giving birth to those sentiments of tenderness and beneficence, which seem to have occupied his whole heart. An universal benevolence, extending to every part of the animal creation, manifests itself in almost every scene he draws; and the rural character, as delineated in his feelings, contains all the softness, purity, and simplicity that are feigned of the golden age. Yet, excellent as the moral and sentimental part of his work must appear to every congenial mind, it is, perhaps, that in which he may the most easily be rivalled. A refined and feeling heart may derive from its own proper sources a store of corresponding sentiment, which will naturally clothe itself in the form of expression best suited to the occasion. Nor does the invention of those simple incidents which are most adapted to excite the sympathetic emotions, require any stretch of fancy. The nearer they approach to common life, the more certainly will they produce their effect. Wonder and surprize are affections of so different a kind, and so distract the attention, that they never, fail to diminish the force of the pathetic. On these accounts, writers much inferior in respect to the powers of description and imagery, have equalled our Poet in elegant and benevolent sentiment, and perhaps excelled him in interesting narration. Of these, it will be sufficient to mention the ingenious author of a French poem on the Seasons; who, though a mere copyist in the descriptive parts, has made many pleasing additions to the manners and incidents proper for such a composition.
But there is a strain of sentiment of a higher and more digressive Nature, with which Thomson has occupied a considerable portion of his poem. The fundamental principles of Moral Philosophy, ideas concerning the origin and progress of government and civilization, historical sketches, and reviews of the characters most famous in antient and modern
