion provides the conditions for its own mere repetition. It eliminates the fatigue attendant upon the repetition of any one of its parts. Only some strength of physical memory can aggregate fatigue arising from the cycle as a whole. Provided that each cycle in itself is self-repairing, the fatigue from repetition requires a high level of coordination of stretches of past experience.
At the level of human experience we do find fatigue arising from the mere repetition of cycles. The device by which this fatigue is again obviated takes the form of the preservation of the fundamental abstract structure of the cycle, combined with the variation of the concrete details of succeeding cycles. This device is particularly illustrated in music and in vision. It is of course capable of an enormous elaboration of complexity of detail. Thus the Rhythm of life is not merely to be sought in simple cyclical recurrence. The cycle element is driven into the foundation, and variations of cycles, and of cycles of cycles, are elaborated.
We find here the most obvious example of the adoption of a method. The good life is attained by the enjoyment of contrasts within the scope of the
