has in hand; he himself is never seen. Something in the perfection of the saga is to be traced to the long winter’s evenings, when the whole household, gathered together at their spinning, weaving, and so on, would listen to one of their number who told anew some old story of adventure or achievement. In very truth the saga is a prose epic, and marked by every quality an epic should possess. Growing up while the deeds of dead heroes were fresh in memory, most often recited before the sharers in such deeds, the saga, in its pure form, never goes from what is truth to its teller. Where the saga, as this one of the Volsungs, is founded upon the debris of songs and poems, even then very old, tales of mythological heroes, of men quite removed from the personal knowledge of the narrator, yet the story is so inwound with the tradition of his race, is so much a part of his thought-life, that every actor in it has for him a real existence. At the feast or gathering, or by the fireside, as men made nets and women spun, these tales were told over; in their frequent repetition by men who believed them, though incident or sequence underwent no change, they would become closer knit, more coherent, and each an organic whole. Gradually they would take a regular and accepted form, which would ease the strain upon the reciter’s memory and leave his mind free to adorn the story with fair devices, that again gave help in the making it easier to remember, and thus aided in its preservation. After a couple of generations had rounded and polished the sagas by their telling and retelling, they
