Once, in Damascus, I visited, with some friends, a distinguished Sufi; and when the tea was being served, our host held forth on the subject of Abu'l-Ala's creed. He quoted from the Luzumiyat to show that the poet-philosopher of Ma'arrah was a true Sufi, and of the highest order. "In his passionate hatred of the vile world and all the vile material manifestations of life," quoth our host, "he was like a dervish dancing in sheer bewilderment; a holy man, indeed, melting in tears before the distorted image of Divinity. In his aloofness, as in the purity of his spirit, the ecstatic negations of Abu'l-Ala can only be translated in terms of the Sufi's creed. In his raptures, shathat, he was as distant as Ibn ul-Arabi; and in his bewilderment, heirat, he was as deeply intoxicated as Ibn ul-Fared. If others have symbolized the Divinity in wine, he symbolized it in Reason, which is the living oracle of the Soul; he has, in a word, embraced Divinity under the cover of a philosophy of extinction."...
This, and more such from our Sufi host, to which the guests gently nodded understanding. One of them, a young poet and scholar, even added that most of the irreligious opinions that are found in the Luzumiyat were forced upon the poet by the
rigorous system of rhyming he adopted. The Rhyme,
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