(and on this ground, by the bye, the man utterly void of Self-Control is worse than he who has it imperfectly). However, of the two characters which have been mentioned [as included in that of utter absence of Self-Control],[1] the one is rather Softness, the other properly the man of no Self-Control.
Furthermore, to the character of Imperfect Self-Control is opposed that of Self-Control, and to that of Softness that of Endurance: because Endurance consists in continued resistance but Self-Control in actual mastery, and continued resistance and actual mastery are as different as not being conquered is from conquering; and so Self-Control is more choiceworthy than Endurance.
1150b Again, he who fails when exposed to those temptations against which the common run of men hold out, and are well able to do so, is Soft and Luxurious (Luxury being a kind of Softness): the kind of man, I mean, to let his robe drag in the dirt to avoid the trouble of lifting it, and who, aping the sick man, does not however suppose himself wretched though he is like a wretched man. So it is too with respect to Self-Control and the Imperfection of it: if a man yields to pleasures or pains which are violent and excessive it is no matter for wonder, but rather for allowance if he made what resistance he could (instances are, Philoctetes in Theodectes' drama when wounded by the viper; or Cercyon in the Alope of Carcinus, or men who in trying to suppress laughter burst into a loud continuous fit of it, as happened, you remember, to Xenophantus), but it is a matter for wonder when a man yields to and cannot contend against those pleasures or pains which the common herd are able to resist; always supposing his failure not to be owing to natural constitution or disease, I mean, as the Scythian kings are constitutionally Soft, or the natural difference between the sexes.
Again, the man who is a slave to amusement is commonly thought to be destitute of Self-Control, but he really is Soft; because amusement is an act of relaxing, being an act of
