Translation:Méthode de serpent

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Method for Serpent (1814)
by Nicolas Roze, translated from French by Wikisource

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English translation of Méthode de serpent, a method for learning the serpent published by the Paris Conservatoire in 1814. Note that this method assumes a serpent pitched in D by the old low French church pitch (A=415 Hz or lower). Most serpents are pitched in C by modern 440 Hz standard pitch; transpositions for a C serpent of the fingering chart included here are available on Commons.

Nicolas Roze4758718Method for Serpent1814Wikisource

METHOD

FOR SERPENT

adopted by the Imperial Conservatoire

Of Music

For the purposes of Worship

and Military Service

Price 15 francs

IN PARIS

At the Music Store of the Imperial Conservatory, Rue du Faubourg-Poissonnière, No. 11 at the corner of Rue Bergère.

PRELIMINARY

EXERCISES

AND LESSONS

OF GRADUATED DIFFICULTY

We warn our readers that for everything concerning the principles of music, we commit them to use the Conservatory method.

CONSERVATORY OF MUSIC

DECREES ON THE ADOPTION OF A SERPENT METHOD

General Assembly of the members of the Conservatory.

25 August 1812

Under the Rules of Conservatory Regulations, a special commission composed of Messieurs Gossec, Roze, Ozi and Rogat, which was assembled to formulate a serpent method for teaching in the Conservatory of Music, presents their completed work at the General Assembly.

The assembly heard with satisfaction the reading of this book and recognized it as useful for the service of worship and for military service; and adopted it unanimously for teaching in the Conservatory.

SARRETTE (President).

Director of the Conservatory of Music.

Considering the adoption by the Conservatory of Music on 25 August 1812, and pursuant to section 68 of the Regulations,

Decree:

The Serpent method adopted by the General Assembly of the members of the Conservatory will serve as the basis for teaching in the classes of the Conservatory.

SARRETTE.

A new form was given to the serpent at the beginning of the year 1806 by instrument maker Sieur Piffault, Rue Bourtibourg, Paris.

The use of this serpent is much easier for military service than the former serpent; we hold the lower part on the right side, like the bassoon.

Because of this ease, the inventor named it a military serpent.

This serpent has all the qualities of the other, the same fingering, the same inconvenience of the high and middle C; but the sound is brighter, and the body is not covered with leather as it is with the old serpent.

METHOD

FOR THE STUDY OF THE SERPENT

ORIGIN AND EMPLOYMENT OF THE SERPENT.

The serpent has the same nature as the cornett. Its name comes from its shape, which for the greatest convenience is folded on itself given that the tube of the instrument, at six feet long, would have been too cumbersome to wield.

Edme Guillaume, canon of Auxerre Cathedral and treasurer of the bishop, the famous Jacques Amyot,^[1] imagined this instrument in 1590: he first employed it in concerts performed at Amyot; in the simple music of this time, this instrument supported the tone in the unisons; it was then perfected as a bass instrument in the music of the great churches. Since then it has been employed with some advantages in military music.

Until now its primitive form had seemed the most convenient; but an instrument maker of Paris, Monsieur Piffault, has tried successfully to change it, see Figure 2^e This form is preferable to the original for use in military music for marching infantry, but not so useful for cavalry; a more appropriate service must be found; it is up to instrument makers to see if the tubing of the serpent cannot be coiled, as it is on the horn.

HOW TO HOLD THE SERPENT.

There are several ways to hold the serpent; the oldest, probably indicated by Edme Guillaume, and which is still practiced generally in churches, is to hold it in a vertical position.

L'Abbé Lunel^[2] changed the way he held the serpent, placing it diagonally, resting its second curve on the left wrist, leaving this hand freer and allowing the holes to be stopped with the middle of the last phalange: knuckle? (the pad of the last phalange of the finger is meant, distinct from and lower down than the fingertip), a procedure preferable to the first.

The use of serpents in military music requires a third way dictated by the nature of military service.

The serpent is held almost horizontally so that its lower part is placed out of the line of the body, leaving the knees with freedom of movement required to march and especially the quick step.

While this is usually followed in the infantry service, we will describe a fourth way which must be preferred by the mounted musician and which can be adopted usefully for the general use of the serpent as long as it retains its primitive form: one places the instrument in an absolutely horizontal position, one passes the right hand through the last curve formed by the bell, by this means one supports it and one closes the last three holes with more ease than one can by the ways described above.

If, as indicated above, a form similar to that of the horn can be realized, it will certainly be the one that best suits the use of the serpent. It will be much less cumbersome, and will determine a new way to hold this instrument.

ON THE MOUTHPIECE.

The mouthpiece is a small cup, usually made of ivory, which is inserted into a curved tube called the bocal.

The cup may vary in its proportions, but must be subordinate to the size of the lips of the player. The opening of the mouthpiece, which is used to introduce air into the instrument tube, must not be too large or too small.

The mouth must be placed on the middle of the mouthpiece so that the upper and lower lips are also covered.

EMBOUCHURE EXERCISE.

As with all the instruments in the cornett family, execution depends mainly on the embouchure.

In this sense we are not concerned with the shape of the mouth; but the art of making the air introduced by the performer resonate in the tube of the instrument, is what figuratively is called the embouchure.

Two musicians with the same lip conformation may have one with a good embouchure, the other less so; this difference determines the quality of the sound that each gets from the instrument.

A good embouchure is the result of a special and careful study.

For the first exercise of the serpent, the bocal is detached from the instrument, we place the mouthpiece as we have indicated, then we start the ranges by articulating the sounds (see page 4). This preliminary work, repeated a few times, gives security to the lips and sharpness to the articulation.

It is preferable that the student be familiar with the embouchure before becoming preoccupied with holding and sounding the instrument. When he arrived at this level, the bocal being replaced he chooses to hold the serpent one of the ways described, but we advise that the last we have indicated, as the most natural and most satisfying for all services; then the player will take care of fingering and sound formation.

ON FINGERING.

To take advantage of the serpent one must add to the study of the embouchure that of good fingering. We indicate one in the attached fingering chart, which is the result of the research done by the best teachers.

It is through the exercise of these two essential parts of the art to play the serpent that the pupil will manage to make rapid progress, that he will be able to acquire correctness, assurance of the notes, good tone, and finally the means of controlling the equality of the sound; as much as this instrument is susceptible to it, because it has vicious sounds that are very difficult to correct, diligent work and the intelligence of the performer are the surest means to achieve this. Nevertheless one can perform on the serpent, by means only of its mouthpiece, a few simple bass notes, it is the only resource that this instrument offers to non-musicians for use in lectern service; But since this is not the only goal that one should set when studying this instrument, we insist on careful study of fingering.

In order to obtain clarity in execution, care must be taken to place your fingers on the instrument so that they can act freely and effortlessly as necessary, they must be held against the holes so that each must close and open, taking care, in their action, that they do not slip, but strike precisely.

ON THE FORMATION OF SOUND.

The sound is the result of the introduction of the player's breath into the serpent tube through the bocal. This breath produces an air column that receives the action of the tongue, lips, and fingering, with various modifications that determine the sounds that can be obtained from the instrument. See the fingering chart.

ON ARTICULATION.

The action of the tongue alone, used as a valve in the emission of the breath, determines the articulation, without which the sound would be loose and monotonous; Not only do they give strength and clarity to the sound, but they have the advantage of sparing the performer, by only requiring the volume of air from the chest sufficient for the articulation of each sound.

It is understood that by saving the breath one prolongs the duration, a generally important objective for those engaged in the study of wind instruments, but even more so for the serpent because of the volume of its tubing.

The syllable du is used for the slurred sounds and tu for the detached sounds.

Example.

$\version "2.20.1" \layout { ragged-right = ##t \context { \Score \omit BarNumber } } \relative { \override DynamicTextSpanner.style = #'none \clef bass \key c \major \numericTimeSignature \time 2/4 \omit TupletNumber \tuplet 3/2 { \stemUp c8(^"slurred notes"_"du" d e) } \tuplet 3/2 { \stemNeutral d(_"du" e f) } \tuplet 3/2 { e(_"du" d c) } \tuplet 3/2 { b( a g) } \tuplet 3/2 { g'( f e) } \tuplet 3/2 { a( g f) } \bar "||" \break \override Staff.TimeSignature.break-visibility = ##(#f #t #t) \override Staff.TimeSignature.style = #'single-number \time 2/2 c4.^"detached"_\markup {\lower #2.7 {"tu,"}} d16_"du," (e) f8_\markup {\lower #2.7 {"tu"}} g a_\markup {\lower #2.7 {"="}} a_\markup {\lower #2.7 {"="}} d,4._"tu," e16_"du," (f) g8_\markup {\lower #2.7 {"tu"}} a b_\markup {\lower #2.7 {"="}} b_\markup {\lower #2.7 {"="}} \bar "||" }$

ON PRODUCING GOOD SOUND.

The rules of fingering alone are not sufficient to play the serpent well, which in this regard is one of the most difficult instruments, but one who is organised can, with particular work, and listening carefully to the sounds of the notes, manage to play it well.

The sounds of all the notes on the instrument, produced either by modifying the embouchure or fingering, must be formed first in the imagination, and if it happens that the inner feeling is false, the sound produced will become so too. Now as there is no method to teach chanter juste: perfect pitch?, that is to say, to teach how to produce with the voice a determined intonation; or to sing in unison with some note, there is also not, in the same sense, a way to teach playing so on the serpent. Musical knowledge is therefore here the first condition required, and the student who received it from nature must, before putting lips on the instrument, have acquired, through the exercise of the solfege, the habit of comparing the sounds, measuring the intervals, and grasping the intonations.

ON THE EQUALITY OF SOUND.

The equality of the voice of the instrument is the complement to all the conditions that must be met in order to have a good quality of sound.

This equality derives from that of the interlocking sounds and is obtained, as far as possible on the serpent, by avoiding giving too much strength to the brightest notes of the instrument, such as the pedal D and A, and artfully modifying them to bring out with more advantage and ease other notes that are naturally veiled or weak.

We will therefore get used to placing the sounds equally, by swelling or decreasing them with the same care, to play sparingly the easy sounds to focus on those that are less so. It will be through this essential study, indispensable to obtain equal sounds, round and mellow, that the student will succeed in acquiring a beautiful quality of sound.

ON TRILLS.

The trill, improperly called a cadence, is the alternation of two notes, consisting of the main note and a small note or grace note placed on it.

The trill or cadence is indicated by the sign or The trill in its full extent, which is practiced on the final cadence (also called organ point or final point), must be executed as in this example.

On C

$\version "2.20.1" \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 4/4 c2\fermata \afterGrace d\trill { c16( d16) } c2 r \bar ".." \time 1/16 s16 \bar "" \set Staff.forceClef = ##t \clef bass \time 13/4 \stemDown c2 ^ "Execution." d4. e8 d4. e8 d8. e16 d8. e16 d16 e d e d e d e d32 e d e d e d e d32 e d e d e d e d32 e d e d e d c64 d c2 r2 \bar ".." }$

This trill is done with the right-hand middle finger, and would be too hard an octave higher.

On F

Play by alternating the first two fingers of the right hand.

Example.

$\relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 4/4 f2 g\trill f r \bar ".." }$

In D major or minor

This trill can only be done like on the horn and tumpet, i.e. by the action of the lips.

Example.

$\relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 4/4 d2 e\trill d r \bar ".." }$

The trill up to D is done by lifting the first two left-hand fingers, coming from the D which is all closed.

Example.

$\relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 4/4 \stemUp d2 cis_\trill d r \bar ".." }$

It is very difficult to play other trills on the serpent, by its opposed nature, its character, and the weight of its sound makes them useless.

PART ONE.

FIRST EXERCISES.

To form the right sounds in all the following scales, you must always have the fingering table before you.

SIMPLE SCALES.

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 8/1 ^ "C major." _ "This scale has a relative A minor." c1 d e f g a b c \time 11/1 c b a g f e d \omit Stem c4 b a g f e d c c' c,1 \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 8/1 ^ "A minor." a,1 b c d e fis gis a \time 10/1 a g! f! e d c b a a' a, \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key f \major \time 8/1 ^ "F major." f,1 g a bes c d e f \time 10/1 f e d c bes a g f f' f, \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key d \minor \time 8/1 ^ "The relative is D minor." d1 e f g a b cis d \time 10/1 d c! bes! a g f e d a d, \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key g \major \time 8/1 ^ "G major." g,1 a b c d e fis g \time 13/1 g fis e d c b a g fis e d d' g, \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key e \minor \time 8/1 ^ "E minor." e,1 fis g a b cis dis e \time 10/1 e d! c! b a g fis e e' e, \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key e \minor \time 8/1 ^ "Same scale up an octave." e1 fis g a b cis dis e \time 10/1 e d! c! b a g fis e b e, \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key bes \major \time 8/1 ^ "B♭ major." bes,1 c d ees f g a bes \time 16/1 bes a g f ees d c bes bes a g f ees d f bes \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key g \minor \time 8/1 ^ "G minor." g,1 a bes c d e fis g \time 12/1 g f! ees! d c bes a g g' d bes g \bar "||" }$

Note the sixth and seventh notes of a minor scale may vary

as in the following example.

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key g \minor \time 15/1 g1 fis ees! d c bes a g ^ "This variation is little used when ascending." a bes c d ees! fis! g \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key d \major \time 8/1 ^ "D major scale." _ "Here we recommend C♯ played all open while pinching the lip" d1 e fis g a b cis d d cis b a g fis e d \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key d \major \time 20/1 ^ "In the following, the C♯ can be played closed" d1 cis b a g fis e d cis d e fis g a b cis d g, a d, \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key b \minor \time 8/1 ^ "B minor is the relative." b,1 cis d e fis gis ais b b a! g! fis e d cis! b \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key a \major \time 8/1 ^ "A major scale." a,1 b cis d e fis gis a \time 10/1 a gis fis e d cis b a a' a, \bar "||" }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key a \major \time 8/1 ^ "F♯ minor is the relative." fis,1 gis a b cis dis eis fis \time 10/1 fis e! d! cis b a gis! fis \bar "||" }$

$\layout { indent= #10 system-count = #2 \context { \Score \omit BarNumber } } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key ees \major \time 15/1 ^ "E♭ major scale." ees,1 f g aes bes c d ees f g aes bes c d ees \time 4/1 ees d c bes \bar "" \break \time 19/1 aes g f ees d c bes aes g f ees ees' bes g ees g bes ees ees, \bar "||" }$

$\layout { indent= #10 system-count = #2 \context { \Score \omit BarNumber } } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \minor \time 15/1 ^ "C minor is the relative." c,1 d ees f g a b c d ees f g a b c \time 2/1 c bes! \bar "" \break \time 20/1 aes! g f ees d c c b bes a aes g fis f e ees d c c' c, \bar "||" }$

Exercises of different intervals

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 5/2 ^ "Ascending threes" \omit Stem c2 d e c e d e f d f e f g e g f g a f a g a b g b a b c a c \bar ".." }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 5/2 ^ "Descending threes" \omit Stem c'2 b a c a b a g b g a g f a f g f e g e f e d f d e d c e c \bar ".." }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 6/2 ^ "Ascending fours" \omit Stem c2 d e f c f d e f g d g e f g a e a f g a b f b g a b c g c \bar ".." }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 6/2 ^ "Descending fours" \omit Stem c'2 b a g c g b a g f b f a g f e a e g f e d g d f e d c f c \bar ".." }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 7/2 ^ "Ascending fives" \omit Stem c2 d e f g c, g' d e f g a d, a' e f g a b e, b' f g a b c f, c' \bar ".." }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 7/2 ^ "Descending fives" \omit Stem c'2 b a g f c' f, b a g f e b' e, a g f e d a' d, g f e d c g' c, \bar ".." }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 8/2 ^ "Ascending sixes" \omit Stem c2 d e f g a c, a' d, e f g a b d, b' e, f g a b c e, c' \bar ".." }$

$\layout { indent= #10 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 8/2 ^ "Descending sixes" \omit Stem c'2 b a g f e c' e, b' a g f e d b' d, a' g f e d c a' c, \bar ".." }$

$\layout { indent= #10 system-count = #1 } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 9/2 ^ "Ascending sevens" \omit Stem c2 d e f g a b c, b' d, e f g a b c d, c' c ^ "Descending sevens" b a g f e d c' d, b' a g f e d c b' c, \bar ".." }$

$\layout { system-count = #2 \context { \Score \omit BarNumber } } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \omit Stem ^ "Recapitulation" \time 5/2 c2 d e c e \time 6/2 c d e f c f \time 7/2 c d e f g c, g' \time 8/2 c, d e f g a c, a' \time 9/2 c, d e f g a b c, b' \time 10/2 c, d e f g a b c c, c' \bar ".." \break \time 5/2 c b a c a \time 6/2 c b a g c g \time 7/2 c b a g f c' f, \time 8/2 c' b a g f e c' e, \time 9/2 c' b a g f e d c' d, \time 10/2 c' b a g f e d c c' c, \bar ".." }$

