Rubáiyát of Omar Khayyám (tr. Fitzgerald, 1905)
Persian Poets № 1
RUBÁIYÁT
of
Omar Khayyám
Rubáiyát
of
Omar Khayyám
Fitzgerald's
Translation
T. N. FOULIS,
13 & 15 Frederick Street,
EDINBURGH.
AND LONDON.
MDCCCCV.
M‘Lagan & Cumming,
Chromo-Lithographers and Printers,
Edinburgh.
I
II
Dreaming when Dawn's Left Hand was in the Sky
I heard a Voice within the Tavern cry,
"Awake my Little ones, and fill the Cup
Before Life's Liquor in its Cup be dry."
III
And, as the Cock crew, those who stood before
The Tavern shouted—"Open then the Door!
You know how little while we have to stay,
And, once departed, may return no more."
IV
Now the New Year reviving old Desires,
The thoughtful Soul to Solitude retires,
Where the White Hand of Moses on the Bough
Puts out, and Jesus from the Ground suspires.
V
Irám indeed is gone with all its Rose,
And Jamshýd's Sev'n-ring'd Cup where no one knows;
But still the Vine her ancient Ruby yields,
And still a Garden by the Water blows.
VI
And David's Lips are lock't; but in divine
High-piping Pehleví, with "Wine! Wine! Wine!
Red Wine!"—The Nightingale cries to the Rose
That yellow Cheek of her's t' incarnadine.
VII
Come, fill the Cup, and in the Fire of Spring
The Winter Garment of Repentance fling:
The Bird of Time has but a little way
To fly—and Lo! the Bird is on the Wing.
VIII
And look—a thousand Blossoms with the Day
Woke—and a thousand scatter'd into Clay:
And this first Summer Month that brings the Rose
Shall take Jamshýd and Kaikobád away.
IX
But come with old Khayyám and leave the Lot
Of Kaikobád and Kaikhosrú forgot:
Let Rustum lay about him as he will,
Or Hátim Tai cry Supper—heed them not.
X
With me along some Strip of Herbage strown
That just divides the desert from the sown,
Where name of Slave and Sultán scarce is known,
And pity Sultán Máhmúd on his Throne.
XI
Here with a Loaf of Bread beneath the Bough,
A Flask of Wine, a Book of Verse—and Thou
Beside me singing in the Wilderness—
And Wilderness is Paradise enow.
XII
"How sweet is mortal Sovranty"—think some:
Others—"How blest the Paradise to come!"
Ah, take the Cash in hand and waive the Rest;
Oh, the brave Music of a distant Drum!
XIII
Look to the Rose that blows about us—"Lo,
Laughing," she says, "into the World I blow:
At once the silken Tassel of my Purse
Tear, and its Treasure on the Garden throw."
XIV
The Worldly Hope men set their Hearts upon
Turns Ashes — or it prospers ; and anon,
Like Snow upon the Desert's dusty Face
Lighting a little Hour or two — is gone.
XV
And those who husbanded the Golden Grain,
And those who flung it to the Winds like Rain,
Alike to no such aureate Earth are turn'd
As, buried once, Men want dug up again.
XVI
Think, in this batter'd Caravanserai
Whose Doorways are alternate Night and Day,
How Sultán after Sultán with his Pomp
Abode his Hour or two, and went his way.
XVII
They say the Lion and the Lizard keep
The Courts where Jamshýd gloried and drank Deep ;
And Bahrám, that great Hunter — the Wild Ass
Stamps o'er his Head, and he lies fast asleep.
XVIII
I sometimes think that never blows so red
The Rose as where some buried Cæsar bled ;
That every Hyacinth the Garden wears
Dropt in its Lap from some once lovely Head.
XIX
And this delightful Herb whose tender Green
Fledges the River's Lip on which we lean —
Ah, lean upon it lightly! for who knows
From what once lovely Lip it springs unseen !
