WOMAN IN ART
cago as an art center of the Middle West. The result of her brush work has radiated far beyond that center for some years. She was born at McHenry, Illinois, October 11, 1870. She became a pupil of William M. Chase, Charles Hawthorn, and later, in Paris, studied with Collin, Courtois and Simon. Her painting and subjects are refined and interesting. Miss Palmer's work in Paris was rewarded by a silver medal, a bronze and two honorable mentions. In Chicago the Marshall Field purchase prize was hers in 1907. Her pictures are true to life. Two in particular, "Sad Thoughts" and "Sad News," impress one as realities that the artist had come in contact with, so remarkably well are they painted. At the St. Louis Exposition was a more delightful subject, "Just Before Candlelight," also "A Girl With a Silver Ball," and "A White Shawl." These brought the artist a bronze medal, but more recently Pauline Palmer has painted "Mother's Wedding Gown," that has claimed universal praise and pleasure, not only because of its good technique, but the sweetness, the naturalness, the suggestions of times long passed. The artist has painted a "Little Boy" sitting on the floor, a dear little fellow, who might almost be called the American Blue Boy.
Mrs. Anna Lee Stacy has long been known through the Middle West and farther, for her interesting landscapes and figure pieces. Our landscape painters among women have been so rare that we cannot afford to lose her from the rank of out-door workers, even for the sake of adding her name and productions to the still smaller list of flower painters.
Mrs. Stacy was born in Glasgow, Missouri, September, 1865. She was a pupil at the Chicago Art Institute, and later at the Delecluse Academy, Paris. She is a member of the Chicago Society of Painters and Sculptors and of the Chicago Woman's Club. A number of prizes have acknowledged her work as true and artistic—the Chan prize of $200 at the Field Exhibition in 1907, and the Carr Landscape prize in 1912; the Logan Bronze Medal, 1921, and others of later date. She has not done much in marines, but a "Spanking Breeze" is a refreshment where it hangs in the Chicago Woman's Club. "Moonlight in the Guidence, Venice," is characteristic of Venetian waters, and speaks well for the artist from the walls of the Kenwood Club, Chicago. "Trophies of the Field" is one of the treasures of the Union League Club, Chicago, and the purchase prize from the Chicago Art Commission was given to Mrs. Stacy in 1914 and 1924. Some of her best works are "A Village" and "Twilight, in Florence, Italy," and "An Old Church at Anvers.'"
More recently she has turned her attention to flowers en masse, and has
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