EXERCISES

Give in the same time the value of the notes and the different intervals

$\layout { indent = #10 system-count = #2 \context { \Score \omit BarNumber } } \relative { \new Staff \with { \remove "Time_signature_engraver" } \clef bass \key c \major \time 4/4 c1 | d2 d, | d'1 | e2 e, | e'1 | f2 f, | f'1 | | g2 g, | g'1 | a2 a, | a'1 | b2 b, | b'1 | c2 c, \bar ".." \break c'1 | b2 b, | b'1 | a2 a, | a'1 | g2 g, | g'1 | f2 f, | f'1 | e2 e, | e'1 | d2 d, | d'1 | c2 c, \bar ".." }$

$\version "2.20.1" \layout { indent= #10 system-count = #2 \context { \Score \omit BarNumber } } \relative { \clef bass \key c \major \time 2/2 \stemUp c4 ^ "Exercises in thirds." d e c | \stemDown e2 c2 d4 e f d | f2 d2 e4 f g e | g2 e2 f4 g a f | a2 f2 g4 a b g | b2 g2 a4 b c a | c2 a2 b4 c d b \break d2 b2 | c4 g e c c'1 | c,4 e g c b2 d2 | b4 d c b a2 c2 | a4 c b a g2 b2 | g4 b a g f2 a2 | f4 a g f e2 g2 | e4 g f e d2 f2 | d4 f e d c2 e2 | c1 \bar ".." }$

$\version "2.20.1" \layout { indent= #10 ragged-last = ##t system-count = #4 \context { \Score \omit BarNumber } } \relative { \clef bass \key c \major \time 2/2 \stemDown c4 ^ "Exercises in fourths and octaves." d e f | f,1 d'4 e f g | g,1 e'4 f g a | a,1 f'4 g a b | b,1 g'4 a b c | c,1 \bar ".." \break c'1 | b4 a g f | e2 f2 | g1 a1 | g4 f e d | \stemUp c2 d2 | e1 f1 | e4 d c b | a2 g2 | c1 d4 b g2 | e'4 c g2 \break \stemNeutral f'4 d4 g,2 | g'4 e g,2 a'4 g f e | \stemUp d c b a | g2 \stemNeutral g'2 a4 ^ "fifths" g f e | d2 a'2 g4 f e d | c2 g'2 f4 e d c | b2 f'2 \stemUp e4 d c b \break \stemNeutral a2 e'2 \once \stemUp d4 c b a | g2 g'2 g,1 a2 b c \once \stemUp d e f g a b c g g, c1 \bar ".." }$

$\version "2.20.1" \layout { indent= #10 ragged-last = ##t system-count = #2 \context { \Score \omit BarNumber } } \relative { \clef bass \key c \major \once \override Staff.TimeSignature.style = #'single-number \time 3/4 \stemUp c4 ^ "Exercises in sixths." d e | \stemDown f g a | c, a'2 d,4 e f | g a b | d, b'2 e,4 f g | a b c | e, c'2 c4 b a | \break g f e | c' e,2 b'4 a g | f e d | b' d,2 a'4 g f | e d c | a' c,2 f4 g g, | \stemUp c2. \bar ".." }$

$\version "2.20.1" \layout { indent= #10 ragged-last = ##t system-count = #2 \context { \Score \omit BarNumber } } \relative { \clef bass \key c \major \once \override Staff.TimeSignature.style = #'single-number \time 3/4 c2. ^ "Sevenths descending." e8 d c b a g | f2. \stemDown f'8 e d c b a | \stemNeutral g2. g'8 f e d c b | a2. a'8 g f e d c | b2. \break c8 ^ "Ascending sixths and descending fifths." d e f g a | d, e f g a b e, f g a b c | f,4 g g, | a2. f'4 g g, | c2. \bar ".." }$

$\version "2.20.1" \layout { indent= #10 ragged-last = ##t system-count = #3 \context { \Score \omit BarNumber } } \relative { \clef bass \key c \major \time 2/2 c4 ^ "Exercises of rests and the first sharp." _ "The rest that marks the beat must be more expressed than the one that ends it." c, r c' \stemUp d d, r d' | e e, r e' | \stemNeutral f8 e d4 r g e8 d \once \stemDown c4 r c' | a8 g fis4 r d b'8 a g4 r g, | c8 b a4 r \once \stemUp d g8 fis g4 r b, \break c8 _ "Rest small and gently expressed." b a4 r \once \stemUp d | g,2 r4 g' f g, r f' | \once \stemUp e g, r e' d8 c b a g4 r c _ "Rest small and gently expressed." \stemUp d e r | \stemNeutral f g a r b, c \once \stemUp d r | e f g r a, b c r \break d e f r | d e8 f g4 g, r _ "very strongly expressed." c8. d16 e4 r r d8. e16 f4 r | r e8. f16 g4 r | r a8. b16 c4 r r a f g | c,2 r4 c | c,2 r4 c' | c,1 \bar ".." }$

$\layout { indent= #10 system-count = #2 \context { \Score \omit BarNumber } } \relative { \clef bass \key c \major \time 2/2 \override Staff.Rest.style = #'classical ^ "Syncopation exercises." c2 \stemUp e~ | e d4 c | b2 \stemNeutral f'~ | f e4 d | c2 g'~ | g f4 e d2 a'~ | a g4 f | e f g2~ | g f4 e | d e f2~ \break f4 e d2~ | d4 c b2~ | b4 a g g'~ | g f2 e4 d d, r f'~ | f e2 d4 c c, r e'~ _ "Syncopated rests" e d r f~ | f e r g~ | g f r a~ | a g2 f4 | e2 a d, g | c,1 \bar ".." }$

$%{ the third system is on the next page %} \layout { indent= #10 system-count = #2 \context { \Score \omit BarNumber } } \relative { \clef bass \key c \major \compressEmptyMeasures \set restNumberThreshold = 0 \time 4/4 \override Staff.Rest.style = #'classical ^ "Breve and semibreve exercises." c1 | g2 r | d'1 | g,2 r | c \stemUp e | \stemNeutral r a | d, g r f | b, \stemUp e | r d | g, c | r \stemNeutral e \break f r | r fis | g r R1 g,2 g' | e \stemDown c R1*2 _ "Symbol for 2 bars" \stemUp g2 \stemNeutral g' | c,1 \bar ".." }$

Note these short lessons will immediately follow the exercises.

Lessons graduated by difficulty.

$\layout { indent= #10 system-count = #3 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \relative { \clef bass \key c \major \time 2/2 \override Staff.Rest.style = #'classical c2 \stemUp d4 e | \stemDown f2 d4 g | e4 d c2 | g'2 fis4 f e2 fis | g4 a b g | c2 b4 bes | a g f e d g2 f4 | e a2 g4 \break fis4 d e fis | g g8. g16 a4 a8. a16 b4 g8. g16 a4 fis8. fis16 | g4 r r8 g g g g4 g, r8 f' f f | f4 g, r8 e' e e e d f e d c b a \break \stemUp g4 \stemDown g' a d, | g c, f2~ | f4 e8 d e4 c | d2 g4 \stemNeutral g, \stemDown c4 e d g | \stemUp e c d g, \stemDown c4 e d g | e c d g, \stemUp c2 c2 | c1 \bar ".." } \new Staff \relative { \clef bass \key c \major \time 2/2 \override Staff.Rest.style = #'classical ^ Moderato r4 c b bes | a2 b! | c4 g c,2 | r4 g' a b c2 a4 d8. c16 | b4 a g f' | e \stemDown c \stemNeutral d e | f e d c b g a b | c a b cis \break d d2 \stemDown c!4 | \stemUp b e8. e16 c4 d8. d16 \stemDown g4 e8. e16 c4 d8. d16 | \stemUp g,4 g8. f16 e2 f d | e c | f f4 fis \break g4 g~ g f~ | f e d d'8 c | b4 g c a | f2 g4 g c,4 c'2 b4 | c8. b16 a8. g16 f4 g c,4 c'2 b4 | c8. b16 a8. g16 f4 g c,2 c' | c,1 \bar ".." } >>$

$\layout { indent= #10 system-count = #2 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \relative { \clef bass \key c \major \time 2/2 \override Staff.Rest.style = #'classical a2. g8. f16 | e4 d \stemDown c b \stemUp a8. b16 c8. d16 e4 a, | \stemNeutral f'2 e4 a,8. b16 \stemDown c4 \stemNeutral d e fis | gis2 a4 a, a'2 b \break c4 cis d c8. d16 | b4 g c b8 c a4 f b a8. b16 | gis4 b8. g16 e8.[ e16] c'8. a16 gis8.[ gis16] b8. gis16 \stemDown e8-! d-! c-! b-! | \stemNeutral a4 a'2 g!8. f16 } \new Staff \relative { \clef bass \key c \major \time 2/2 \override Staff.Rest.style = #'classical ^ Moderato r4 a,8. b16 c4 d | c b a gis r4 a8. b16 c4 c | \stemUp d b8. d16 c8. a16 c8. b16 a4 b c d8. c16 | b4 e8. d16 c8. d16 c8. b16 a4 \stemDown a' gis e \break a4 g!8. a16 f4 d | g f8. g16 e4 c f e8. f16 d4 dis | e e \stemUp e,8.[ gis16] a8. c16 \stemNeutral e4 e e, r | r a8. b16 c4 \stemUp d } >> %{ ---- continues on the following page ---- %}$

$%{ ---- continued from previous page ---- %} \layout { system-count = #1 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \remove "Time_signature_engraver" } \relative { \clef bass \key c \major \time 2/2 \override Staff.Rest.style = #'classical e4 d \stemDown c b | \stemNeutral a8. b16 c8. d16 e4 fis gis2 a4 e | f8. e16 d8. c16 \stemDown b4 e4 \stemNeutral a,2 a'4 a | c4. a8 c a e c a4. a'8 c a e c | a2 a'4 a | a2 r2 \bar ".." } \new Staff \with { \remove "Time_signature_engraver" } \relative { \clef bass \key c \major \time 2/2 \override Staff.Rest.style = #'classical c4 gis a e | r a8. b16 c4 d8. c16 b4 \stemUp e8. d16 c4 a | d8. c16 b8. a16 gis4 e a2 r | a a8 c e c a2 a8 c e c | a2 a4 a | a2 r2 \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #4 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \relative { \clef bass \key c \major \time 2/4 c2^ "Andante" | d4. e8 | f8[ g a b] | c4. b8 a[ g f e] | a4. g8 | f[ e d c] | g'4 r c8 c16 b a4 | b16 a b a g4 | a8 a16 g fis4 g8 a16 b c4 | b8 g16 b g8 fis g a16 b c8 a16 c | b8 g16 b a8 d, g g g r | g a f d16 e | f8 g e r c' d b c | a b g a f8 f16 f d'8 c | b8. c16 b8 g c c16 d ees8 fis, | g2 \fermata c8 c,16 e g8. a16 | \grace g8 f8 d16 e f8. g16 f8 (e) g g16 a | g (f) d' (c) b a g f f16 (e) c' (b) a g f e | e (d) f a g f e d c'8. a16 g f e d | c8[ c c] r \bar ".." } \new Staff \relative { \clef bass \key c \major \time 2/4 r8 c, c'4~ | c8 b bes4 | a8[ e f d] | c[ c' d e] f[ e d c] | f4. e8 | d[ c b a] | g4 g'8 g16 f e4 f16 e f e | d4 e8 e16 d | \stemDown c4 d16 c d c \stemNeutral b8 c16 d e8 fis | g e16 d \stemDown c8 d16 c \stemNeutral b8 c16 d e8 fis | g e \stemDown c d | \stemNeutral g,[ g g] r b cis \once \stemUp d r | a b c r | e fis g e16 c f!8 d16 b e8 c16 a d8[ c b a] | \stemUp g \stemDown g'16 fis g8 \stemUp g, aes4 r8 aes | g2 _ \fermata r4 \stemNeutral e' | \once \stemUp d g, | c e | \stemUp d g, c e, | f g a8 f g g | c g c, r \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #2 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \relative { \clef bass \key f \major \time 3/4 f2.^ "Moderato. Stabat mater." g2. a2. g2. a2. c2. bes2. a2. a2. g2. f2. e2. d2. e2. d2. | c2 r4 | g'2. f2. g2. a2.~ a8 c, f c a' f | c'2 a4 f'4. c8 a f | c4 c2 | f,4 f' r \bar ".." } \new Staff \relative { \clef bass \key f \major \time 3/4 \override Staff.Rest.style = #'classical r4 a, f | r \once \stemDown c'8 (d) e4 | r f f, | r c'8 (b) c4 r f8 (e) d4 | r e fis | g d e | f c8 a f4 r8 f a c f4~ | f e8 d e c | r d, f a d4~ d4 c8 b c c, f8 g a g fis4 | g4. gis8 a f | g4 g2 c,4 e8 g c4~ | c bes8 c bes c | a c a c f4~ f4 e8 c d e | f4 d \once \stemDown b | c2. | c2. | c2. c,2. | f4 f r \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #4 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { instrumentName = "5" systemStartDelimiter = #'SystemStartBrace } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key f \major \time 3/2 ^ "fieremente." d4-! f-! d2 r | e4-! g-! e2 r | f4-! a-! g-! f-! e-! d-! | cis2 a' r d,4-! f-! d2 r | e4-! g-! e2 r | f4 g a bes c ees, | d fis g a bes des, \break ces4 e! f g a a, | bes d e f g bes, | a c f a c2 | bes,4 d f bes d2 b,4 d f b d f | c1 a4 f | c1 cis2 | d1 r2 \break d'4 bes g2 c | f, f, r | f' a,4 c f2~ | f e4 d e c g'2 bes,4 d g2~ | g f4 e f d | bes' a g f e d | cis a a' f f2 \break r4 g, g' e e2 | r4 f, f' d d2 | e4 bes' a2 cis | d2. a4 bes g f2. a4 g e | d2 d' d | \stemUp d,2. d4 a f | d2 d' r \bar ".." } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key f \major \time 3/2 r2 r d, | r r cis | r2 r4 d g gis | a bes a g! f e d2 r4 d d'2 | r2 r4 c, c'2 | r r r4 a | bes c bes a g2 a4 bes a g f2 | g4 a g f e c | f2 r r4 a | bes2 r r4 bes b2 r r4 b | c1 a4 f | c1 cis2 | d1 r2 \stemUp d'4 bes g2 c | f, f r | r f4 g a b | c b c2 c, r g'4 a bes cis | d cis d2 d, | r bes'4 a g gis | a2 r4 d, d' bes bes2 r4 c, c' a | a2 r4 bes bes a | g \stemNeutral g'2 f4 e g | f a d, f g, bes a1 a2 | d,4 d' f d a f | d2. \stemUp d'4 a f | d2 d' r \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #3 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { instrumentName = "6" systemStartDelimiter = #'SystemStartBrace } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 3/8 %{ ---- mal imprimé ? 3/4 ---- %} r8 b cis | d a b | c g ais | b fis g a e fis | g a b | c4 b8 | a16 fis d8 r g4. fis4. e4. d4. c4. \break b8 e d | \stemUp cis fis e | \stemNeutral d g fis | e a g fis16 g a8[ d,] | b'4 d,8-! | a'4 d,8-! | b' g d a' fis d | d'-! fis,4 | d'8-! g,4 | d'4. cis16 b a4 | g4. | fis16 e d8 r \break b'8 g a | d,4 r8 | d fis a | cis, e a d, fis a | e g a | fis a d | g, cis e d a fis | d' b g | d' cis a | fis a fis d fis a | c4. } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 3/8 %{ ---- misprint? 3/4 ---- %} g4. fis4. e4. d4. c4. | b8 a g | fis4 g8 | d' d, r | r8 b' cis | d a b | c! g ais | b fis gis | a e fis \break g4 gis8 | a4 ais8 | b4 b8 | cis4 a8 d16 e fis8 r | g4. fis4. g4. fis4. | r8 d16 (fis) d8 | r8 d16 (g) d8 | r fis gis \stemDown a \stemUp a, r | r b cis | \stemDown d \stemUp d, r \break b'8 g a | d,4 r8 | d4. e4. d4. cis4. d4. e4. fis4. g4. fis4. a4. c4. | d,8 fis a } %{ ---- continued on next page ---- %} >>$

