"Yet I go, Martina."
"You, being blind, go to Egypt to seek one whom those who rule there have searched for in vain. So be it. But how will you go? It cannot be as an open enemy, since then you would need a fleet and ten thousand swords to back you, which you have not. To take a few brave men, unless they were Moslems, which is impossible, would be but to give them to death. How do you go, Olaf?"
"I do not know, Martina. Your brain is more nimble than mine; think, think, and tell me."
I heard Martina rise and walk up and down the room for a long time. At length she returned and sat herself by me again.
"Olaf," she said, "you always had a taste for music. You have told me that as a boy in your northern home you used to play upon the harp and sing songs to it of your own making, and now, since you have been blind, you have practised at this art till you are its master. Also, my voice is good; indeed, it is my only gift. It was my voice that first brought me to Irene's notice, when I was but the daughter of a poor Greek gentleman who had been her father's friend and therefore was given a small place about the Court. Of late we have sung many songs together, have we not, certain of them in that northern tongue, of which you have taught me something?"
"Yes, Martina; but what of it?"
"You are dull, Olaf. I have heard that these Easterns love music, especially if it be of a sort they do not know. Why, therefore, should not a blind man and his daughter—no, his orphaned niece—earn an honest living as travelling musicians in Egypt? These