the ruins of the Nile Delta. And behold! he found a stone which greatly puzzled him. Like everything else in Egypt it was covered with little figures. But this particular slab of black basalt was different from anything that had ever been discovered. It carried three inscriptions. One of these was in Greek. The Greek language was known. "All that is necessary," so he reasoned, "is to compare the Greek text with the Egyptian figures, and they will at once tell their secrets."
The plan sounded simple enough but it took more than twenty years to solve the riddle. In the year 1802 a French professor by the name of Champollion began to compare the Greek and the Egyptian texts of the famous Rosetta stone. In the year 1823 he announced that he had discovered the meaning of fourteen little figures. A short time later he died from overwork, but the main principles of Egyptian writing had become known. Today the story of the valley of the Nile is better known to us than the story of the Mississippi River. We possess a written record which covers four thousand years of chronicled history.
As the ancient Egyptian hieroglyphics (the word means "sacred writing") have played such a very great rôle in history, (a few of them in modified form have even found their way into our own alphabet,) you ought to know something about the ingenious system which was used fifty centuries ago to preserve the spoken word for the benefit of the coming generations.
Of course, you know what a sign language is. Every Indian story of our western plains has a chapter devoted to strange messages written in the form of little pictures which tell how many buffaloes were killed and how many hunters there were in a certain party. As a rule it is not difficult to understand the meaning of such messages.
Ancient Egyptian, however, was not a sign language. The clever people of the Nile had passed beyond that stage long before. Their pictures meant a great deal more than the object which they represented, as I shall try to explain to you now.