$%{ ---- continued from previous page ---- %} \version "2.20.1" \layout { system-count = #3 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \remove "Time_signature_engraver" } \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 3/8 d8 fis a | c4.| d,8 fis a | d4 \fermata r8 g, b cis | d a b | c g ais | b fis gis a e fis | g a b | c4 b8 | a16 fis d4 d8 (e) fis-! | g (a) b-! | e, (fis) g-! \break a (b) c-! | fis, (g) a-! | b (c) d~ | d c16 b c8~ c b16 a b8~ | b a16 g a8~ | a g16 fis g8 | c4 b8 a fis g | c4 b8 | a fis g | e c d | g a4 \break b8 c4 | cis8 d4 | cis8 d4 | cis8 d d, | g4 r8 g8 b g | e g e | c' b a | d4 b8 | g b g e8 g e | c d d | g,4 r8 | g'4 r8 | g4 r8 \bar ".." } \new Staff \with { \remove "Time_signature_engraver" } \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 3/8 c4. | d,8 fis a | c a fis | d4 r8 r8 g'4 ^ "Descending chromatic." fis8 f4 | e8 e4 | dis8 d4 | cis8 c4 b8 a g | fis4 g8 | \stemUp d' d,4 | R4. b'8 a g | c4.~ \break c8 b a | d4.~ | d8 c b | \stemDown e4. d4. \stemNeutral c4. b4. a4 g8 | c4 b8 | a4 g8 | c4 b8 e c d | g fis4 \break f8 e4 | ees8 d4 | ees8 d4 | ees8 d4 g8 b g | e g e | c e c | a d c \stemUp b \stemDown b' g | \stemNeutral e g e c e c | a d d | g, b d | g, b d | g,4 r8 \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #4 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "7" } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key f \major \time 4/4 a4 g8 c f,4 e8 a | \stemUp d,4 c8 f e[ d] c r \stemNeutral f4 g8 a \stemUp d,8. d16 d4 | \stemNeutral g bes16 a g f a4 (g8) r a4 g8 c c (b) r c \break d8 d,16[ e] f8 f f e r g \stemDown a8 \stemUp a,16 \stemDown a' \stemNeutral g4 \stemDown f8 \stemUp g,16 \stemDown f' \stemNeutral e8 c a'16 (bes c) a^! g8 c f,16 (g a) f^! e8 c'16 d e8[ b] c gis a[ e] f cis | d e16 f g8 g c,4 r8 c'16 bes! \break a4 g fis r16 d fis a d8 c bes a \stemDown g \stemUp g, \stemNeutral r8 bes'16( c) des8. bes16 g (bes) f (bes) e,!4 r16 c e g c8 bes a g f16 a f8 r8 a16 c | c8 bes4 a g f16 c' \break c8 bes4 a4 g16 f e d c8 | a'4 g8 c f,4 e8 a d,[ d'] c f, bes8. c16 a8 c16. c32 d,8 e f g a bes c cis | d e16 f c8 e, f[ r16 f,] a f c' a f'8[ r16 a] f8 f f4 r \bar ".." } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key f \major \time 4/4 f4 ^ "Andante poco Allegretto." e d \once \stemDown c | bes a8 f bes4 a8 c16 bes a4 g8 f bes8. bes16 bes4 | bes8 d g,16 (a bes) b c4 r16 \stemUp c d e \stemDown f4 e d8 f16 e d8 c \break \stemUp b8 g g a16 b c8 c, c' d16 e | \stemDown f4 e8 c16 e d8[ b] c e \stemDown f8[ \stemUp f,] \stemDown e' \stemUp e, \stemDown d'[ \stemUp d,] \stemDown c' \stemUp c, \stemNeutral c'16 (e g f) e8 d c[ bes!] a g f8 e16 d g8 g c, c' c r \break %{ --- mal imprimé ? --- %} r8 \stemDown c16 d ees4 \stemNeutral d8[ a] fis d r8 \stemDown d' \stemUp d, \stemDown d' \stemNeutral g,16 (a bes a) g8 r r8 bes16 des bes8 des c g e c r c c' c, f[ r16 f] a c f ees | \once \stemUp d4 c bes a \break d4 c bes8 b c16 bes a g \override Stem.length-fraction = #0.6 \stemUp f8[ \stemDown f'] e[ \stemUp e,] d[ \stemDown d'] \stemNeutral \override Stem.length-fraction = #1.0 \stemDown c c \stemNeutral bes[ bes] a a g c f, a16. a32 \stemDown bes8 c d e f g a \stemUp a, \stemNeutral bes4 c8 c f,[ r16 f] a f c' a f'8[ r16 a] f8 f f,4 r \bar ".." } >>$

PART TWO.

Second Exercises.

$\layout { indent= #10 system-count = #3 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 2/4 %{ ---- beam 4 quavers ---- %} \set Timing.beamExceptions = #'() \set Timing.baseMoment = #(ly:make-moment 1/2) \set Timing.beatStructure = 1 c8 (b c) c,-! d' (c d) d,-! \override Stem.length-fraction = #0.6 \stemDown e' (d e) \stemUp e,-! \stemDown f' (e f) \stemUp f,-! \stemDown g' (f g) \stemUp g,-! \stemDown a' (g a) \stemUp a,-! \stemDown b' (a b) \stemUp b,-! \stemDown c' (b c) \stemUp c,-! \stemUp c8-! \stemDown c' (b c) \stemUp b,-! \stemDown b' (a b) \stemUp a,-! \stemDown a' (g a) \break \stemUp g,-! \stemDown g' (f g) \stemUp f,-! \stemDown f' (e f) \stemUp e,-! \stemDown e' (d e) \stemNeutral \override Stem.length-fraction = #1.0 d,-! d' (c d) c,-! c' (b c) d,-! d' (c d) \override Stem.length-fraction = #0.6 \stemUp e,-! \stemDown e' (d e) \stemUp f,-! \stemDown f' (e f) \stemUp g,-! \stemDown g' (f g) \stemUp a,-! \stemDown a' (g a) \stemUp b,-! \stemDown b' (a b) \break \stemUp c,-! \stemDown c' (b c) \stemDown c8 (b c) \stemUp c,-! \stemDown b' (a b) \stemUp b,-! \stemDown a' (g a) \stemUp a,-! \stemDown g' (f g) \stemUp g,-! \stemDown f' (e f) \stemUp f,-! \stemDown e' (d e) \stemUp e,-! \stemDown d' (c d) \stemUp d,-! \stemNeutral \override Stem.length-fraction = #1.0 c' (b c) c,-! \bar ".." }$

$\version "2.18.1" \layout { system-count = #1 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 2/4 %{ ---- beam 4 quavers ---- %} \set Timing.beamExceptions = #'() \set Timing.baseMoment = #(ly:make-moment 1/2) \set Timing.beatStructure = 1,1 \override Stem.length-fraction = #0.6 \stemDown c8^ \markup \abs-fontsize #9 {"With accidental sharps."} (b c) \stemUp c,-! \stemDown d' (cis d) \stemUp d,-! \stemDown e' (dis e) \stemUp e,-! \stemDown f' (e f) \stemUp f,-! \stemDown g' (fis g) \stemUp g,-! \bar ".." \override TextScript.extra-offset = #'(-0.5 . -4.5) s2 ^ \markup \left-align \abs-fontsize #8 \center-column { "Same, " "until C." } \bar "" s2 \set Staff.forceClef = ##t \bar "" \stemDown c'8 (b c) \stemUp c,-! \stemDown b' (ais b) \stemUp b,-! \stemDown a' (gis a) \stemUp a,-! \stemDown g' (fis g) \stemUp g,-! \bar ".." \override TextScript.extra-offset = #'(-0.5 . -3) s2 ^ \markup \left-align \abs-fontsize #9 \center-column {"etc."} \bar "" }$

$\layout { system-count = #2 ragged-last = ##t indent= #10 \context { \Score \omit BarNumber } \context { \remove Staff_symbol_engraver } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 2/4 %{ ---- ₵ = 2/2 ?? ---- %} %{ ---- beam 4 quavers ---- %} \set Timing.beamExceptions = #'() \set Timing.baseMoment = #(ly:make-moment 1/2) \set Timing.beatStructure = 1 c,8 (e) g-! c-! | d, (f) b-! d-! e, _ "sim." g c e | f, a c f g, c e g | \stemUp a, c f a b, d f b | \stemNeutral c, e g c | d, f b d | c g e \override TextScript.extra-offset = #'(2 . -6) c-\markup \right-align \magnify #0.75 \pad-around #1 \center-column { "Also two by two," "or four by four." } \break b' g d b | a' e c a | \stemDown g' d b g \stemUp f' d a f | e' c g e | d' b f d | \override Score.BarLine.layer = 1 c' g e c \bar ".." }$

$\version "2.20.1" \layout { indent= #10 system-count = #3 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 4/4 c,4 ^ "In four or two, at will." c'8 b a g f e | d4 d'8 c b a g f e4 e'8 d c b a g | f4 f'8 e d c b a g4 g'8 f e d c b | a4 a'8 g f e d c \break b4 b'8 a g f e d | c4 c'8 b a g f e d4 b'8 a g f e d | c4 a'8 g f e d c b4 g'8 f \stemDown e d c b | \stemNeutral a4 f'8 e d c b a \break g4 e'8 d c b a g | f4 d'8 c b a g f e4 c'8 b a g f e | d4 g c, r \bar ".." s1 \bar "" s1 \bar "" s1 \bar "" s1 \bar "" }$

$\version "2.20.1" \layout { system-count = #1 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 2/2 c,4. d8 e f g a | d,4. e8 f g a b e,4. f8 g a b c | f,4. g8 a b c d _ "Continue the same way up to the high F." g,4. a8 b c d e | a,4. b8 \stemUp c d e f b,4. c8 d e f g | \stemNeutral c,4. d8 e f g a \bar ".." }$

$\version "2.19.80" \layout { ragged-last = ##t indent= #30 system-count = #1 \context { \Score \omit BarNumber } } \new Staff \with { \remove "Time_signature_engraver" } \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 2/2 \override TextScript.extra-offset = #'(-23 . 7) e'4. - \markup \left-align \abs-fontsize #8 \pad-around #1 \center-column { "This exercise is done" "by descending in the" "following manner." } d8 c-! b-! a-! f-! | d'4. c8 b-! a-! g-! e-! c'4. b8 a-! g-! f-! \override TextScript.extra-offset = #'(23 . 6) d-! -\markup \right-align \abs-fontsize #8 \pad-around #1 \center-column { "until the low C." } \bar ".." }$

The next two exercises are at three quavers instead of two for each beat.

$\version "2.20.1" \layout { system-count = #5 indent = #10 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 2/4 \tupletUp \tuplet 3/2 { c8 ^ "Andante i.e. neither slow nor fast." (d) e-! } \tuplet 3/2 { e (d) c-! } \tuplet 3/2 { d8 (e) f-! } \tuplet 3/2 { f (e) d-! } \omit TupletNumber \tuplet 3/2 { e8 (f) g-! } \tuplet 3/2 { g (f) e-! } \tuplet 3/2 { f8 (g) a-! } \tuplet 3/2 { a (g) f-! } \tuplet 3/2 { g8 (a) b-! } \tuplet 3/2 { b (a) g-! } \tuplet 3/2 { a8 (b) c-! } \tuplet 3/2 { c (b) a-! } \tuplet 3/2 { b8 (c) d-! } \tuplet 3/2 { d (c) b-! } c2 \bar ".." \tuplet 3/2 { c8 (b) a-! } \tuplet 3/2 { a (b) c-! } \break \tuplet 3/2 { b8 (a) g-! } \tuplet 3/2 { g (a) b-! } \tuplet 3/2 { a8 (g) f-! } \tuplet 3/2 { f (g) a-! } \tuplet 3/2 { g8 (f) e-! } \tuplet 3/2 { e (f) g-! } \tuplet 3/2 { f8 (e) d-! } \tuplet 3/2 { d (e) f-! } \tuplet 3/2 { e8 (d) c-! } \tuplet 3/2 { c (d) e-! } \tuplet 3/2 { d8 (c) b-! } \tuplet 3/2 { b (c) d-! } \tuplet 3/2 { c8 (d) e-! } \tuplet 3/2 { e (f) g-! } \tuplet 3/2 { g8 (f) e-! } \tuplet 3/2 { e (d) c-! } \break \tuplet 3/2 { b8 (c) d-! } \tuplet 3/2 { d (e) f-! } \tuplet 3/2 { f8 (e) d-! } \tuplet 3/2 { \stemDown d (c) b-! } \tuplet 3/2 { c8 (d) e-! } \tuplet 3/2 { e (f) g-! } \tuplet 3/2 { g8 (f) e-! } \tuplet 3/2 { e (d) c-! } \tuplet 3/2 { a' (g) f-! } \tuplet 3/2 { f (e) d-! } \tuplet 3/2 { b' (a) g-! } \tuplet 3/2 { g (f) e-! } c'2~ \tuplet 3/2 { c8 b a } \tuplet 3/2 { g f e } \break \tuplet 3/2 { d8 (e) f-! } \tuplet 3/2 { f (g) a-! } g4 \stemUp g,4 \tuplet 3/2 { c8 (b c) } \tuplet 3/2 { e ( d c) } c,2 \tuplet 3/2 { \stemDown d'8 (c d) } \tuplet 3/2 { f (e d) } \stemNeutral d,2 \tuplet 3/2 { e'8 (d e) } \tuplet 3/2 { g (f e) } e,2 \tuplet 3/2 { f'8 (e f) } \tuplet 3/2 { a (g f) } \tuplet 3/2 { e8 (d e) } \tuplet 3/2 { g (f e) } \break \tuplet 3/2 { d8 (c d) } \tuplet 3/2 { f (e d) } c2~ \tuplet 3/2 { c8 b a } \tuplet 3/2 { g a b } c2~ \tuplet 3/2 { c8 b a } \tuplet 3/2 { g a b } c4 \once \stemUp e | g e \tuplet 3/2 { c8 (b c) } \tuplet 3/2 { e (d e) } \tuplet 3/2 { g8 (fis g) } \tuplet 3/2 { e (dis e) } c4 r | c r | c,2 \fermata \bar ".." }$

$\version "2.20.1" \layout { system-count = #3 indent = #10 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 2/4 ^ "Poco Allegro, i.e. a little fast." \override TupletBracket.bracket-visibility = ##f \tupletDown \stemUp ([\tuplet 3/2 4 { c,8 c' b c d e }]) \omit TupletNumber \tuplet 3/2 4 { d, d' ([c d e f]) } \stemNeutral \tuplet 3/2 4 { e, e' ([d e f g]) } \tuplet 3/2 4 { f,-! f' ([e f g a]) } \tuplet 3/2 4 { g,-! g' ([fis g a b]) } \tuplet 3/2 4 { \override Stem.length-fraction = #0.6 \stemUp a,-! \stemNeutral a' (gis \override Stem.length-fraction = #1.0 a b) c } \tuplet 3/2 4 { \override Stem.length-fraction = #0.6 \stemUp b,-! \stemNeutral b' (a \override Stem.length-fraction = #1.0 b) c d } \break \tuplet 3/2 { \override Stem.length-fraction = #0.6 \stemUp c,-! \stemNeutral c' (b) } \override Stem.length-fraction = #1.0 c4 \bar ".." \tuplet 3/2 4 { \override Stem.length-fraction = #0.6 \stemUp c,8-! \stemNeutral c' (b \override Stem.length-fraction = #1.0 c b a) } \tuplet 3/2 4 { \override Stem.length-fraction = #0.5 \stemUp [b,8-! \stemNeutral b' (a \override Stem.length-fraction = #1.0 b a g)] } \tuplet 3/2 4 { \override Stem.length-fraction = #0.6 \stemUp a,8-! \stemNeutral a' (g \override Stem.length-fraction = #1.0 a) g f } \tuplet 3/2 4 { \override Stem.length-fraction = #0.6 \stemUp g,8-! \stemNeutral g' (f \override Stem.length-fraction = #1.0 g f) e } \tuplet 3/2 4 { \override Stem.length-fraction = #0.6 \stemUp f,8-! \stemNeutral f' (e \override Stem.length-fraction = #1.0 f e) d } \tuplet 3/2 4 { \override Stem.length-fraction = #0.6 \stemUp e,8-! \stemNeutral e' (d \override Stem.length-fraction = #1.0 e d) c } \tuplet 3/2 4 { \override Stem.length-fraction = #0.6 \stemUp d,8-! \stemDown d' (c \stemNeutral \override Stem.length-fraction = #1.0 d c b) } \break \tuplet 3/2 4 { c,8-! c' (b c b a) } g2~ \tuplet 3/2 4 { g8 f' (e \stemUp f e d) } \stemNeutral c2 | e4 g | c2 | g4 e | c2 | g4 e | c2 | c'2 c,2 _\fermata \bar ".." s2 \bar "" s2 \bar "" s2 \bar "" }$

$\version "2.20.1" \layout { system-count = #3 indent = #10 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 2/2 _ "poco allegro." c8 (b c) e d (c d) r | d (c d f) e (d e) r e8 (d e g) f (e f) r | f (e f a) g (f g) r g8 (f g b) a (g a) r \break a8 (g a c) b (a b d) | c2 s2 \bar ".." \override Stem.length-fraction = #0.6 \stemUp c,8-! \stemDown c' (b c) \stemNeutral \override Stem.length-fraction = #1.0 b (ais b) r \override Stem.length-fraction = #0.6 \stemUp b,-! \stemDown b' (a b) \stemNeutral \override Stem.length-fraction = #1.0 a (gis a) r \override Stem.length-fraction = #0.6 \stemUp a,8-! \stemDown a' (gis a \stemNeutral \override Stem.length-fraction = #1.0 g fis g) r \override Stem.length-fraction = #0.6 \stemUp g,-! \stemDown g' (fis g) \stemNeutral \override Stem.length-fraction = #1.0 f (e f) r \break \override Stem.length-fraction = #0.6 \stemUp f,8-! \stemDown f' (e f) \stemNeutral \override Stem.length-fraction = #1.0 e (dis e) r \override Stem.length-fraction = #0.6 \stemUp e,8 \stemDown e' (d e) \stemUp d,8 \stemDown d' (cis d) \stemNeutral \override Stem.length-fraction = #1.0 c,8 c' (b c) g c e, c' | c,4 c' g e | c2 c'2 | c,1 \bar ".." s1 \bar "" s1 \bar "" s1 \bar "" }$

These exercises can vary infinitely, as the student can compose new ones using the following as patterns to continue practising.