XX
Ah, my Belovéd, fill the cup that clears
TO-DAY of past Regrets and future Fears —
To-morrow ? — Why, To-morrow I may be
Myself with Yesterday's Sev'n Thousand Years.
XXI
Lo ! some we loved, the loveliest and the best
That Time and Fate of all their Vintage prest,
Have drunk their Cup a Round or two before,
And one by one crept silently to Rest.
XXII
And we, that now make merry in the Room
They left, and Summer dresses in new Bloom,
Ourselves must we beneath the Couch of Earth
Descend, ourselves to make a Couch — for whom ?
XXIII
Ah, make the most of what we yet may spend.
Before we too into the Dust descend ;
Dust into Dust, and under Dust, to lie,
Sans Wine, sans Song, sans Singer, and — sans End !
XXIV
Alike for those who for TO-DAY prepare,
And those that after a TO-MORROW stare,
A Muezzín from the tower of Darkness cries
"Fools! your Reward is neither Here nor There ! "
XXV
Why, all the Saints and Sages who discuss'd
Of the Two Worlds so learnedly, are thrust
Like foolish Prophets forth ; their Words to Scorn
Are scatter'd, and their Mouths are stopt with Dust.
XXVI
Oh, come with old Khayyám, and leave the Wise
To talk ; one thing is certain, that Life flies ;
One thing is certain, and the Rest is Lies ;
The Flower that once has blown for ever dies.
XXVII
Myself when young did eagerly frequent
Doctor and Saint, and heard great Argument
About it and about : but evermore
Came out by the same Door as in I went.
XXVIII
With them the Seed of Wisdom did I sow,
And with my own hand labour'd it to grow :
And this was all the Harvest that I reap'd —
" I came like Water, and like Wind I go."
XXIX
Into this Universe, and why not knowing,
Nor whence, like Water willy-nilly flowing :
And out of it, as Wind along the Waste,
I know not whither, willy-nilly blowing.
XXX
What, without asking, hither hurried whence ?
And, without asking, whither hurried hence !
Another and another Cup to drown
The Memory of this Impertinence !
XXXI
Up from Earth's Centre through the Seventh Gate
I rose, and on the Throne of Saturn sate,
And many Knots unravel'd by the Road ;
But not the Knot of Human Death and Fate.
XXXII
There was a Door to which I found no Key :
There was a Veil past which I could not see :
Some little Talk awhile of ME and THEE
There seem'd — and then no more of THEE and ME.
XXXIII
Then to the rolling Heav'n itself I cried,
Asking, " What Lamp had Destiny to guide
Her little children stumbling in the Dark?"
And — "A blind Understanding!" Heav'n replied.
XXXIV
Then to this earthen Bowl did I adjourn
My Lip the secret Well of Life to learn :
And Lip to Lip it murmur'd — " While you live
Drink ! — for once dead you never shall return."
XXXV
I think the Vessel, that with fugitive
Articulation answer'd, once did live,
And merry- make ; and the cold Lip I kiss'd
How many kisses might it take — and give !
XXXVI
For in the Market-place, one Dusk of Day,
I watch'd the Potter thumping his wet Clay :
And with its all obliterated Tongue
It murmur'd — "Gently, Brother, gently, pray !
XXXVII
Ah, fill the Cup :— what boots it to repeat
How Time is slipping underneath our Feet :
Unborn TO-MORROW and dead YESTERDAY,
Why fret about them if TO-DAY be sweet !
XXXVIII
One Moment in Annihilation's Waste,
One Moment, of the Well of Life to taste —
The Stars are setting and the Caravan
Starts for the Dawn of Nothing — Oh, make haste !
XXXIX
How long, how long, in definite Pursuit
Of This and That endeavour and dispute ?
Better be merry with the fruitful Grape
Than sadder after none, or bitter, Fruit.
XL
You know, my Friends, how long since in my House
For a new Marriage I did make Carouse :
Divorced old barren Reason from my Bed,
And took the Daughter of the Vine to Spouse.
