An obtrusive moral in poetic form is a fraud on its face, and outlawed of art. But that all Enduring poetry always makes for good.great poetry is essentially ethical is plain from any consideration of Homer, Dante, and the best dramatists and lyrists, old and new. Even Omar, in proud recognition of the immutability of the higher powers, chants a song without fear if without hope. The pagan Lucretius, confronting sublimity, found no cause to fear either the gods or the death that waits for all things. A glimpse of the knowledge which is divine, an approach to the infinite which makes us confess that "an undevout astronomer is mad," inspire the "De Rerum Natura." The poet sat in the darkness before dawn. He would report no vision which he did not see. Like Fitzgerald's Omar he seems to confess, with the epicureanism that after all is but inverted stoicism, and with unfaltering truth,—
"Up from Earth's Centre through the Seventh Gate
I rose, and on the Throne of Saturn sate,
And many a Knot unravell'd by the Road;
But not the Master-knot of Human Fate."
Poetry, in short, as an ethical force, may be either iconoclastic or constructive, nor dare I A noble scepticism.say that the latter attribute is the greater, for the site must be cleared before a new edifice can be raised. Herein consists the moral integrity of Lucretius and Omar. They rebelled against the superstitions of their periods. Better a self-respecting confession of ignorance, a waiting for some voice