$\version "2.20.1" \layout { %{ system-count = #2 %} indent= #10 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 3/4 c,4 ^ \markup \abs-fontsize #10 "Moderato" r8 \stemDown c' e c \stemNeutral d,4 r8 d' f d e,4 r8 e' g e | f,4 r8 f' a f g,4 r8 g' b g | a,4 r8 a' c a b,4 r8 b' d b | c4 c,2 \bar ".." \break c'4 ^ \markup \abs-fontsize #10 "Descending." r8 c, e c | b'4 r8 b, d b a'4 r8 a, c a \override TextScript.extra-offset = #'(-0.5 . -3.5) s2. ^ \markup \abs-fontsize #10 "sim. until" \bar "" s2. d4 r8 d, f d | c'4 r8 c, e g c4 g e | c2 r4 \bar ".." }$

$\version "2.20" \layout { indent= #10 system-count = #2 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \override TupletBracket.bracket-visibility = ##f \clef bass \key c \major \time 3/4 \stemUp c,4 \tuplet 3/2 4 { r8 c' (b c) d e } d,4 \stemDown \tuplet 3/2 4 { r8 d' (c d) e f } \stemNeutral \override TextScript.extra-offset = #'(-0.5 . -3.5) s2. ^ \markup \abs-fontsize #10 "sim. until" \bar "" s2. \omit TupletNumber b,4 \tuplet 3/2 4 { r8 b' (a b) c d } c4 \tuplet 3/2 4 { r8 g f e f g } | c,4 c, r \bar ".." \break c'4 \tuplet 3/2 4 { r8 c' b c (b a) } b,4 \tuplet 3/2 4 { r8 b' (a b) a g } s2. ^ \markup \abs-fontsize #10 "sim. until" \bar "" s2. d,4 \tuplet 3/2 4 { r8 \stemDown d' c d e f } \stemNeutral c,4 \tuplet 3/2 4 { r8 c' b c d e } f,4 g g | c, c' r \bar ".." }$

$\version "2.20.1" \layout { indent= #10 system-count = #2 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \override TupletBracket.bracket-visibility = ##f \clef bass \key c \major \time 3/4 \stemUp c8-! c,-! \tuplet 3/2 4 { r8 e' d c d e } d8-! d,-! \stemDown \tuplet 3/2 4 { r8 \stemUp f' e d e f } \override TextScript.extra-offset = #'(-0.5 . -3.5) s2. ^ "sim. until" \bar "" s2. \omit TupletNumber \override Stem.length-fraction = #0.6 \stemDown b8 \stemUp b, \stemNeutral \override Stem.length-fraction = #1.0 \tuplet 3/2 4 { r8 d' c b c d } \override Stem.length-fraction = #0.6 \stemDown c8 \stemUp c, \stemNeutral \override Stem.length-fraction = #1.0 \tuplet 3/2 4 { r8 c' b c g e } | c4-! c-! r \bar ".." \break \override Stem.length-fraction = #0.6 \stemDown c'8 \stemUp c, \stemNeutral \override Stem.length-fraction = #1.0 \tuplet 3/2 4 { r8 a' b c b a } \override Stem.length-fraction = #0.6 \stemDown b8 \stemUp b, \stemNeutral \override Stem.length-fraction = #1.0 \tuplet 3/2 4 { r8 g' a b a g } s2. ^ "sim. until" \bar "" s2. \omit TupletNumber d8-! d,-! \tuplet 3/2 4 { r8 b' c d c b } c8-! c,-! \tuplet 3/2 4 { r8 e' f g a b } c4 c, r \bar ".." }$

$\version "2.20.1" \layout { indent= #10 system-count = #2 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 4/4 g,4^ "Fieramente." b8. g16 g'2 | a,4 c8. a16 a'2 \override TextScript.extra-offset = #'(0.5 . -3.5) s2 ^ "sim. until" \bar "" s2 d,4 fis8. d16 d'2 | e,4 g8. e16 c'2 d,4 fis8. d16 b'2 \break c,4 \stemUp e8. c16 \stemNeutral a'2 | b,4 d8. b16 g'2 a,4 c8. a16 f'2 | g4 \stemDown d8. b16 e4 \stemNeutral c8. a16 d2 d2 | g,4 g'8. g16 g,4 g'8. g16 | g,1 \bar ".." }$

$\version "2.20.1" \layout { system-count = #3 indent= #10 \context { \Score \omit BarNumber } } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 2/2 g,2 a8. g16 a8. b16 | c4 b a r \override TextScript.extra-offset = #'(-0.2 . -6.) s1 ^ \markup { \abs-fontsize #10 \center-column { "repeat this phrase" "ascending one note" "at a time, until" } } \bar "" s1 d2 e8. d16 e8. fis16 | g4-! a-! b-! r \break c4 b8. a16 d4 d, | g d g, r \bar "||" g'2 b8. a16 g8. fis16 | e4 g8. fis16 e4 r fis2 a8. g16 fis8. e16 | d4 fis8. e16 d4 r \break \once \hide Staff.Clef \once \hide Staff.KeySignature \override TextScript.extra-offset = #'(-3.5 . -4.8) s1 ^ \markup {\abs-fontsize #10 \center-column { "Continue the same" "descending, until" } } \bar "" s1 \bar "" s1 \bar "" \set Staff.forceClef = ##t \clef bass \key g \major \bar "" b2 d8. c16 b8. a16 | g4 b8. a16 g4 g' c,2 d4 d | g,2 g'4. g8 | g,1 \bar ".." s1 \bar "" s1 \bar "" }$

$\version "2.20.1" \layout { system-count = #6 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 4/4 \partial 4 r4 ^ "Anime" r2 r4 c' | g a g f | e2 d | c2. \once \stemUp d4 | e4.\mordent d8 e4 f g2 g4 c | a2 a4 d | b2 b4 d | e d c b \break a2 g c b a g fis d'4 d g,2. g4 c2 c4 b a8 b a g fis g a fis | g fis g a g b a g \break a8 g a b a b c a | d2 c4. b8 | b2 (a) | g r \bar ":..:" R1 r4 c c b | a4. gis8 a b c a | b4. a8 b c d b \break c4. a8 gis4 a | b2 r4 c | d2 e | f r4 e | d c b a e1 | a,2 e'4 f | g2. c4 | a2 a4 d | b1 | r4 c c c \break d2. d4 | e2. e4 | f2. d4 | g2. g,4 a a d f | b, g c4. d8 | e2 d | c4 g e \once \stemDown c a'2 r | r4 a f d | b'2 r \break r4 g c e | a,2 a4 b | c2 c4 b | c g c2 r4 a d2 | r4 b e2 | r4 c f2~ | f e4 d e2 d4 c | g2 c4 b | c2 r \bar ":|." } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 4/4 \partial 4 c'4 g a g f | e2 d | c g | a2. g4 | c4. b8 c4 \once \stemUp d e2 e4 c | f2 f4 d | g2 g4 g | c b a g \break c2 b | a g | fis g | c, b4 b e2. e4 fis2 fis4 g | d1 | e2 c \break c2. c4 | b2 a4 g | d'1 | g,2 r \bar ":..:" r4 g' g f | e4. d8 \stemDown c d e c | f4 f8 f f4 e d4. c8 d e f d \break e4. \stemNeutral c8 b4 a | e'2 r4 a | b2 c | d r4 c b a gis a | e1 | a,2 a4 a | e2 e'4 c f2 f4 d | g g g g | a2. a4 \break b2. b4 | c c, c c | \stemUp d2. d4 | \stemNeutral e2. c4 f2. d4 | g e a f | g1 | c,4 r r2 r4 f f e | d2 r | r4 g g f \break e2. e4 | f2. f4 | e2 f4 g | c,2 r4 c f2. d4 | g2. e4 a2. a4 %{ faute d'impression %} b2. g4 | c2 b4 a | e2 f4 g | c,2 r \bar ":|." } >>$

$\version "2.20.1" \layout { system-count = #6 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Roze." } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass _ "Moderato." \key c \major \time 4/4 \partial 4 g,4 ^ "Duo and Canon." c2 \once \stemUp d | \once \stemUp e b | c4. b16 a g4 f' | e c \once \stemUp d g, c c, r d' | e2 fis | g a4 d, | b'2 c4 a \break g e \stemDown c d | e8.[ d16 c8 b] \stemNeutral a4 fis' g8.[ fis16 e8. d16] c4 \once \stemUp d | g, g'2 fis4 g8. a16 b4 c a8. c16 | b4 g a d, g g,2 fis4 \break g8-! a-! b-! c-! a-! b-! c-! d-! | b4 g'2 fis4 g8. f16 ees4 d \once \stemDown c | b c f8[ d] ees c g2 b4 c | f8 d ees c f d ees! c \break g4. g8 g4 r | g'4. e8 g (f d) g-! | c,2 \once \stemUp d_+ | \once \stemUp e b c4._+ b16 a g4 f' | e4.-+ d16 c \once \stemUp d4 g, \break c4 c'2 b8. b16 | c4 \once \stemDown c, d8 e f g | e4 a, b g c f g f | e a g g, | c2 r4 g8. g16 | \once \stemDown c4 e d g8. g16 \break \once \stemUp e4 c8. c16 b4 g | \once \stemDown c e d g8. g16 | c,2 c | c c | c1 \bar ".." s1 \bar "" s1 \bar "" } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 4/4 \partial 4 r4 r2 r4 g, | c2 \once \stemUp d | e b | c4.-+ b16 a g4 f' e c \once \stemUp d g, | c c, r d' | e2 fis | g a4 d, \break b'2 c4 a | g e \once \stemDown c d | e8.[ d16 c8. b16] a4 fis' g8.[ fis16 e8. d16] c4 \once \stemUp d | g, g'2 fis4 g8. a16 b4 c a | b g a d, \break g4 g,2 fis4 | g8 a b c a b c d | b4 g'2 fis4 g8. f16 ees4 \once \stemUp d c | b c \stemUp f8[ d] ees c | g2 b4 c \break \stemNeutral f8 d ees c f d ees c | g4. g8 g4 r g'4. e8 g (f d) g-! | \once \stemDown c,2 d-+ | \once \stemUp e b_+ c4. b16 a g4 g' \break e4.-+ \stemDown d16 c \once \stemUp d4 \stemNeutral g, | c c'2 b8. b16 c4 c, d8 e f g | e4 a, b g | c f, g g c,2 r | r4 c'8. c16 b4 g \break \once \stemDown c4 e8. e16 d4 g8. g16 | e4 c8. c16 b4 g8. g16 c,8 c' g e c c' g e | c4 r c'2 | c,2 r \bar ".." s1 \bar "" s1 \bar "" } >>$

The points must be strongly expressed.

$\version "2.20.1" \layout { system-count = #6 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Roze." } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key f \major \time 2/2 f2 \fermata r8. c16 d8. e16 | f4 f, r8. \stemUp c'16 d8. e16 \stemNeutral f4 f, r8. c'16 f8. a16 | g4 c, r8. e16 g8. bes16 g4 c, r8. e16 g8. bes16 | a4 f r8. f16 a8. c16 \break d4 d,8. d'16 c4 c,8. c'16 bes4 bes,8. bes'16 bes4 bes,8. bes'16 bes2~ bes8. g16 bes8. g16 | bes1 \fermata r8. f16 e8. f16 g4 c | a8. f16 e8. f16 g4 c a8. a16 f8. a16 g4 c, \break f8. a16 c8. a16 f4 r \fermata \bar ".." r2 r4 a | g4. a16 b16 c4 d | e4. b8 c4 d \grace c8 b4. a8 g4 r \override Stem.length-fraction = #0.5 c \stemUp c,8. \stemNeutral c'16 \override Stem.length-fraction = #1.0 b2 a8. b16 c8. a16 g2 \break \override Stem.length-fraction = #0.5 c8[ -! \stemUp c,]-! \stemNeutral \override Stem.length-fraction = #1.0 c'16 ( e d c ) \override Stem.length-fraction = #0.5 b8[-! \stemUp b,]-! \stemNeutral \override Stem.length-fraction = #1.0 b'16 ( d c b ) \override Stem.length-fraction = #0.5 a8[-! \stemUp a,]-! \stemNeutral \override Stem.length-fraction = #1.0 a'16 ( c bes a ) g4 r8 g \override Stem.length-fraction = #0.5 a8[ \stemUp a,] \stemNeutral \override Stem.length-fraction = #1.0 r g' \override Stem.length-fraction = #0.5 \stemDown f[ \stemNeutral f,] \override Stem.length-fraction = #1.0 r e' \override Stem.length-fraction = #0.5 \stemDown d8[ \stemNeutral d,] \override Stem.length-fraction = #1.0 r f'16 e d4. e16 f \override Stem.length-fraction = #0.5 \stemDown g8[ \stemNeutral g,] \override Stem.length-fraction = #1.0 r f' \override Stem.length-fraction = #0.5 \stemDown e[ \stemNeutral e,] \override Stem.length-fraction = #1.0 r d' \break c8 c, r e'16 d \once \stemDown c4. d16 e | f8 f4 f f f8 f1 \fermata | e2~ e8 [ f16 g ] a b c d e4 c r a | f4.-+ e16 d g4 g, | c c c, r d'2 e8. f16 g8. e16 \break f4 a8. f16 e8. d16 c4 | d2 e8. f16 g8. e16 f4. a8 f8. a16 f8. a16 | g4 g2 f4 \stemUp e8. d16 c4 r8. c16 d8. e16 \bar ".." s8 ^ \segno _ "D.C." } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key f \major \time 2/2 f,2 ^ "Staccato." \fermata r r8. f16 a8. c16 f,4 r r8. f16 a8. c16 f,4 r r8. e16 g8. c16 e,4 r r8. e16 g8. c16 e,4 r r8. f16 a8. c16 f,4 r \break bes4 bes' a f | g e8. c16 g'4 f | e g8. f16 e4 d c1 \fermata f,8. a16 g8. f16 e4 r | f8. a16 g8. f16 e4 r f8. f'16 d8. c16 bes4 c \break f,8. a16 c8. a16 f4 r \fermata ^ "Fine" \bar ".." f'4 \override Stem.length-fraction = #0.5 f,8. \stemDown f'16 \stemNeutral \override Stem.length-fraction = #1.0 f4 \override Stem.length-fraction = #0.5 f,8. \stemDown f'16 \stemNeutral \override Stem.length-fraction = #1.0 f4. e16 d e4 b | \once \stemDown c4. d8 e4 fis | g g, g r a'4-! a,-! g'-! g,-! | f'-! f,-! e'-! e,-! \break \override Stem.length-fraction = #0.5 a'8 \stemUp a, \stemNeutral \override Stem.length-fraction = #1.0 a'4 \override Stem.length-fraction = #0.5 \stemDown g8 \stemNeutral g, \override Stem.length-fraction = #1.0 g'4 \override Stem.length-fraction = #0.5 \stemDown f8 \stemNeutral f, \override Stem.length-fraction = #1.0 f'4 \override Stem.length-fraction = #0.5 \stemDown e8 \stemNeutral e, \override Stem.length-fraction = #1.0 e'4 f e d \once \stemDown c | b4. d16 c b4. c16 d | \stemUp e4 d \stemNeutral c b \break a4. c16 b a4. b16 c | \once \stemUp d4 c b a | g1 _ \fermata \once \stemDown c2~ c8 [ d16 e ] f g a b | c4 c, r a | f2 g4 g c,4 c' c, c'~ | c bes~ bes8. a16 bes8. c16 \break a4 f8. a16 c4 c~ | c b bes8. a16 bes8. c16 a4 f8. f16 \once \stemUp d'4 c | bes8. c16 d8. c16 bes4 b | c c, r2 \bar ".." s8 _ "D.C." } >>$

$\version "2.20.1" \layout { system-count = #8 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Durante" } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 2/2 g2. ^ "Vivace." a4 | b a b c | d2. e4 | fis,2. g4 | a g a b c2. d4 | e,2. fis4 | g fis g a | b2. c4 | d,2. e4 fis4 e fis g | a g a b \break c2. b4 | a g a b | c b c d | e2. d4 | c2. b4 a2. g4 | fis e fis g | a2. g4 | fis e fis g a2. g4 | fis2. e4 | d2. \once \stemDown cis4 | d8 e fis g a4 a | a1 \break d,8 e fis g a4 cis, | d2 r | d2. e4 | fis e fis g a2. b4 | cis,2. \once \stemUp d4 | e d e fis g2. a4 | b,2. cis4 d4 \once \stemDown cis d e | fis2. g4 | a,2. b4 | cis b cis \once \stemUp d \break e4 d e fis | g2. a4 | b a b cis | d2. a4 | fis2 d r2 d4 e | fis e fis g | a2. e4 | cis2 a | r a'4 b cis4 a cis d | e2. b4 | g2 e | r g4 a \break b4 g b cis | d2. a4 | fis2 d | r fis4 g | a g a b c b c d | e2. d4 | c b c d | e2. d4 | c2. b4 a g a b | c2. b4 | a g a b | c2. b4 | a2. g4 \break fis4 d fis g | a fis a b | c a c d | e2 c | a2. b4 c2 a | fis2. g4 | a2 fis | d8 e fis g a4 a | a1 fis8 g a b c4 c | c1 \break a8 b c d e4 e | e d c b | a2. g4 | fis d c' b a2. g4 | fis d c' b | a2. g4 | fis8 g a b c4 d d2 c4 b \break b2 a4 g | g2 a8 b c d | e4 d c b8 a | g2 a | b fis g2 d | g b, | c \once \stemUp d | g fis g1 \fermata \bar ".." s1 \bar "" s1 \bar "" } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 2/2 R1 g2. a4 | b a b c | d2. e4 | fis,2. g4 | a g a b c2. d4 | e,2. fis4 | g fis g a | b2. c4 | d,2. e4 fis4 e fis g \break a g a b c2. b4 | a g a b | c b c d | e2. d4 | c2. b4 a2. g4 | fis e fis g | a2. g4 | fis e fis g a2. g4 | fis2. e4 | d2. cis4 | d8 e fis g a4 a \break a1 d,8 e fis g a4 cis, | \once \stemUp d2 r | d2. e4 | fis e fis g a2. b4 | cis,2. \once \stemUp d4 | e d e fis g2. a4 | b,2. cis4 d4 \once \stemDown cis d e | fis2. g4 | a,2. b4 \break cis b cis d e4 d e fis | g2. a4 | b a b cis | d2. a4 | fis2 d r2 d4 e | fis e fis g | a2. e4 | cis2 a | r a'4 b cis4 a cis d | e2. b4 | g2 e \break r g4 a b4 g b cis | d2. a4 | fis2 d | r fis4 g | a g a b c b c d | e2. d4 | c b c d | e2. d4 | c2. b4 a g a b | c2. b4 | a g a b | c2. b4 \break a2. g4 fis4 d fis g | a fis a b | c a c d | e2 c | a2. b4 c2 a | fis2. g4 | a2 fis | d8 e fis g a4 a | a1 fis8 g a b c4 c \break c1 a8 b c d e4 e | e d c b | a2. g4 | fis d c' b a2. g4 | fis d c' b | a2. g4 | fis8 g a b c4 d \break d2 c4 b b2 a4 g | g2 a8 b c d | e4 d c b8 a | g2 a | b fis g2 d | g b, | c \once \stemUp d | g1 \fermata \bar ".." s1 \bar "" s1 \bar "" } >>$

The serpent is not often in a position to play tastefully, but it is sometimes used in churches to accompany solo voice, and has preludes which require grace.

