New York "Morning Journal " voting contest, over the heads ol such artists as Lillian Russell, Fay Templeton, Marion Manola and others of equal note. Another and late success was in the character of Carmencita, the Spanish dancing beauty, in an elaborate burlesque production of "Carmen."
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HARRIET McEWEN KIMBALL.
KIMBALL, Miss Harriet McEwen, poet, born in Portsmouth, N. H., 2nd November, 1834. She is a daughter of the late Dr. David Kimball, a refined and scholarly man. She was a delicate child, and her education was given to her in her own home, mainly by her cultured and accomplished mother. Miss Kimball began to write at an early age, and her work was criticised by her parents, who encouraged her to develop and exercise her undoubted poetic gift. She has been interested in charitable work throughout her life, and a Cottage Hospital in Portsmouth is one of the monuments that attest her philanthropy. She is an active church member. In all her literary work she is careful and painstaking. Her first volume of verse was pubished in 1867. In 1874 she published her "Swallow Flights of Song," and in 1879 "The Blessed Company of All Faithful People." In 1889 her poems were brought out in a full and complete
edition. Most of if her poems are religious in character. Many of them are hymns, and they are found in all church collections of late date. Her devotional poems are models of their kind, and her work is considered unique in its rather difficult field. She lives in Portsmouth, devoted to her literary work and her religious and philanthropic interests.
KIMBALL, Mrs. Jennie, actor and theatrical manager, born in New Orleans, La., 23rd June, 1851. Her histrionic talents showed themselves in her early youth. Her first appearance in public was as Obeda in " Bluebeard." in the Boston Theater, in 1865, under H. C. Jarrett's management. He was BO impressed with her talent that he engaged her at the conclusion of the season for the William Warren Company, which he was then forming.
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JENNIE KIMBALL.
After playing the principal soubrette business with that party until it disbanded, she joined the Wallack-Davenport Company in Washington. D. C., where she played a short season. Returning to Boston, she was once more engaged by Mr. Jarrett for the Boston Theater. At the close of the season she retired from the stage temporarily, and devoted a year to the study of music and the drama. Upon the Completion of her studies she was engaged by Manager Whitman for leading soubrette business in the Continental Theater, Boston, in :S6S, appearing as Cinderella in Byron's burlesque, and Stalacta in "The Black Crook," which ran the entire season. She afterwards played a star engagement with him in the West, appearing as Oberon in "A Midsummer Night's Dream," and singing the title role in "The Grand Duchess " in Buffalo, Louisville, Chicago, St. Louis and other western cities, winning unqualified approbation. After concluding her engagement with Mr. Whitman, she returned to the Fast and traveled through New England as prima donna of the Florence Burlesque Opera Company, until she was engaged by John Brougham for his New York Company, in 1S69, and opened tst March in Brougham's Fifth Avenue Theater, now the Madison Square, in the operetta of "Jenny Lind," afterward playing Kate O'Brien in "Perfection," and other musical comedies. In 1872 she was especially engaged in the Union Square Theater, under the management of Sheridan Shook, as stock star, playing all the leading parts in the burlesques, "Ernani," "The Field of the Cloth of Cold," "Bad Dickey," "Blark-Eyed Susan," "Aladdin," "The Invisible Prince" and others, and remaining there two seasons. After Little Corinne made her success as Little Buttercup in "Pinafore," in the Boston Theater. Jennie Kim ball retired from the profession, in order to devote
