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54
THE INDIAN DRUM

direction and inspiration from it; and he put it down on Alan's dresser.

"I've brought you," he said evenly, "the key to your house."

Alan gazed at him, bewildered. "The key to my house?"

"To the house on Astor Street," Sherrill confirmed. "Your father deeded the house and its furniture and all its contents to you the day before he disappeared. I have not the deed here; it came into my hands the day before yesterday at the same time I got possession of the pictures which might—or might not, for all I knew then—be you. I have the deed down-town and will give it to you. The house is yours in fee simple, given you by your father, not bequeathed to you by him to become your property after his death. He meant by that, I think, even more than the mere acknowledgment that he is your father."

Sherrill walked to the window and stood as though looking out, but his eyes were blank with thought.

"For almost twenty years," he said, "your father, as I have told you, lived in that house practically alone; during all those years a shadow of some sort was over him. I don't know at all, Alan, what that shadow was. But it is certain that whatever it was that had changed him from the man he was when I first knew him culminated three days ago when he wrote to you. It may be that the consequences of his writing to you were such that, after he had sent the letter, he could not bring himself to face them and so has merely . . . gone away. In that case, as we stand here talking, he is still alive. On the other hand, his writing you may have precipitated something that I know nothing of. In either