The following Andante requires expressive and graceful playing.

$\version "2.20.1" \layout { system-count = #8 indent = #10 \context { \Score \omit BarNumber \override NonMusicalPaperColumn.line-break-permission = ##f} } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Roze." } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 3/4 % ---- 3/2 ?¿!? ---- \tempo "Andante grazioso." g4 _ "poco lento." b16( a) g-! g-! b( a) g-! g-! a2 \grace g8 fis8 e16 d | g8.( d16) a'8.( d,16) b'4 a16( g fis e) d4 r | g g,16( a b c) \stemUp d( e fis g) \break \stemNeutral e4 a,16( b c d \stemUp e fis) g a \stemNeutral fis4 b,16( c d e) fis g a b g4 c,16( d e fis) g( a b c) a8. d,16 d'4 c | b16-! g-! d-! b-! g4 r b'8. g16 d'4~ d16 a fis d \break g8. e16 b'4~ b16 fis d b | e8. c16 g'4~ \stemDown g16 d b g \stemNeutral g'4 fis16( a cis, e) d8 r a'8 a,16. a'32 g8 a,16. g'32 fis8 r a8 a,16. a'32 g8 a,16. g'32 fis8 r b8-! b16( a) g8-! g16( fis) e8-! e16 d \break cis16( d e cis) a8 e' fis16( d a' fis) \stemDown e8[ a,] a[ e'] fis16( d a' fis) \stemNeutral e16 a e cis a8[ a] a r \override Stem.length-fraction = #0.6 r16 \stemUp a \stemDown a'8]~ \stemNeutral \override Stem.length-fraction = #1.0 a16 g fis8~ fis16 e d c \override Stem.length-fraction = #0.6 r16 \stemUp b \stemDown b'8]~ \stemNeutral \override Stem.length-fraction = #1.0 b16 a g8~ g16 fis e d \break \override Stem.length-fraction = #0.4 r16 \stemUp cis \stemDown cis'8]~ \stemNeutral \override Stem.length-fraction = #1.0 cis16 b a8~ a16 g fis e r16 d d'8]~ d16 cis b a g fis e d r8 g r e r a | r16 d, d'8~ d16 cis b a g fis e d \override Stem.length-fraction = #0.6 \stemUp g,8 \stemDown g' \stemNeutral \override Stem.length-fraction = #1.0 r a r a, \break r8 d d'-![ d-!] d4~ | d16 c! b a gis8 b16 a g8 b r8 c,! c'-![ c-!] c4~ c16 bes a g fis!8 a16 g fis! ees d c bes8[ d] g[ a bes cis] \break d8[ d,] g[ a bes cis] | d[ r16 d,] d4 r16 d e! fis! g4 b16( a g) g-! b( a g) g-! a4~ a16 b( c a fis8[) r16 d] g8.( d16) a'8.( d,16) b'4 | a16( g fis e) d4 r \break e4~ e16 gis a b c4 | d,~ d16 fis g a b4 a8 b16 c g4 \grace g8 fis8 e16 d d'2 \grace e8 d8 c16 b | b a b c g4 fis g8. b16 d,8. g16 b,8. g'16 \override Stem.length-fraction = #0.5 \stemUp g,8. \stemDown g'16 \stemNeutral \override Stem.length-fraction = #1.0 g4 r \bar ".." } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 3/4 r4 g, g'~ | g fis8 e d c | b4 a g d \stemDown d'8-! c-! b-! a-! | \stemNeutral g4 r b \break c4 c,2 | \once \stemUp d'4 d,2 | e'4 e,2 | fis'4 fis,8 a d fis g4 g,16( a b c \stemUp d e fis g) \stemNeutral g4 fis2 \break e4 d2 | c4 b2 | cis8 a d e fis16( g a g) fis8[ fis] e e \stemDown d16 a d e | fis8 fis e e d16 a' fis d \stemNeutral g,4 b8. a16 g8 gis \break a4 r8 \override Stem.length-fraction = #0.8 \stemDown cis d \stemUp d, \stemNeutral \override Stem.length-fraction = #1.0 a'4 r8 cis d[ d,] | a'8 r a a a16 a( gis g) fis4 d fis | g e g \break a4 fis a | b b'16 a g fis \stemDown e d cis b \stemNeutral g4 e g | b b'16 a g fis e d cis d | g,8 r a r a r \break \override Stem.length-fraction = #0.7 \stemUp d,8 \stemDown d' \stemNeutral \override Stem.length-fraction = #1.0 f4~ f16 f e f e4~ e16 f e f e8 gis, \override Stem.length-fraction = #0.6 \stemUp a8 \stemDown a'16 g \stemNeutral \override Stem.length-fraction = #1.0 fis!8 ees d16 ees d ees d4~ d16 ees d ees \override Stem.length-fraction = #0.6 \stemDown d8 \stemUp fis, \override Stem.length-fraction = #1.0 \stemNeutral g8[ bes] \stemUp ees ees4 ees,8 \break \stemNeutral d8[ d] ees ees'4 ees8 | \once \stemUp d4 d, r | r g g'~ g4 fis16 g a fis \stemDown d8 c | \stemNeutral b4 a g | \once \stemUp d' r16 d, d' c b4 \break c4 b a | b a g | c \once \stemUp d c | b8 a g a b b | c4 \stemUp d d \stemNeutral g4 d b | g8. g16 g4 r \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #8 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { instrumentName = Roze systemStartDelimiter = #'SystemStartBrace instrumentName = "Roze" } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 4/2 %{ ---- C ?¿! ---- %} b1 c | b2 e1 d2 | c1 b2 g4 a b c d2~ d2 c4 b | c1 b4 a b2~ b4 a8 g a4 ais b dis, e2 | g1 fis2 b~ \break b2 a g1 | fis2. g4 a e a2~ a4 g8 fis g4 a8 b c2. b8 a | b2. a8 g a2 d4 c b a g2 r4 g c b | a g fis2 r4 fis b a \break g4 fis e2 r4 e a g8 a | fis4 d r2 s g b1 a2 d~ | d c b e~ | e4 a, d2. g,4 c2~ c4 a8 c b4 g d1 | e d2 g~ | g f e a~ \break a2 g fis! b~ | b4 a8 g fis4 e dis fis b a g gis a g fis fis g fis | e g fis e dis b r2 b'1 c | b2 e1 d2 \break c1 b2 e | a,4 c b a g b a g | fis2 r b1 g1 a2 e~ | e fis g1 | a4 c b a g2 b~ \break b2 ais a4 g fis e | dis c' b a g e b'2~ b4 cis8 b ais4 b8 cis d4 b r2 | r4 fis b1 ais4 fis g1 fis2 b~ | b a!4 fis gis2 cis4 b \break ais2 b4 fis g! b e d | c b a g a g fis e b2 b' c1 | b2 e1 d2 | c1 b4-! b-! b( c) a4-! a-! a( b) g c b a \break g8( a b4) r2 b1 | g a2 e | fis1 g4 dis e2 r1 b' | c b2 e~ | e dis4 b e d cis a } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major %\once \override Staff.TimeSignature.stencil = ##f \time 4/2 r1^"A Capella, or church style." s | r1 s r1 e1 | g fis2 b~ | b a g4 fis e d c1 b2 r | r1 b1 \break c1 b2 e~ | e d c1 | b2 b'2. a8 g a2~ a4 g8 fis g1 fis2 | g4 fis e d c2 r4 c fis4 e d \once \stemDown c b2 r4 b \break \stemUp e4 d c b a2 r | d1 e | \stemNeutral d2 g1 fis2 | e a1 g2 fis2 b e, a | d,4 fis g g, r1 | g1 b | a2 d1 c2 \break b2 e1 \stemUp d2 | c1 b2 r4 b | \stemDown e d c cis d \stemNeutral c b b c4 b a ais b a g fis | e2 r e'1 | g fis2 b~ \break b2 a g1 | fis2 b, e4 g fis e \once \stemUp dis b fis' e dis! b fis' dis | \once \stemUp e b g e c'2 g a4 g fis b e1 | dis1 e2 b \break cis1 dis4 e fis g | a fis g dis e2 d cis2 fis b, r | d1 cis2 fis~ | fis e \once \stemUp d4 b \once \stemUp d2 cis2 fis~ fis e4 cis \break fis4 e dis2 e4 d! c! b | a g fis e c' b a ais b2 r r e | g1 fis2 b~ | b a g1 | fis4 e dis \once \stemDown b e2 r \break e1 dis | e2 b cis1 | dis4 e fis dis e fis g r b1 g | a e4 fis g a | b c b a gis e a g } % ---- continued on next page ---- >>$

$\version "2.20.1" %{ ---- continued from previous page ---- %} \layout { system-count = #2 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \remove "Time_signature_engraver" \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 4/2 d'4 c! b g c b a g | fis g8 a g4 fis e fis8 g fis4 e dis2 r r b' | c1 b2 e~ | e d c1 \break b2 r8 b c b a2 r8 a b a | g2 r8 g a g fis2 r4 fis g4 c b dis, e c' b dis, | e2 g e r \bar ".." s1 \bar "" s1 \bar "" } \new Staff \with { \remove "Time_signature_engraver" \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 4/2 fis4 d g fis e \once \stemDown c fis e | dis e8 fis e4 b c b a ais b2 b b4 b \once \stemUp dis b | e b e b g' b, g' b, fis' b, b' b, b' b, a' b, \break a'4 b, g' b, g' b, fis' b, | fis' b, e b e b \once \stemUp dis b e4 a, b b c a b b | e,2 e' e, r \bar ".." s1 \bar "" s1 \bar "" } >>$

$\version "2.20.1" \layout { system-count = #6 indent = #12 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Gossec." } << \new Staff \with { \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \clef bass \key d \major \time 4/4 \tempo "Allegretto." d4 fis d r | e g e r | fis a d, fis | e cis a r a4 cis \once \stemUp e r | d fis a r | b g e \once \stemDown cis | d fis d r fis4 d8 fis e4 a \break gis4 a8 cis b4 r | d b8 d cis4 a8 cis | b4 gis e r fis gis8 a b4 fis | e fis8 gis a4 e d e8 fis e4 d | \once \stemDown cis e a2~ | a4 b a gis | a cis a r gis b gis r | a fis a r \break gis4 e gis r | fis d fis r | e2 a4 cis | b2 a4 gis a4 cis8 b a4 cis | e e, fis gis | a cis8 b a4 cis e4 e, fis gis | a cis a r \bar ":||:" a,4 a' b a | gis fis e fis \break g!2~ g8 e a g | fis4 d'2 cis4 | b a g fis fis2( e4) r d2 fis | a c | b4 g fis a | g r b g a4 r a fis | g r g e \break fis4 a d b | a2 g4 fis | e8 a fis d e a fis d e4 a e cis | a2~ \stemUp a8 cis e a | \stemDown fis4 a \stemUp a,8 cis e a \stemNeutral fis4 a \stemUp a,8 cis e a | \stemNeutral fis cis d e fis g a b c1 | b4 a b cis \break d2 b4 g | fis a d, fis | e g e cis d8 e fis g a b cis d | b2 a | gis4 gis gis r a2 g! | fis4 d'2 b8 g | fis4 a2 fis8 d e4 g2 e8 cis | d4 d d r \bar ".." } \new Staff \with { \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \clef bass \key d \major \time 4/4 d,4 r4 r8 \stemUp d' fis d | a4 r r8 a cis a | d4 r fis, d a'4 a r8 \stemNeutral a' e cis | a4 r r8 g a g fis4 r r8 d' e fis | g4 g, a2 | d,4 r r8 d' a fis d4 r r8 a' cis a \break e4 r r8 e' b gis | e4 gis a a | e e' e2~ | e d~ d2 \once \stemDown cis | b4 a gis e | a r r cis | \stemUp d b e e, a r r8 a cis a | \stemNeutral e'4 r r8 e gis e fis4 r r8 fis, a fis \break cis'4 r r8 cis e cis | \once \stemUp d4 r r8 d, fis d | a'4 b cis a \once \stemUp d4 b e e | a,2 a | a4 cis \stemUp d e | a,2 a | a4 cis d e a,4 \stemNeutral a' a, r \bar ":..:" a r r a e'2. d4 \break cis4 b a cis | \once \stemUp d2 fis, | g4 r r gis | a a a8 g fis e d4 \stemUp d' r d | r d r fis, | g2 a | b8 g b d \stemNeutral g2~ g8 g fis e fis2~ fis8 fis e d \stemDown cis! e a, cis \break d4 r r g | fis \stemNeutral fis, g gis | a d, a' d, | a' a' e \once \stemDown cis a2 cis4_! a_! | \once \stemUp d_! a cis a | \once \stemUp d a cis a | \once \stemUp d r r2 | d1 | d2 d \break \stemUp d2 g,4 g | a2 a | a1 | b4 r fis2 | g a | b4 b b r cis2 cis | d g, | a4 a a a | a a a a | d, d' d r \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #4 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { instrumentName = "Roze." systemStartDelimiter = #'SystemStartBrace } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key d \major \time 3/4 \tempo "Poco Allegro." b,8( cis) d4 cis | b2 fis'4 | b2 cis4 | d2 ais8( cis) b2 fis8. fis16 | g2 d8. d16 | e2 fis4 | g2 b,8. b16 ais2 b8. d16 | cis4 e8 cis d b | fis4 fis' fis \break fis2 r4 \once \set Staff.whichBar = ":|.|:" %\bar ":|.|:-haut" % hahaha!!! d4. a8 fis'4 | fis4. d8 a'4 | a2 cis4 d a g | fis2 \mordent e4 | d2 a8 g | fis e d4 e fis2 g4 | a a' b | cis,2 \once \stemUp d4 \break e2 fis8 d | a2 r4 | r8 a' d,4 e | fis8 e d4 cis' d8 cis d4 a | fis8 e d4 e8 cis | d4 d r r8 fis b,4 cis | d8( cis) b4 fis'-! fis8( e) d4 d'-! | d8( cis) b4 fis-! \break fis8( e) d4 cis | d8( cis) b4 ais | b2 fis'4 b2 cis4 | d2 ais8( cis) | b2 fis4 | g e fis b2 ais8 cis \once \set Staff.whichBar = ".." % \bar ".." b2 fis4 | d8 cis b4 cis8 fis, b4 b fis'8-! fis-! | b,4-! b-! r \once \set Staff.whichBar = ".." % \bar ".." } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key d \major \time 3/4 R2. | b,8( cis) \once \stemUp d4 cis | b2 fis'4 | b2 cis4 d2 ais8( cis) b2 fis8. fis16 | g2 d8. d16 e2 fis8. fis16 | g2 b,8. b16 | ais2 b8. d16 cis4 e8 cis d b %\break fis4 fis' fis | fis2 r4 %\bar ":|.|:" % ?!¿? \once \set Staff.whichBar = ":|.|:" d4. a8 fis'4 | fis4. d8 a'4 | a2 cis4 d a g | fis2 \mordent e4 | d2 a8 g | fis e d4 e fis2 g4 | a a' b %\break cis,2 \once \stemUp d4 | e2 fis8 d | a2 r4 | r8 a d4 e fis8 e d4 cis' | d8 cis d4 a | fis8 e d4 e8 cis d4 d r | r8 fis b,4 cis | d8( cis) b4 fis'-! fis8( e) d4 d'-! \break d8( cis) b4 fis fis8( e) d4 \once \stemDown cis | d8( cis) b4 ais | b2 fis'4 b2 cis4 | d2 ais8( cis) | b2 fis4 | g e fis b,2 ais'8 cis % \bar ".." b2 fis4 | d8 cis b4 fis8 fis | b4-! b-! r | R2. \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #1 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { instrumentName = "Roze." systemStartDelimiter = #'SystemStartBrace } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 4/4 bes,2~ bes8 c16 d ees f g a | bes2~ bes8 f d' bes f2~ f8 d bes' f | \stemUp d2~ d8 bes f' d bes4. d8 f8. d16 f8. d16 | bes4 bes r2 \bar ".." \break } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 4/4 \tempo "Prélude." bes,2 r | \stemUp bes8( d f d) bes4 r | bes8( d f d) bes4 r bes8( d f d) bes4 bes | bes, r bes' bes bes4 bes r2 \bar ".." \break } >>$

