They are like separate islands of low wood-work, two in the nave and one in each aisle, with plenty of open space at the west end. To leave thus wide alleys, and a clear bay at the west where the font stands, is a great help to the architecture of the church, and gives room for the proper management of processions. Movable chairs can always be added when necessary.
Pictures and Images are legal in the Church of England, at least so long as they do not commemorate ‘feigned miracles,’ and are not abused by superstitious observances, but are for a memorial only. Their destruction was the act of lawless violence, and their use has never been entirely discontinued.
The special series, called the Stations of the Cross, has, however, no authority; for these were never in use in England, being of comparatively modern date. And, as they are exclusively connected with a special service, they cannot be defended as if they were so many separate pictures. It may be added that, while in Roman Catholic churches they are generally kept in due proportion by the multitude of other pictures, of images, shrines, etc., in an English church they tend to give an undue prominence to one part of our Lord’s life and work.
Photographs do not look well in a church, and even autotypes should be used very sparingly. Pictures with colour are wanted, and original paintings if possible. Some Arundels and some of the Fitzroy Picture Society’s lithographs look extremely well. The Arundel Society has given over the remainder of its stock to the S.P.C.K., but nearly all the best are now out of print. The Fitzroy Pictures are kept at Messrs. Bell’s, the Publishers, York Street, Covent Garden.
The choice of pictures lays a very solemn responsibility upon the parson; for many who see them will have their ideas of the Christian religion formed or
