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Page:The Works of the Rev. Jonathan Swift, Volume 19.djvu/167

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DR. SWIFT.
155

of the dean's, set to musick, which, in my opinion, will have a greater run with the lovers of harmony than any of the Corelli's, Vivaldi's, Purcell's, or Handel's pieces. When Arne, the famous composer, was last in Ireland, he made application to me for this cantata (which I could not then procure), to set it to musick: perhaps he may do it now, and bring it on the stage; which, if he does, will run more than the Beggar's Opera; and therefore I would have you get it engraved in folio, with scores for bass, &c., which will make it sell very well. I believe you might get something handsome for it from Rich, or the managers of Drury lane, for which I shall send you the original MS. I am thus particular, that you may have the profit to yourself, as you will have the trouble. I was in daily expectation, for six weeks, of going to London; but was prevented by many accidents I cannot say business, for I never had less, as Mr. Hitch well knows, having had no order from me for two months past.

    galloping of Pegasus; and sounds the most unmusical, as crackling and snivelling, and rough roistering rustick roaring strains; the words high and deep have high and deep notes set to them; a series of short notes of equal lengths are introduced, to imitate shivering and shaking; an irregular rant of quick sounds, to express rumbling; a sudden rise of the voice, from a low to a high pitch, to denote flying above the sky, a ridiculous run of chromatick divisions on the words Celia dies; with other droll contrivances of a like nature. In a word, Swift's cantata may convince any person, that musick uniformly imitative would be ridiculous. I observe in passing, that the satire of this piece is levelled, not at absurd imitation only, but also at some other musical improprieties; such as the idle repetition of the same words, the running of long extravagant divisions upon one syllable, and the setting of words to musick that have no meaning."

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