$\version "2.20.1" \layout { system-count = #2 indent = #10 \context { \Score \omit BarNumber \override NonMusicalPaperColumn.line-break-permission = ##f } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 6/8 \tempo "Moderato." bes,8 d bes c ees c | f4. ees4. | d8 bes d c a f bes4. ees4.|d8 c bes a g f | bes4. ees4. | d4. g4. | f8 g a bes c bes a8 g f ees d c | f g a g a bes | a g f c c c \break f4. g8 e c | a'4. bes8 g e c' c c \override Stem.length-fraction = #0.6 \stemDown c \stemUp bes, \stemNeutral c' \override Stem.length-fraction = #1.0 a4. bes8 g e \override Stem.length-fraction = #0.6 \stemDown f \stemUp f, \stemNeutral a \override Stem.length-fraction = #1.0 g c bes a f' f \stemUp f( e) c | \stemNeutral f8 a a g c c \override Stem.length-fraction = #0.5 \stemDown f, \stemUp a, \stemNeutral a \override Stem.length-fraction = #1.0 bes c c f,4 r8 f'4 r8 | f4 \fermata r8 r4 f8 \bar ".." } \new Staff \with { \magnifyStaff #0.83 } \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 6/8 \break R2. bes,8 d bes c ees c | f4. ees4. | d8 bes d c a f bes4. ees4. |d8 c bes a g f | bes4. ees4. | d4. g4. | f8 g a bes c bes a8 g f ees d c | f g a g a bes %\break a8 g f c c c f4. g8 e c | a'4. bes8 g e c' c c \override Stem.length-fraction = #0.6 \stemDown c \stemUp c, \stemNeutral bes' \override Stem.length-fraction = #1.0 a4. bes8 g e \override Stem.length-fraction = #0.6 \stemDown f \stemUp f, \stemNeutral a \override Stem.length-fraction = #1.0 g c bes a f' f \stemUp f( e) c \override Stem.length-fraction = #0.5 \stemDown f8 \stemUp a, \stemNeutral a \override Stem.length-fraction = #1.0 bes c c f, a c f, a c | f,4 \fermata r8 r4 r8 \bar ".." } >>$

$\version "2.20.1" % ---- continued from previous page ---- \layout { system-count = #3 \context { \Score \omit BarNumber \override NonMusicalPaperColumn.line-break-permission = ##f } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \remove "Time_signature_engraver" \magnifyStaff #0.8 } \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 6/8 % v2.24 ---- \repeat segno ---- \mark \markup { \tiny {\musicglyph "scripts.segno" "Più vivo." } } bes4 bes8 bes4 d8 | bes4.~ bes8 r f | c'4 c8 c4 ees8 c4.~ c8 r f, | d'4( bes8) a4( f8) | bes8( d4) f,8-! f4 d'4( bes8) a4( c8) | bes4 bes8 bes4 f8 | g4 ees8 ees'4 g,8 \break f4 d8 d'4 f,8 | ees4 c8 c'4 ees,8 | d4 bes8 bes'4 f8 g4 ees'8 f,4 d'8 | ees,4 c'8 d,4 bes'8 | c,4 g'8 f4 f8 bes,4 bes8 bes4 r8 % v2.24 ---- \volta 2 \fine ---- \bar ".." bes4 bes8 \once \stemUp d4 bes8 | f'4 d8 bes'4 r8 a,!4 a8 c4 a8 | f'4 \once \stemDown c8 a'!4 r8 \break \stemDown g4( c,8) a'4( c,8) | bes'4( c,8) a'4( f8) g4( c,8) a'4( c,8) | bes'4( g8) a4( f8) | d4 f8 c4 f8 bes,4 f'8 a,4 f'8 | d4 f8 c4 f8 | e( f g) a4 f8 d4 f8 c4 f8 | e( f g) f4 f8 | e f g f4 f8 | e( f g) f4 f8 f4 f8 f4 f8 | f4.~ f8 _ "D.C." g a % v2.24 ---- \repeat segno ... ---- \mark \markup { \tiny \musicglyph "scripts.segno" } \bar ".." } \new Staff \with { \remove "Time_signature_engraver" \magnifyStaff #0.8 } \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 6/8 % v2.24 ---- \repeat segno ---- ^ \markup { \tiny \musicglyph "scripts.segno" } bes,8 ^ "In the character of the hunt." d f bes, d f | bes, d f bes,4 r8 a8 c f a, c f | a, c f a,4 r8 bes8( d) d \stemUp c( ees) ees | d( bes) bes a( c) f bes,8( d) d c( ees) ees | d f d bes c d \stemNeutral ees4. c4. % \break \once \stemUp d4. bes4. | c4. a4. | bes4 bes8 d c bes ees4 r8 d4 r8 | c4 r8 bes4 r8 | ees,4 ees8 f4 f8 bes4 bes8 bes4 r8 ^ "Fine" % v2.24 ---- \volta 2 \fine ---- \bar ".." bes4 r8 bes4 r8 | \stemUp bes d f bes,4 r8 f4 r8 f4 r8 | f a c f,4 r8 % \break e'4. f4. | g8 e c f4 r8 | e4. f4. g8( ees c) f4 f,8 bes4 r8 a4 r8 | g4 r8 f4 r8 bes4 r8 a4 r8 | g4 r8 f4 r8 bes4. a4 d8 | c4 c8 f,4 d'8 | c4 c8 f,4 d'8 c4 c8 f,4 f8 | a4. c4. | \stemUp ees!4.~ ees8 d c ^ \markup { \halign #-2 \tiny \musicglyph "scripts.segno" } % v2.24 ---- \repeat segno ... ---- \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #4 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 2/2 \tempo "Moderato." \partial 4 f4 \p -\markup { \halign #2 { Duo by Mr. de Lagarde }} d4 d d f | c c c f | bes, f' -\markup { \translate #'(0 . -3) { cresc.}} bes bes \grace c8 bes4 a8 bes c4 ees | d f, bes bes \grace c8 bes4 a8 bes c4 ees | d d bes d | g,4 bes e, g c, c' c8 bes a g | a4 bes a g | f1~ \p % \break f1~ | f1~ | f4 f bes bes | \grace c8 bes4 a8 bes c4 ees d4 f, bes bes | \grace c8 bes4 a8 bes c4 ees d4 d d d | \grace ees8 d4 c c c | \grace d8 c4 c c8 bes a g a4 bes a g | f2 \p r4 bes | a2 r4 e % \break f2 \bar ":..:" r4 c' a4 a a c | g g g c | f, f a c | g bes a g | f bes d bes c4 ees d c | bes d bes g | ees' d c bes | a d bes g ees'4. a,8 bes4( a8.) g16 | g2 bes \break % \break bes2 d | ees c | c e | f4 f, bes bes \grace c8 bes4 a8 bes c4 ees | d f, bes bes \grace c8 bes4 a8 bes c4 ees | d bes bes bes bes1-+~ _ "Cadence ad libitum." bes4 c bes a | bes ees d c | bes2 r4 ees d2 r4 a | bes2 r \bar ".." } \new Staff \with { \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 2/2 \tempo "Moderato." \partial 4 f,4 _ \p bes4 bes bes bes | a a a a | g \once \stemUp d' bes \once \stemUp d f4 f8 g a4 f | bes bes, d bes | f' f8 g a4 f bes4 bes g bes | e, g \once \stemDown c, bes | a a bes c \once \stemUp d4 bes c c | f2. \p f4 \pp % \break d4 d d f | c c c f | bes, bes \once \stemUp d bes | f' f8 g a4 f bes4 bes, \once \stemUp d bes | f' f8 g a4 f | bes bes g bes e, g e g | c,4 a bes c | \once \stemUp d bes c c | f, a g e | f a g c % \break f,2 \bar ":..:" r4 c' f4 f f f | e e e e | d d a a | bes bes c c | f d d d ees4 ees f f | bes, bes bes bes | c \stemUp d ees c d bes bes bes | c4 c d4. d8 | g,4 d' d f % \break \stemDown ees4 g f aes | g g e c | f a g bes | a d, bes d f4 f8 g a4 f | bes d, bes d | f4 f8 g a4 f | bes d, d d ees4 ees f f | g ees d c | d ees f f | \once \stemUp bes, bes' a f bes4 d, c f | \stemUp bes,2 r \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #5 indent = #10 \context { \Score \omit BarNumber \override NonMusicalPaperColumn.line-break-permission = ##f } \override SpacingSpanner.base-shortest-duration = #(ly:make-moment 1/32) } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace % indent = #10 instrumentName = "Roze" } << \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 6/8 \tempo "Andante." g8. ^ "Different movements and different characters." fis16 g8 bes8. a16 g8 | f8. ees16 ees8 d8. g16 g8 fis8. a16 a8 g8. bes16 bes8 | a8. d,16 d8 g8. a16 g8 fis8. a16 fis8 g8. fis16 g8 | a8. d16 d8 d,4 r8 \fermata \tempo "Allegro." bes16[( c d ees) f8] g16[( a bes g)] f8 \break %\break g16( f ees d) c8 f16( ees d c) bes8 | bes'16( a bes a g f) e4 r8 c'16( b c g c bes) a4 r8 | c,16( f a g f ees) d( g bes a g f) e16( g c bes a g) f(g a g f e) \break \stemUp d16 ees f ees d c bes8 c c \override Stem.length-fraction = #0.7 \stemUp f, \stemDown f' f \stemNeutral \override Stem.length-fraction = #1 f r f fis4 fis8 fis4 fis8 | g16( fis g fis g d) a'( gis a gis a d,) \break bes'16( a g fis g d) bes'( a g fis g d) ees8.[ d16 ees d] ees8.[ d16 ees d] ees4 \fermata r8 r r d | g8. fis16 g8 bes8. a16 g8 f!8. ees16 ees8 d8. g16 g8 | fis8. a16 a8 g8. bes16 g8 \break fis8. d'16 d8 d,4 d8 | g8. fis16 g8 bes8.[ a16 g f!] f8.( ees16) ees8-! c'8. bes16 a g | g8.( fis16) fis8-! d'8. c16 bes a a8.( g16) g8-! aes g fis | g4 \p bes8 g4 bes8 | g4 r8 \bar ".." s4. \bar "" } \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key bes \major \time 6/8 r4 r8 g,8. a16 bes8 | c4. bes4 g8 \once \stemUp d'4 c8 bes4 g8 | \once \stemUp d'4 d,8 ees4 ees'8 \once \stemUp d4 d,8 ees4 ees'8 | \stemUp d8. d16 d8 d,4 \stemNeutral r8 \fermata << { \voiceOne bes'4 ^ "ad libitum" d8 ees4 d8 } \new Voice { \voiceTwo bes4 bes8 bes4 bes8 } >> \oneVoice %\break \override Stem.length-fraction = #0.7 r8 ees, \once \stemDown ees' r d, \once \stemDown d' \override Stem.length-fraction = #1.0 r \stemUp des des r c c r8 \stemNeutral e e r f f | a, r a bes r b c8 r c \once \stemUp d r d16 c %\break bes8 r bes16 a g8 c c \override Stem.length-fraction = #0.7 \stemUp f, \stemDown f' f \stemNeutral \override Stem.length-fraction = #1 ees!16( f ees f ees f) d16( ees! d ees d ees) \stemDown c( d c d c d) \stemNeutral bes8. a16 g8 fis4 fis8 \break g8 a bes g a bes | c c bes a a g fis4 \fermata r8 \tempo "Andante" r4 s8 % ---- typo: r4 r8 r4 r8 g8. a16 bes8 | c4 a8 bes4 g8 | d'4 d8 ees4. \break \stemUp d8. d16 d8 d,4 r8 | r4 r8 g8. a16 bes8 | c4. a8. bes16 c8 d8. ees16 d c bes4. | ees4. c8 d d \stemNeutral g,4 \p g'8 g,4 g'8 | g,4. \bar ".." s4. \bar "" } >>$

$\version "2.20.1" \layout { system-count = #1 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace indent = #10 instrumentName = "Roze" } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key a \major \time 12/8 \partial 8 a8 ^ "Modere, or Allegro non tanto." | a,4. cis4. e4. r8 a e | fis d cis b e e, a4 cis8 a4 r8 a'4. cis8 a cis b4. e,4. | fis8 gis a \override Stem.length-fraction = #0.6 \stemUp b,8 \stemDown b' a \stemNeutral \override Stem.length-fraction = #1.0 gis8 b gis e4 r8 \break } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key a \major \time 12/8 \partial 8 r8 | a,4. a4. a8 cis cis a cis cis d, d' cis b e, e a4 a8 a4 r8 | a cis e a, cis e gis, b e gis, b e \stemUp dis e fis b, cis dis e gis e e, fis gis \break } % ---- continued on next page ---- >>$

$\version "2.20.1" % ---- continued from the previous page ---- \layout { %system-count = #4 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \omit Score.TimeSignature } \relative { \override Staff.Rest.style = #'classical \clef bass \key a \major \time 12/8 cis'4. b dis e | fis,8 gis a a gis fis b4. cis8 dis e e,8( gis) b-! b( a) fis-! b4. cis8 dis e e,8( gis) b-! b( a) fis-! e e e e4 r8 \break \time 2/4 a8 ^ "Dancing air, or balzando." a \slashedGrace b8 a8 gis16 a | b8e, e4-! | cis'8 a a b16 cis-! | b8 e e4-! a,8 a \grace b8 a8 gis16 a | fis8 fis d'4 | e,8 e e fis16 gis | a8 cis a4 a8 a a gis16 a | fis8 fis fis4 \break cis'8-! cis-! cis bis16 cis | a8-! a-! a4-! | gis8 gis gis a16 b | a8 fis a fis gis8-! gis-! gis a16 b | a8 fis fis4 | cis'8-! cis-! a gis16 fis cis'8-! cis-! a gis16 fis \override Stem.length-fraction = #0.65 \stemUp cis8[ \stemDown cis' cis cis] \stemNeutral \override Stem.length-fraction = #1 fis,4 r16 e fis gis \break a8 a \slashedGrace b8 a8 gis16 a | b8 e, e4 | cis'8 a a b16 cis | b8 e e4 a,8 a \slashedGrace b8 a8 gis16 a | fis8 fis d'4 | e,8 e e fis16 gis a8 cis a4 \bar ".." s2 \bar "" s2 \bar "" } \new Staff \with { \omit Score.TimeSignature } \relative { \override Staff.Rest.style = #'classical \clef bass \key a \major \time 12/8 a,8 cis e gis, b e fis, b dis e, b' gis | a gis fis b b a gis fis e a b cis b4. b gis8 fis e a b cis | b4. b e8 b gis e4 r8 \break a8[ e' a, e'] \override Stem.length-fraction = #0.4 \stemUp gis,[ \stemDown e' \stemUp gis, \stemDown e'] \stemNeutral \override Stem.length-fraction = #1 a,8[ e' a, e'] \override Stem.length-fraction = #0.6 \stemUp e,[ \stemDown e' \stemUp e, \stemDown e'] \stemNeutral \override Stem.length-fraction = #1 cis8 cis cis b16 a | \stemUp d8 d b4 | \stemNeutral e8 e e dis16 e | cis8 a a4 R2 | fis'8 cis fis cis \break eis8[ cis eis cis] | fis[ cis fis cis] eis8[ cis eis cis] | fis[ cis fis cis] eis8[ cis eis cis] | fis[ cis fis cis] cis'8-! cis-! a gis16 fis cis'8-! cis-! a gis16 fis cis8-![ cis-! cis-! cis-!] | fis,4 r \break a8[ e' a, e'] | gis,[ e' gis, e'] | a,[ e' a, e'] \override Stem.length-fraction = #0.65 \once \stemUp e, \once \stemDown e' \override Stem.length-fraction = #1 e4 \stemUp cis8 cis cis b16 a | d8 d b4 | e8 e e dis16 e | a,8 a a4 \bar ".." s2 \bar "" s2 \bar "" } >>$

The following bars are little used, we will only indicate their values.

