WOMAN IN ART
scape prize at Broadmoor Academy, Colorado Springs, Col., also the purchase prize awarded at the Midwest Artists' Exhibition at Kansas City. Mrs. Sheets writes on art for the "Oklahoma Woman" and other magazines.
From Artists with whom she has studied she has gleaned much, and yet more from personal experience. For a number of seasons she has motored to and through New England and Nova Scotia, taking an art-loving friend, and sometimes her white bird dog. This beautiful way of viewing nature, with freedom to stop and sketch when and where one may choose, is a great privilege. When one is technically equipped it is more than a delight, it is like living in another world.
"The Road To the Sea" shows a broad, sweeping view of land and water; simple and broad in the handling, from the rocky hillside where you seem to stand, to the distant horizon, there is no palliating detail, yet nothing is lost. Trees, shrubs and rocks, light on the water, sun and shadow of clouds help one to feel the unseen breeze. Yes, you can see now and again the winding road, ever lowering toward the water, yet higher on the canvas, showing her consummate skill and knowledge of perspective.
"A New England Homestead" tells of another phase of peace. A quiet afternoon when sun and shadow rest like a blessing on the quaint and ample house. You know it has been a home for generations; your imagination fills it with phases of home life. Culture and ambitions have been nourished there. Greetings and farewells have sounded or softened to major or minor music of young or old. Thousands of thoughts crowd heart and mind as one looks. Her color is clear and strong. Her exhibitions have been most educational in a state so far from art influences, and the artist is doing her best just where she is, for the culture of art in her own state.
Mary Stewart Dunlap was born in Ohio, but is counted as a landscape painter of California. After preliminary study in New York she spent four years in Paris, between the Academies Delecluse and Whistler. An individual exhibition of her work at the American Club before leaving Paris presented some interesting studies from her summer's work in Brittany and Normandy. She studied and sketched in and about Florence and Rome before her return to America. She remained in New York a few years before deciding on California as her home and on landscape as her chosen subject. Her accumulated sketches, from abroad and her native land, have given a wide and varied range for her art.
Pauline Palmer is a painter who has successfully helped to maintain Chi-
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