XLI
For "IS" and "IS-NOT" though with Rule and Line,
And "UP-AND-DOWN" without, I could define,
I yet in all I only cared to know,
Was never deep in anything but — Wine.
XLII
And lately, by the Tavern Door agape,
Came stealing through the Dusk an Angel Shape
Bearing a Vessel on his Shoulder ; and
He bid me taste of it ; and 'twas — the Grape !
XLIII
The Grape that can with Logic absolute
The Two-and-Seventy jarring Sects confute :
The subtle Alchemist that in a Trice
Life's leaden Metal into Gold transmute.
XLIV
The mighty Mahmúd, the victorious Lord,
That all the misbelieving and black Horde
Of Fears and Sorrows that infest the Soul
Scatters and slays with his enchanted Sword.
XLV
But leave the Wise to wrangle, and with me
The Quarrel of the Universe let be :
And, in some corner of the Hubbub coucht,
Make Game of that which makes as much of Thee.
XLVI
For in and out, above, about, below,
'Tis nothing but a Magic Shadow- show,
Play'd in a Box whose Candle is the Sun,
Round which we Phantom Figures come and go.
XLVII
And if the Wine you drink, the Lip you press.
End in the Nothing all Things end in — Yes —
Then fancy while Thou art, Thou art but what
Thou shalt be — Nothing — Thou shalt not be less.
XLVIII
While the Rose blows along the River Brink,
With old Khayyám the Ruby Vintage drink :
And when the Angel with his darker Draught
Draws up to Thee — take that, and do not shrink.
XLIX
'Tis all a Chequer-board of Nights and Days
Where Destiny with Men for Pieces plays :
Hither and thither moves, and mates, and slays.
And one by one back in the Closet lays.
L
The Ball no Question makes of Ayes and Noes,
But Right or Left as strikes the Player goes ;
And He that toss'd Thee down into the Field,
He knows about it all — He knows — HE knows !
LI
The Moving Finger writes ; and, having writ,
Moves on : nor all thy Piety nor Wit
Shall lure it back to cancel half a Line,
Nor all Thy Tears wash out a Word of it.
LII
And that inverted Bowl we call The Sky,
Whereunder crawling coop't we live and die,
Lift not thy hands to It for help — for It
Rolls impotently on as Thou or I.
LIII
With Earth's first Clay They did the last Man's knead,
And then of the Last Harvest sow'd the Seed :
Yea, the first Morning of Creation wrote
What the Last Dawn of Reckoning shall read.
LIV
I tell Thee this — When, starting from the Goal,
Over the shoulders of the flaming Foal
Of Heav'n Parwín and Mushtara they flung,
In my predestin'd Plot of Dust and Soul.
LV
The Vine had struck a Fibre ; which about
If clings my Being — let the Súfi flout ;
Of my Base Metal may be filed a Key,
That shall unlock the Door he howls without.
LVI
And this I know : whether the one True Light,
Kindle to Love, or Wrath consume me quite,
One Glimpse of It within the Tavern caught
Better than in the Temple lost out-right.
LVII
Oh, Thou, who did'st with Pitfall and with Gin
Beset the Road I was to wander in,
Thou wilt not with Predestination round
Enmesh me, and impute my Fall to Sin?
LVIII
Oh, Thou, who Man of baser Earth did'st make.
And who with Eden did'st devise the Snake;
For all the Sin wherewith the Face of Man
Is blackened, Man's Forgiveness give— and take !
LIX
Listen again. One Evening at the Close
Of Ramazán, ere the better Moon arose,
In that old Potter's Shop I stood alone
With the clay Population round in Rows.
LX
And, strange to tell, among the Earthen Lot
Some could articulate, while others not:
And suddenly one more impatient cried—
"Who is the Potter, pray, and who the Pot?"