$\version "2.20.1" \layout { system-count = #2 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Roze." } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key ees \major \time 12/4 _ "Poco lento." \partial 4 r4 | r1 s2 r2 r4 r r ees' | bes2 c4 bes2 aes4 g bes f g bes r g2 f4 g2 aes4 bes bes c bes r bes, | ees2 d4 ees2 f4 g ees aes g ees r \break g2 aes4 g2 f4 ees ees d ees r ees' | ees2 ees4 bes g aes bes g aes bes c d ees4 ees, f g bes aes g f f g bes aes | g f aes g g f ees g aes bes c d ees2 bes8 aes g2 aes8 f ees4 ees r \bar ".." } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key ees \major \time 12/4 \partial 4 bes,4 | ees2 d4 ees 2 f4 g ees aes g ees r g2 aes4 g2 f4 ees ees d ees r bes | ees2 d4 ees2 f4 g ees aes g ees r r4 r bes bes2 bes4 ees g f ees g f \break ees4 d \stemDown c bes bes' aes g ees f g aes aes | g-! ees-! r ees2 f4 g ees f g aes f ees2 r4 r r \stemNeutral bes bes2 bes4 ees g f | ees d \stemDown c bes bes' aes g ees f g aes f g2 d4 ees2 \stemNeutral bes4 ees,-! ees-! r \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #6 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Roze" } << \new Staff \with { \magnifyStaff #0.83 } \relative { \override Staff.Rest.style = #'classical \clef bass \key ees \major \time 9/4 \once \stemDown c4( d) ees-! ees( d) \once \stemDown c-! aes'( c) aes-! | g2.~ g ees d4( ees) f-! f( g) aes-! aes g f | ees d c c2. ees' d2. g, c | bes ees, aes | g2.( g4 aes) bes-! bes( c) d-! \break ees2.~ ees4 d c bes f aes | g aes bes c2. d, ees4 f g aes, bes c bes c \once \stemUp d | ees g f ees2 r4 r2 r4 g4( aes) g-! g( f) ees-! d2. | g4( aes) g-! g( d) f ees2. \break g4( aes) g-! c( bes) aes-! aes( g) fis-! g2.~ g4 d b g2 r4 \fermata \clef bass \key c \major \time 9/8 % v2.24 ---- \repeat segno ---- \mark \markup { \tiny \musicglyph "scripts.segno" } e'8( ^ "Major." _ "Poco allegro." f g) g( a g) g4. | d8( e f) f( g) f f4. e8( g) g-! d( g) g-! c,( g') g-! \stemUp b, g' g \stemNeutral g, g a b c d \break e8( f g) g( a g) g4. | d8( e f) f( g f) f4. e8-! a( g) d-! a'( g) d-! a'( g) \stemUp c, e( d c4.) c,4 r8 \fermata _ "Fine" \bar ".." % v2.24 ---- \volta 2 \fine ---- \stemNeutral e'8 g g e g g e g g | d g g d g g d g g | c, fis g a g fis e d c b8 d c b d c b4 r8 \break g'4 d8 b'4 g8 d g b | a4 d,8 c'4 a8 d, a' c b8( d) d-! g,( b) b-! e,( d) c-! a'( c) c-! fis,( a) a-! \stemDown d,( c b) | g' b b e, g g \stemNeutral c, a d g b b e, g g c, a d \break g,8 b d g, b d g b g | g,4. g'4. r4 r8 g8 a bes e, f g cis, bes a | f' g a d, e f b, a g e' f g d e f e d c g b d g4.~ g4 -\markup { \halign #-6 D.C} f8 \bar ".." % v2.24 ---- \repeat segno ... ---- s8 \mark \markup { \tiny \musicglyph "scripts.segno" } \bar "" } \new Staff \with { \magnifyStaff #0.83 } \relative { \override Staff.Rest.style = #'classical \clef bass \key ees \major \time 9/4 c2. c f | ees4( d) \once \stemDown c-! ees4( d) \once \stemDown c-! c2.~ | c b g \once \stemDown c4( d) ees-! ees( d) \once \stemDown c-! c'2.~ | c2. bes aes~ aes g f~ | f2. ees4( f) g-! g( aes) f-! \break g4( bes) aes g f ees d \once \stemDown c \once \stemDown bes | ees f g aes,2. bes | c f,4 g aes bes2. ees,2 r4 ees g bes ees2. | r2 r4 c2. b2. | r2 r4 b2. c2. \break r2 r4 aes2. aes2. | g4( b d) g,2. g2 r4 \fermata \clef bass \key c \major \time 9/8 c4. e c | b4 g8 b4 g8 b( a) g-! | c4. b a | g4 g8 g4 r8 g a b \break c4. e c | b4 g8 b4 g8 b a g c4. f, g | c, c'8 e g c,4 r8 _\fermata \bar ".." c8 e g c4. c, | b8 d g b4. b, | a8 a b c4. fis, | g8 b a g b a g4 r8 \break g8( b d) g,( b d) g,( b d) | fis, a d fis, a d fis, a d g,4. b \stemUp c8( d e) | fis,4. a b8( c d) r4r8 r4r8 c a d | r4r8 r4r8 c a d \break r4r8 r4r8 \stemNeutral g b g | g,4. g' r4r8 | r4r8 r4r8 cis, bes a r4r8 r4r8 b a g | c4. b c | g8 b d g,4.~ g8 a b \bar ".." s8 \bar "" } >>$

$\version "2.20.1" \layout { system-count = #5 indent = #20 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = \markup { \center-column { "Gossec." "Bass" "ad libitum." } } } << \new Staff \with { \magnifyStaff #0.75 } \relative { \override Staff.Rest.style = #'classical \clef bass \key a \major \override Staff.TimeSignature.style = #'single-digit \time 3/4 % ---- "3" \tempo "Andante ou allegretto." a2 e8 cis | a4. e''8 cis a | b4. d8 b gis | a[ a, cis e a cis] b8[ gis e gis b d] | cis[ a e cis] a4 | cis' a, cis' | b4 gis, b' | a fis, a' | gis e' gis, | a e' a, \break b4 e b | cis8 b a gis fis e | dis cis b a gis4 \override Stem.length-fraction = #0.6 \stemDown a'8 cis b a b \stemUp b, \stemNeutral \override Stem.length-fraction = #1 e4 r8 b cis dis | e gis b gis fis e | fis a b a fis dis e4 e'8 b gis e fis4 b8 a fis dis | e e' b e gis, b \break e,8 gis cis, e a, cis fis,4 \override Stem.length-fraction = #0.6 \stemDown a'8[ \stemUp a, \stemDown b' \stemUp b,] \stemDown cis'8 \stemUp cis, \stemDown b' \stemUp b, \stemDown a' \stemUp a, \override Stem.length-fraction = #1 \stemNeutral gis4 e'' cis | a8 fis b4 b, | e r8 e gis b | e2 b8 gis e4 r r | r4 r8 e gis b | d4 b gis | a8 b cis d e cis d b gis b e, gis \break a2. | g2. | fis2 ais4 | b2 a!4 | gis2 bis4 | cis2 b4 a2 cis4 | d d,8 e fis gis! | a2. | gis!4 e8 fis gis a b2. | a4 fis8 gis a b \break cis4 e g, | fis d8 e fis gis! | a e' cis e a, cis fis,8 a d, fis b, d | gis,2. | d''2. cis8 e cis a e cis d8 d' cis a e gis | a2.~ | a2.~ | a4 b8 cis d dis e4 e, e, | a8 a'e a cis, e | a,2 r4 \bar ".." } \new Staff \with { \magnifyStaff #0.75 } \relative { \override Staff.Rest.style = #'classical \clef bass \key a \major \override Staff.TimeSignature.style = #'single-digit \time 3/4 % ---- "3" a2 e8 cis | a4 a' a | gis e r | cis a cis | e2 gis4 | a r r a4 r a | gis r gis | fis r dis \override Stem.length-fraction = #0.65 \once \stemDown e8 \once \stemUp e, \override Stem.length-fraction = #1 r8 e' e e \override Stem.length-fraction = #0.65 \once \stemDown fis8 \once \stemUp fis, \override Stem.length-fraction = #1 r8 fis' fis fis \break \override Stem.length-fraction = #0.65 \once \stemDown gis8 \once \stemUp gis, \override Stem.length-fraction = #1 r8 gis' gis gis a4 r r | R2. | a,4 b b | cis b a | gis2 r4 | dis'2 r4 e4 e, r | b' b b | e, r r \break R2. | r4 fis' gis | a gis fis | e2 cis4 | a b b | e e, r R2. e'4 b gis | e2 r4 | gis4. b8 e d | cis2. | b2. \break a4 a8 b cis d | \stemUp e g e d cis b | ais cis \stemNeutral fis4 e d8 cis b cis dis b | e b e4 d! | cis8 dis eis fis gis eis fis8. cis16 fis4 e | d2. | cis4 a8 b cis d | e2. \once \stemUp d4 b8 cis d e | fis2. \break fis4 cis8 d e cis | \once \stemUp d2. | cis4 r r | R2. r4 b'8 a gis fis e8 b' gis b e, gis | a4 r r | d, e e | fis8 a gis fis e d cis8 fis e d cis b | a4 b8 cis d dis | \stemUp e4 e e, | a e' cis a2 r4 \bar ".." } >>$

$\version "2.20.1" % ---- continues on the next page ---- \layout { system-count = #3 indent = #20 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Gossec." } << \new Staff \with { \magnifyStaff #0.7 } \relative { \override Staff.Rest.style = #'classical \clef bass \key a \minor \override Staff.TimeSignature.style = #'single-digit \time 2/2 % ---- "2" \tempo "Allegretto." a4 c8. b16 a8 c b a | gis4 e' e,, r b''4. gis8 e f e d | c e a c e4. c8 b8[ d16 c] b8 a gis[ b16 a] gis8 f8 e4 r r2 | r4 e8 fis gis a b gis a4 c8 d b c a b \break g4-! a8 b g a f g | e4 f8 g e f d e c4 r8 c' e c a c | g c f, d' e, c' d, b' c4 c, c r \bar ":.." c'4. g8 c e d c b4 g g, r | a'4. f8 a c b a | g4 c c, r \break f4. e8 d f16 e d8 f | e4. d8 c4 c' b4 a2 gis4 | a8 e a gis a e b' a b8 e, c' b c e, e'4~ | e d2 c4 b8[ d16 c] b8 a gis[ b16 a] gis8 fis } \new Staff \with { \magnifyStaff #0.7 } \relative { \override Staff.Rest.style = #'classical \clef bass \key a \minor \override Staff.TimeSignature.style = #'single-digit \time 2/2 % ---- "2" a,2 c | e4 r r8 c b a | gis4 gis gis gis a4 r c'4. a8 | e4 r e r | e8[ f16 e] d8 c b[ a] gis fis e4 e'2 d4 | c a'-! g-! f-! \break e4 f e d | c \once \stemUp d c b \override Stem.length-fraction = #0.4 \once \stemUp c8[ \stemDown c' g e] \stemNeutral \override Stem.length-fraction = #1 \once \stemDown c4 f e4 f g g, | c c c r \bar ".." | \once \stemDown c2 e g4 r r8 g e c | f4 f,2 f'4 | e r r8 e c a \break \once \stemUp d4 c b r | c b a8[ e'16 d] \stemUp c8 e d4. c8 b[ d16 c] b8 d | c4 r a r | \stemNeutral e' r a g f8 e f d e d e c | d2 r2 } >>$

$\version "2.20.1" % ---- continued from previous page ---- \layout { system-count = #1 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \magnifyStaff #0.75 \omit Score.TimeSignature } \relative { \override Staff.Rest.style = #'classical \clef bass \key a \minor \time 2/2 e4 r r2 | r4 e'8 d cis e a, cis | d d, d' c b d g, b \override Stem.length-fraction = #0.6 \stemDown c8[ \stemUp c, \stemDown c' b] \override Stem.length-fraction = #1 \stemNeutral a4 f'~ f d2 b4~ | b a gis8 e fis gis | a8. g16 f8. e16 d4 e a8. c16 f,8. a16 d,4 e | a e a, r \bar ".." } \new Staff \with { \magnifyStaff #0.75 \omit Score.TimeSignature } \relative { \override Staff.Rest.style = #'classical \clef bass \key a \minor \time 2/2 e8 gis b gis e e b gis | e4 gis' a g | f fis g f e4 e f8 d b a | gis4. a8 b4. c8 | d b c d \stemUp e4. d8 c4 r \stemNeutral d e | a f d e | a e a, r \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #7 indent = #12 ragged-last = ##t \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Gossec" } << \new Staff \with { \magnifyStaff #0.8 } \relative { \override Staff.Rest.style = #'classical \clef bass \key f \minor \time 6/8 \tempo "Andante." f8. g16 f8 c' aes f | e8. f16 e8 bes' g e f8. c16 d e f e f g aes bes | c8 des!4~ des16 c bes aes g f ees!8 c'4~ c16 bes aes g f ees | des8 bes'4~ bes16 aes g f e d \break c8 aes'4~ aes8 g f | e c' bes aes g f \override Stem.length-fraction = #0.7 \stemDown c'8 \stemUp c, c \override Stem.length-fraction = #1 \stemNeutral c4 r8 aes'8. bes16 aes8 ees' c aes | g8. aes16 g8 des' bes g aes8. ees16 f g aes8 bes c f,8. g16 aes8 bes c des \bar "" %{ typo %} g,8. aes16 bes8 c des ees aes,16 g aes bes c aes f ees f g aes f \break des8 des'16 c bes aes g8 bes16 aes g f ees4 f16 ees des c des f ees des | c8 aes' f des bes ees f8 aes16 g f ees des8 bes ees | aes, c ees aes c ees aes,8 ees c aes4 r8 \bar ".." aes'8. bes16 aes8 ees' c aes | g8. aes16 g8 des' bes g \break \override Stem.length-fraction = #0.7 \stemDown aes8[ \stemUp aes,16 bes c des] \stemNeutral \override Stem.length-fraction = #1 ees d ees f g aes \override Stem.length-fraction = #0.7 \stemDown bes8[ \stemUp bes,16 c des ees] \stemNeutral \override Stem.length-fraction = #1 f e f g aes bes c8 c,16 d ees! f g8 aes4~ | aes8 bes aes g4.~ g8 aes g f4.~ \break f8 g f ees! c'4~ | c8 b aes!~ aes g f ees4 e8 \override Stem.length-fraction = #0.7 \stemDown f g \stemUp g, \stemNeutral \override Stem.length-fraction = #1 c c'4~ c8 bes4~ | bes8 aes4~ aes8 g f e8. c16 d e! f8 des b | c c c c4 r8 | f8. g16 f8 c' aes f \break e8. f16 e8 bes' g e | f4. ees! | d des c16 c' aes c f, aes bes, bes' g bes ees, g aes,16 aes' f aes des, f \stemDown g, g' e g c, e \stemNeutral f,8 f'4~ f8 e g~ | g f aes~ aes g bes~ \break bes8 aes c~ c bes des~ | des c bes aes g f e4. f8 g aes | bes8. c16 des!8 c4 c,8 %{ typo? c4 c4 %} f16 g aes bes c e, f g aes bes c e, f8 c aes f4 r8 \bar ".." } \new Staff \with { \magnifyStaff #0.8 } \relative { \override Staff.Rest.style = #'classical \clef bass \key f \minor \time 6/8 f,4. aes | g~ g8 c16 des c bes | aes4 r8 r4r8 f'16[ ees] des8 c bes4 r8 | \stemUp ees16[ des] \stemNeutral c8 bes aes4 r8 des16[ c] bes8 aes g4 r8 \break c8 f16 ees des c b4. | c8 c bes! aes g f | c' c c c4 r8 aes4. c | bes~ \stemUp bes8 ees16 f ees des \stemNeutral c4 r8 c bes aes | des4 r8 des c bes \bar "" %{ typo %} ees4 r8 ees des c | f4. des \break b4 r8 r4r8 | ees,4. g \override Stem.length-fraction = #0.7 \stemUp aes8 \stemDown aes' f \override Stem.length-fraction = #1 \stemNeutral des bes ees f8 aes16 g f ees des8 bes ees | aes,4 r8 r4r8 aes'8 ees c aes4 r8 \bar ".." aes4. c | bes~ \stemUp bes8 ees16 f ees des \break c4 aes8 g4 \stemNeutral ees'8 | \once \stemUp des!4 bes8 aes4 f'8 ees4 r8 r8 f16 g f ees | d4. \stemUp ees16 d ees f ees d c4. d16 c d ees d c \break b4. c16 b c des ees c | d4 c8 b8. g16 a b c8 ees16 d c bes! aes8 g g | c4 r8 des!4 des8 \stemNeutral c4 c8 b4 b8 | \stemDown c8. c16 d e f8 des b | \stemNeutral c c c c8. bes16 aes g f4. aes \break g4.~ g8 c16 des c bes | aes8 aes aes a a a bes8 bes bes bes aes g | c r r bes r r aes r r g r r | f4 aes8 g4 bes8 | aes4 f8 bes4 g8 \break c4 aes8 \once \stemUp des!4 bes8 | e4. f4 b,8 | c4 bes!8 aes g f des'8. c16 bes8 c4 c8 | f,4 r8 f4 r8 | f' c aes f4 r8 \bar ".." } >>$

