her whole time and attention to Corinne's professional advancement. She has occasionally reappeared with her, singing the Countess in "Ouvette" and the Queen in "Arcadia." In 1811 Mrs. Kimball commenced her career as a manager, organizing an opera company of juveniles, of which Corinne was the star. They continued uninterruptedly successful until the interference of the Society for the Prevention of Cruelty to Children, of New York City. After the celebrated trial, which gave Mrs. Kimball and her daughter, Corinne. such notoriety, they opened in the Bijou Opera House, 31st December, 1881, and played four weeks, thence continuing throughout the United States and Canada, winning marked success. Mrs. Kimball has had an interest in several theaters. She has a capacity for work that is marvelous. She has, by her energy and executive ability, brought Corinne to the front rank as a star. She personally engages all the people, makes contracts, books her attractions and supervises every* rehearsal. All details as to costumes, scenery and music receive her attention. The greater portion of her advertising matter she writes herself, and she is as much at home in a printing-office as she is in the costumer's or in the scenic artist's studio.
KIMBALL, Mrs. Maria Porter, see Brace, Miss Maria Porter.
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JULIE RIVE KING.
KING, Madame Julie Rivé, piano virtuoso, born in Cincinnati, Ohio, 31st October, 1857. Her maiden name was Rive. Her mother, Madame Caroline Rivé, was a cultured musician, a line singer, a finished pianist, and a teacher of long experience. At an early age Julie was trained in piano-playing, and at thirteen years of age her remarkable precocity was shown in concerts, when she played Liszt's "Don Juan." She early and easily mastered the preliminary studies, and went to New York City, where she studied with Mason and Mills, and also with Francis Korbay and Pruckner. Returning to Cincinnati, she appeared in concerts and created a furore. In 1873 she went to Europe and entered the classes of Liszt, after studying in Dresden with Blossman. She played in public in Leipzig and other cities, and
was at once ranked with the great pianists of the day. In Leipzig she studied with Reinecke. In 1874 she appeared with the Euterpe Orchestra in Leipzig. She won brilliant triumphs in all the musical centers of Europe. She was recalled to the United States by the sudden death of her father in a railway collision. Shortly afterward she was married to Frank H. King. She played in concerts in all the larger cities and established a reputation as one of the great pianists of the United States. In 1879 she made her home in New York City, and there she has lived ever since. In 1884 her health broke under the strain of public performances, and after recovering her strength she devoted her time to teaching and composition. She has composed scores of successful pieces. Her numerous tours have taken her from Massachusetts to California. She has played in more than two-hundred concerts with Theodore Thomas. Her memory is flawless. Her repertory includes over three-hundred of the most elaborate concert compositions.
KINNEY, Mrs. Narcissa Edith White, temperance worker, born in Grove City, Pa., 24th July, 1854. She is Scotch-Irish through ancestry. Her mother's maiden name was Wallace, and family records show that she was a direct descendant of Adam Wallace, who w;is burned in Scotland for his religion, and whose faith and death are recorded in Fox's Book of Martyrs." At his death his two sons, David and Moses Wallace, fled to the north of Ireland, whence Narcissa's grand-father, Hugh Wallace, emigrated to America in 1796. Her father's ancestor, Walter White, was also burned during Queen Mary's reign, and the record is in Fox's Book of Martyrs," and four of
