the last of the twenty-eight volumes had been finished, the somewhat belated interference of the police could not repress the enthusiasm with which French society received this most important but very dangerous contribution to the discussions of the day.
THE GUILLOTINE
Here, let me give you a little warning. When you read a novel about the French revolution or see a play or a movie, you will easily get the impression that the Revolution was the work of the rabble from the Paris slums. It was nothing of the kind. The mob appears often upon the revolutionary stage, but invariably at the instigation and under the leadership of those middle-class professional men who used the hungry multitude as an efficient ally in their warfare upon the king and his court. But the fundamental ideas which caused the revolution were invented by a few brilliant minds, and they were at first introduced into the charming drawing-rooms of the "Ancien Régime" to provide amiable diversion for the much-bored ladies and gentlemen of his Majesty's court. These pleasant but careless people played with the dangerous fireworks of social criticism until the sparks fell through the cracks of the floor, which was old and rotten just like the rest of the building. Those sparks unfortunately landed in the basement where age-old rubbish lay in great confusion. Then there was a cry of fire. But the owner of the house who was interested in everything except the management of his property, did not know how to put the small blaze out. The flame spread rapidly and the entire edifice was consumed by the conflagration, which we call the Great French Revolution.
