emotions, we cannot but be often conscious that the phraseology we
have at our command is inadequate to do them justice. We seek
in vain the words we need, and strive ineffectually to devise forms
of expression which shall faithfully portray our thoughts and senti-
ments. The appropriate terms, notwithstanding our utmost efforts,
cannot be conjured up at will. Like ’spirits from the vasty deep,'
they come not when we call ; and we are driven to the employ-
ment of a set of words and phrases either too general or too limited,
too strong or too feeble, which suit not the occasion, which hit not
the mark we aim at ; and the result of our prolonged exertion is a
style at once laboured and obscure, vapid and redundant, or vitiated
by the still graver faults of affectation or ambiguity.
It is to those who are thus painfully groping their way and struggling with the difficulties of composition, that this Work pro- fesses to hold out a helping hand. The assistance it gives is that of furnishing on every topic a copious store of words and phrases, adapted to express all the recognizable shades and modifications of the general idea under which those words and phrases are arranged. The inquirer can readily select, out of the ample collection spread out before his eyes in the following pages, those expressions which are best suited to his purpose, and which might not have occurred to him without such assistance. In order to make this selection, he scarcely ever need engage in any critical or elaborate study of the subtle distinctions existing between synonymous terms ; for if the materials set before him be sufficiently abundant, an instinctive tact will rarely fail to lead him to the proper choice. Even while glancing over the columns of this Work, his eye may chance to light upon a particular term, which may save the cost of a clumsy paraphrase, or spare the labour of a tortuous circumlocution. Some felicitous turn of expression thus introduced will frequently open to the mind of the reader a whole vista of collateral ideas, which could not, without an extended and obtrusive episode, have been unfolded to his view ; and often will the judicious insertion of a happy epithet, like a beam of sunshine in a landscape, illumine and adorn the subject which it touches, imparting new grace and giving life and spirit to the picture.
Every workman in the exercise of his art should be provided with proper implements. For the fabrication of complicated and curious pieces of mechanism, the artisan requires a corresponding assortment of various tools and instruments. For giving proper effect to the fictions of the drama, the actor should have at his disposal a well- furnished wardrobe, supplying the costumes best suited to the personages he is to represent. For the perfect delineation of
