to stamp on each scene its peculiar character. The shepherd, the husbandman, the hunter, appear in their turns; and may be considered as natural concomitants of that portion of the yearly round which prompts their several occupations.
But it is not only the bodily pursuits of man which are affected by these changes; the sensations and affections of his mind are almost equally under their influence: and the result of the whole, as forming the enamoured votary of Nature to a peculiar cast of character and manners, is not less conspicuous. Thus the Poet of the Seasons is at liberty, without deviating from his plan, to descant on the varieties of moral constitution, and the powers which external causes are found to possess over the temper of the soul. He may draw pictures of the pastoral life in all its genuine simplicity; and assuming the tone of a moral instructor, may contrast the peace and felicity of innocent retirement, with the turbulent agitations of ambition and avarice.
The various incidents too, upon which the simple tale of rural events is founded, are very much modeled by the difference of seasons. The catastrophes of Winter differ from those of Summer; the sports of Spring from those of Autumn. Thus, little history pieces and adventures, whether pathetic or amusing, will suggest themselves to the Poet; which, when properly adapted to the scenery and circumstances, may very happily coincide with the main design of the composition.
The bare enumeration of these several occasions of introducing draughts of human life and manners, will be sufficient to call to mind the admirable use which Thomson throughout his whole poem has made of them. He, in fact, never appears more truly inspired with his subject, than when
giving
