the abilities and temperament of the owner than any other represented in these casts, and, as a case which seems to completely baffle the reader of character, is one of the most interesting in the collection.
Lord Brougham's hand.
Liszt's hand.
Highly gruesome, but not less fascinating, are the hands of the late Wilkie Collins, with which we will conclude this month's section of our subject.
In this connection a gentleman, who had known the novelist in life, on being shown the cast, exclaimed: "Yes, those are the hands, I assure you; none other could have written the 'Woman in White!'"
Wilkie Collin's hands.
Note.—Thanks are due to Messrs. Hamo Thorneycroft, R.A., Adams-Acton, Onslow Ford, R.A., T. Brock, R.A., W. R. Ingram, Alfred Gilbert, R.A., J. T. Tussaud, Professor E. Lantéri, and A. B. Skinner, Secretary South Kensington Museum, for courtesies extended during the compilation of this paper.
(To be continued.)