LXI
Then said another—"Surely not in vain
My substance from the common Earth was ta'en,
That He who subtly wrought me into Shape
Should stamp me back to common Earth again."
LXII
Another said—" Why, ne'er a peevish Boy,
Would break the Bowl from which he drank in Joy;
Shall He that made the Vessel in pure Love
And Fancy, in an after Rage destroy!"
LXIII
None answer'd this; but after Silence spake
A Vessel of a more ungainly Make:
"They sneer at me for leaning all awry;
What! did the Hand then of the Potter shake?"
LXIV
Said one—"Folks of a surly Tapster tell,
And daub his Visage with the Smoke of Hell;
They talk of some strict Testing of us— Pish!
He's a Good Fellow, and 'twill all be well."
LXV
Then said another with a long drawn Sigh,
"My Clay with long oblivion is gone dry:
But, fill me with the old familiar Juice,
Methinks I might recover by-and-bye!"
LXVI
So while the Vessels one by one were speaking,
One spied the little Crescent all were seeking:
And then they jogg'd each other, "Brother, Brother!
Hark to the Porter's Shoulder-knot a-creaking!"
LXVII
Ah, with the Grape my fading Life provide,
And wash my Body whence the Life has died,
And in a Windingsheet of Vine-leaf wrapt.
So bury me by some sweet Gardenside.
LXVIII
That ev'n my buried Ashes such a Snare
Of Perfume shall fling up into the Air,
As not a True Believer passing by
But shall be overtaken unaware.
LXIX
Indeed the Idols I have loved so long
Have done my Credit in Men's Eye much wrong:
Have drown'd my Honour in a shallow Cup,
And sold my Reputation for a Song.
LXX
Indeed, indeed, Repentance oft before
I swore—but was I sober when I swore?
And then, and then came Spring, and Rose-in-hand
My thread-bare Penitence a-pieces tore.
LXXI
And much as Wine has play'd the Infidel,
And robb'd me of my Robe of Honour—well,
I often wonder what the Vintners buy
One half so precious as the Goods they sell.
LXXII
Alas, that Spring should vanish with the Rose!
That Youth's sweet-scented Manuscript should close!
The Nightingale that in the Branches sang,
Ah, whence, and whither flown again, who knows!
LXXIII
Ah Love ! could thou and I with Fate conspire
To grasp this sorry Scheme of Things entire,
Would not we shatter it to bits—and then
Re-mould it nearer to the Heart's Desire.
LXXIV
Ah, Moon of my Delight who know'st no wane,
The moon of Heav'n is rising once again:
How oft hereafter rising shall she look
Through this same Garden after me—in vain!
And when Thyself with shining Foot shall pass
Among the Guests Star-scatter'd on the Grass,
And in thy joyous Errand reach the Spot
Where I made one—turn down an empty Glass!
TAMÁM SHUD.
NOTE.
Of information regarding the actual life of Omar Khayyám, the astronomer poet of Persia, we have practically none. He was born, it is said, about 1018, and died in 1123, at the age of one hundred and five.
The first English version of his quatrains, from which this is reprinted, was written by Fitzgerald, and published in 1859, and, nine years later, reissued to a still unappreciative public, with the stanzas increased to one hundred and ten. In subsequent versions the number of verses was reduced to one hundred and one.
Edward Fitzgerald, unrewarded by the gratitude of a now ever-widening circle of admirers of this Epicurean philosophical poem, died in 1883, leaving this little classic a monument to his genius.
THE PERSIAN POETS' SERIES.
The object of these little books is to bring within reach of lovers of poetry translations of the best and most famous verse written by poets of Persia.
The decorations used for these volumes have been designed specially for the publisher by native Persian artists and are reproduced by means of lithography.
The first two volumes are now ready, and others are in preparation—
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
Original: |
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse |
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Translation: |
This work was published before January 1, 1929, and is in the public domain worldwide because the author died at least 100 years ago.
Public domainPublic domainfalsefalse |