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school of versification have known the least on the subject, of any poets perhaps that ever wrote. They have mistaken mere smoothness for har mony; and, in fact, wrote as they did, because their ears were only sensible of a marked and uniform regularity. One of the most successful of Pope's imitators, Dr. Johnson, was confessedly insensible to music. In speaking of such men, I allude, of course, only to their style in poetry, and not to their undisputed excellence in other matters. The great masters of modern versification are, Dryden for common narrative, though he wanted sentiment, and his style in some respects was apt to be artificial,—Spenser, who was musical from pure taste,—Milton, who was learnedly so,—Ariosto, whose fine ear and animal spirits gave so frank and exquisite a tone to all he said,—Shakspeare, whose versification escapes us, only because he over-informed it with knowledge
