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and sentiment;—and, though the name may appear singular to those who have not read him with due attention to the nature of the language then existing,—Chaucer,—to whom it sometimes appears to me, that I can trace Dryden himself, though the latter spoke on the subject without much relish, or, in fact, knowledge of it. All these are about as different from Pope, as the church organ is from the bell in the steeple, or, to give him a more decorous comparison, the song of the nightingale, from that of the cuckoo.
With the endeavour to recur to a freer spirit of versification, I have joined one of still greater importance, that of having a free and idiomatic cast of language. There is a cant of art as well as of nature, though the former is not so unpleasant as the latter, which affects non-affectation. But the proper language of poetry is in fact nothing different from that of real life, and de-