$\version "2.20.1" % ---- continues on next page ---- \layout { system-count = #7 indent = #12 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Gossec." } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key ees \major \override Staff.TimeSignature.style = #'single-digit \time 2/2 % "2" \tempo "Allegro moderato maestoso." ees2 bes' | ees1~ | ees4 d8 c bes4 aes | g2 r ees2. f8. g16 | aes4 c bes d | ees ees, ees, r | c''1 bes2~ bes8 ees bes g \break aes2~ aes8 c bes aes | g4 r r8 ees g ees bes'4 r r8 d, f d | bes'4 r r8 a c ees, d8 f bes d, ees g bes ees, | d8 f bes d, ees g bes ees, \break d4 r r2 | bes'8 a bes c d bes c d | ees1 d8. bes16 g8. c16 bes4 a | bes f bes, r bes'2 aes!4 g | c e, f8 c f g \break aes2 g4 f | bes d, ees8 ees'4 d8~ | d c4 bes aes g8 aes8 c g bes f aes ees g | f ees d c bes4 r ees2 bes' | ees1~ | ees4 d8 c bes4 aes \break g2 r | e2. f8. g16 | aes4 c bes d, | ees r r2 ees'8 c aes4 r8 aes c ees | d bes g4 r8 g bes des c8 aes f4 r8 f aes c | b c b4~ b8 c b4~ \break b8 d g,4~ g8 f ees4~ | ees8 c aes'4~ aes8 g f4~ f8 d g4~ g8 f ees4~ | ees8 c f4~ f8 ees d4~ d8 fis g4~ g8 b c4~ | c8 bes aes4~ aes8 c d4~ d8 b g4~ g8 b c4~ \break c8 g aes4~ aes8 e f4~ | f8 ees( d ees f g aes a) bes4 r r2 | c1 | bes2~ bes8 ees bes g aes2~ aes8 c bes aes | g4 bes f bes g8 bes g bes f bes f bes \bar "|" } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key ees \major \override Staff.TimeSignature.style = #'single-digit \time 2/2 ees2 d | c4 \stemUp ees bes ees | aes,2 bes | r4 \stemNeutral ees bes aes g4 ees ees' des | c aes bes bes | ees, ees' ees, r r4 aes aes'2~ | aes4 g8 f g2~ \break g4 f8 ees f4 d | r8 ees bes g ees4 r r8 bes' d f bes,4 r | r8 bes d bes c4 f, bes4 r bes r | bes4 r bes r \break bes4 c8 d ees f g a | bes4 r aes!2 | g8 a bes g a bes c a bes4 ees, f f | bes, f bes r | R1 | aes4 g f r \break f'4 d ees aes, | g f ees g | aes bes c d8 e f4 ees! d ees | bes r bes'8 aes g f | ees2 d c4 \stemUp ees bes ees | aes,2 bes \break \stemNeutral ees4 \stemUp c8 ees bes ees aes, ees' | g,4 ees \stemNeutral ees' des c4 aes bes bes | ees8 g bes aes g f ees d c4-. c-. c-. c-. | bes-. bes-. bes-. bes-. aes4-. aes-. aes-. aes-. | g4. aes8 g4. aes8 \break g4 r8 d' ees4. d8 | c4. aes8 f'4. ees8 \once \stemUp d4. bes8 ees4. d8 | c4. aes!8 d4. c8 b4. d8 ees4. c8 | aes'4. g8 f4. fis8 g4. f8 ees4. e8 \break f4. c8 \once \stemUp d4. a8 | bes4 r r2 | r4 bes8 c d ees f g aes4 aes, aes'2~ | aes4 g8 f g2~ | g4 f c \stemUp d ees8 bes ees bes d bes d bes | ees4 bes d bes } >>$

$\version "2.20.1" % ---- continued from previous page ---- \layout { system-count = #1 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \omit Score.TimeSignature } \relative { \override Staff.Rest.style = #'classical \clef bass \key ees \major \time 2/2 g8 ees f g aes bes c d | ees4 g,2 a4 | bes f2 g4 aes4 c bes d | ees ees,8 f g4 a | bes d,8 ees f4 g aes4 c8 c bes4 d, | ees8 g bes g ees' bes g bes ees, g bes g ees4 ees | ees2 r \bar ".." } \new Staff \with { \omit Score.TimeSignature } \relative { \override Staff.Rest.style = #'classical \clef bass \key ees \major \time 2/2 ees4 r r2 | ees4 ees ees ees | d2 des | c4 aes bes aes g2 ees'8 g f ees | d2 des8 f ees des | c4 aes bes bes <ees ees,>4 r <ees ees,> r <ees ees,> r <ees ees,> <ees ees,> | ees2 r \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #6 indent = #12 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Gossec." } << \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \override Staff.TimeSignature.style = #'single-digit \time 3/4 \tempo "Allegretto." \once \stemDown c4 e g | c4. e8 d c | b c b a g f | e4 e8 g c c, \stemUp b8 d b d g b, | c4 \stemNeutral e a | fis g f | e c'2~ \break c8 a b2~ | b8 e a,2~ | a8 d g,2~ | g8 c f,2~ f8 e16 d e4 c'~ | c8 d c b a g | fis4 d'8 d, c' c, b4 b'8 d b g | e4 \once \stemDown c d \break g,2 r4 | g'4 b d | f,8 d'16 c b8 a g f e8 g16 f e8 g c, e | f4 fis2 | g8 b16 a gis8 b e, gis a2. b8 d16 c b8 d g, b \break c8 e16 d c8 b a g | \stemDown f e d c b a | \stemNeutral g4 r8 g'16 a b8 g c2 bes4 | a4. a16 b cis8 a | d2 c4 | b4. b16 c d8 b e2 d4 | cis d c \break b4 c bes | a8 cis d e f a, | g b c d e g, | f4 a d b4 c r | c2.~ | c2.~ | c4 b2-+ | c8 e16 d c8 b a g \break fis2 f4 | e g c | a f g | c,8 e16 g c8 e c g e c'16 g e8 g16 e c8 g | c4 c c | c8 e16 g c4 r \bar ".." } \new Staff \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \override Staff.TimeSignature.style = #'single-digit \time 3/4 R2. | \once \stemDown c4 e fis | g r g, | c2 r4 | g2 r4 c2.~ | c4 b8 a b g | c b c d e fis \break g4 g, gis | a8 gis a b c d | e4 e, e | f8 e f g a b c8 b c d e c | a2 a4 | d4 r r | r g, b | e \once \stemDown c d \break \override Stem.length-fraction = #0.6 \stemUp f,8 %{ typo: g8 %} \stemDown g' d b \stemNeutral \override Stem.length-fraction = #1 g4 r4 r8 g' f e | d4 g g, c2 bes4 | a8 b16 c d8 a d c | b4 e d c8 d16 e f8 c f e | d4 g f \break e4 r r | \stemDown f8 e d c b a | \stemNeutral g4 g' f | e r8 \stemDown c16 d e8 c f2 e4 | d r8 d16 e fis8 d | g2 f4 e4 r8 e16 fis gis8 e | a8. g16 f8 d e fis \break g8. f!16 e8 c d e | f2 d4 | e2 \stemNeutral c4 d8 f16 e d8 c b a | gis4 a r | a'( g fis) | g a( fis) g4 g, g | c r r \break a8 b16 c d8 c b g | c b16 a g8 f e4 | a f g c4 r r | c r r | c c c | c2 r4 \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #7 indent = #12 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Gossec." } << \new Staff \with { \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \omit TupletNumber \clef bass \key d \minor \once \override Staff.TimeSignature.style = #'single-digit \time 2/2 % "2" \tempo "Alla marcia." d4. \once \stemDown cis8 d8. e16 f8. g16 | a4 a a a | a d2 c4~ c4 d2 a8 g | f4 a8. f16 e4 g8. e16 | d4 r r2 \break f4. e8 f8. g16 a8. bes16 | c4 c c c~ c8 bes16 a bes c d e f8 f, bes4~| bes8 a16 g a bes c d e8 e, a4~ a8 g16 f g a bes c d8 d, g4 ~ | g8 f16 e f g a bes c8 c, f4~ \break f8 d g4~ g8 e a4~ | a8 f bes4~ bes8 g c4~ | c8 a d2 e4 f4 c8. a16 g4 bes8. g16 | f4 a8. f16 e4 g8. e16 | d4 e8. fis16 g4 a bes4 d \tuplet 3/2 { c8[ bes a] } \tuplet 3/2 { g8 f e } f2~ \tuplet 3/2 { f8[ a g] } \tuplet 3/2 { f8 g a } \break bes2 b \trill | c bes! | a4 f' d bes | \tuplet 3/2 { a8[ bes c] } \tuplet 3/2 { f,8 g a } \tuplet 3/2 { g8[ a bes] } \tuplet 3/2 { c,8 d e } f4 f f r \bar ":..:" f4. e8 f8. g16 a8. bes16 | c4 c c c \break c4 ees2 fis,4 | g bes2 d4 | cis a2 g4 \tuplet 3/2 { f8[ d e] } \tuplet 3/2 { f g a } bes4. a8 \tuplet 3/2 { g8[ e f] } \tuplet 3/2 { g a bes } c4. bes!8 \tuplet 3/2 { a8[ f g] } \tuplet 3/2 { a b cis } d2~ \break d8 g, c4~ c8 f, bes4~ bes8 e, a4~ a8 d, g4~ | \tuplet 3/2 { g8[ f e] } \tuplet 3/2 { f8 g a } \tuplet 3/2 { bes8[ a g] } \tuplet 3/2 { f8 e d } cis2 r8 cis16[ d] \stemUp e8[ cis] | \stemNeutral d2 r8 d16[ e] f8[ d] e2 r8 e16[ f] g8[ e] | f8[ f16 g] a8[ f] g[ g16 a] bes8[ g] \break a8 cis d a g b c g | f a bes f e g a g | f a d2 cis4 d8 d, e f g e a a, | bes2 \once \stemUp d | f g4 gis \once \override NoteHead.style = #'baroque a\breve*1/2 \fermata \key d \major \time 4/4 s1 _ "Segue (Fugue)" \bar "" } \new Staff \with { \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \omit TupletNumber \clef bass \key d \minor \once \override Staff.TimeSignature.style = #'single-digit \time 2/2 % "2" R1 a,4. gis8 a8. b16 cis8. a16 | d8. e16 f8. d16 e8. gis16 a8. e16 d8. fis16 g8. d16 cis8. e16 a,8. cis16 d4 d a a | d4. d8 c8. d16 c8. bes!16 \break a4 r r2 | r4 c'8. bes!16 a8. g16 f8. ees16 | d4 d d r8 d c4 c c r8 c | bes4 bes bes r8 bes | a4 a a r8 a \break bes4. b8 c4. cis8 | \once \stemUp d4. bes8 e4. c8 | f4 bes8. a16 g4 c8. bes16 a4 r8 f e4 c | f r8 d cis4 a | \once \stemUp d c! bes a \tuplet 3/2 { g8[ d' c] } \tuplet 3/2 { bes8 a g } c4 c \tuplet 3/2 { f,8[ a c] } f2 ees4 \break | \tuplet 3/2 { d8[ e f] } g4~ \tuplet 3/2 { g8[ a g] } \tuplet 3/2 { f8[ g f] } | \tuplet 3/2 { e8[ c' bes] } \tuplet 3/2 { a8[ g f] } \tuplet 3/2 { e8[ f g] } \tuplet 3/2 { c,8[ d e] } \tuplet 3/2 { f8[ g a] } \tuplet 3/2 { f8[ g a] } bes4 bes, c4 d bes c | f, f f r \bar ":..:" R1 | r4 c''8. bes!16 a8 c g c \break fis,8 a c a fis a d, c | bes!4 g'8. fis16 g4 bes, a4 r a8. b16 cis8. a16 d4. c!8 \tuplet 3/2 { bes8[ g a] } \tuplet 3/2 { bes8[ c d] } e4. d8 \tuplet 3/2 { c8[ e d] } \tuplet 3/2 { c8[ d e] } f4. e8 \tuplet 3/2 { d8[ f e] } \tuplet 3/2 { d8[ e f] } \break e4. a8 d,4. g8 | c,4. f8 bes,4. e8 | cis4 \once \stemUp d g, gis | a4 a'2 g4 f8 a16 g f8 e d4 d'~ | d c2 bes4 | a f2 e4 \break f,4 f'2 e4~ | e d2 \once \stemDown cis4 | d4. f8 g e a g | f d e f g e a a, bes2 bes | bes1 \once \override NoteHead.style = #'baroque a\breve*1/2 _ \fermata \key d \major \override Staff.TimeSignature.style = #'single-digit \time 4/4 s1 \bar "" } >>$

$\version "2.20.1" \layout { system-count = #7 indent = #15 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = \markup { \right-column { "Fugue " " " "Gossec. " } } } << \new Staff \with { \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \omit TupletNumber \clef bass \key d \major \time 4/2 % "C" \tempo "Molto moderato." a,1 b | a d~ | d cis | d4 e fis g a b8 cis d2~ d4 e8 d cis4 b cis4 b cis4 a | b2 d4 cis b cis8 d e4 e, a1 b | a d~ \break d1 cis~ | cis2 b1 a2~ | a g1 fis2~ | fis b1 a2 gis4 e fis gis a b8 cis d2~ | d4 e8 d cis4 b cis b cis a \break b2 d4 cis b cis8 d e4 e, | a1 b | a2 b4 cis d a d2~ d4 cis d b cis b cis a | b2 cis4 d e b e2~ e4 a, d2~ d4 g, cis2~ | cis4 fis, b1 ais2 \break b2 r r b~ | b4 cis8 b a!4 gis a gis a fis | gis a8 b cis4 cis, fis1 | g! fis | b1. ais2 | b r r1 | r1 r1 \break g1 b | a d~ | d cis | d4 d, e fis g a8 b c2~ c4 d8 cis b4 a b a b g | a2 c4 b a b8 c d2~ \break d2 c b e~ | e d cis << fis fis, >> | b,1 d cis!2. cis'4 b2. e4 | a,2. d4 g,2. cis!4 fis,2. b4 e,2. a4 | d, fis a1 gis2 | a1 b \break a1 d~ | d cis | d4 cis b g cis b a fis b4 a g e a g fis d | e2 a1 g2 | fis f e1-+ d2 d'1 cis2 | d fis, g a \once \override NoteHead.style = #'baroque d, \breve \bar ".." } \new Staff \with { \magnifyStaff #0.85 } \relative { \override Staff.Rest.style = #'classical \omit TupletNumber \clef bass \key d \major \time 4/2 % "C" r1 r | r r | r r | d fis | e a~ | a gis a4 a, a'1 g!2~ | g4 a8 g fis4 e fis e fis d \break e2 g4 fis a fis8 g a4 g | fis d g fis e \once \stemDown cis fis e \stemUp dis4 b e d cis a d cis | b d8 cis a4 a gis r a r e'1 fis | e a~ \break a1 gis | r4 \stemNeutral a8 g! fis4 d g e b cis | d1 fis e2 fis4 gis a e a2~ | a4 gis a fis g fis g e fis2. b4 e,2. a4 | d,2. g4 cis, d8 e fis4 fis, \break b1 d | cis! fis~ | fis2 e \stemUp dis4 b cis dis \once \stemDown e4 b \stemDown e2~ e4 fis8 e \stemUp d!4 cis | \once \stemDown d cis d b cis d8 e fis4 fis, b1 c | b e \break \stemNeutral e2 d4 c b2 g'~ | g4 a8 g fis4 e fis e fis d e2 g4 fis e fis8 g a4 a, | d1 e | d g~ | g fis \break gis2 a1 gis!2 | ais b1 ais2 | b r r b~ b4 e, a2. d,4 g2~ | g4 cis,! fis2. b,4 e2~ e4 a, d1 \once \stemDown cis2 | \once \stemUp d2 cis b1 _ \mordent | a1 r \break d1 fis | e a2. g4 | fis2 g e fis | dis e \once \stemDown cis d! \override NoteHead.style = #'baroque a \breve~ | a \breve | d2 b'4 a g e a g fis2 fis, g a << d \breve d, \breve >> \bar ".." } >>$

$\version "2.20.1" \layout { %system-count = #5 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 3/8 \tempo "Allegro moderato." g8 b4~ | b8 d g, | fis a4~ | a8 d fis, | e g4~ | g8 b e, d8 fis4~ | fis8 b d, | \stemDown c e4~ | e8 g c, | b d4~ | d8 g b d4.~ | d8 b g \break \stemUp d8 b g | d'4 r8 | \stemNeutral cis'4. | d | g, | fis16 a d cis b a gis4. | a | g! | fis8 g a | b4. | a8 cis d | b g a | d,4 r8 \break r8 r a' | d4 fis8 | e cis r | cis4 e8 | d b r | b4 d8 cis8 a r | a4 cis8 | b g r | g4 b8 | a16 b a g fis8 d'8 d, cis' \override Stem.length-fraction = #0.65 b \stemUp b, \stemDown a' g \stemUp g, \stemDown fis' e \stemUp e, \stemDown d' \stemNeutral \override Stem.length-fraction = #1 \break \once \stemDown cis8 a'4~ | a8 fis b~ | b e, g~ | g e a~ | a d, fis~ fis d g~ | g cis, e~ | e cis fis~ | fis b, dis | e fis g a16 fis b8 a | g e'4~ | e8( dis) b | d( cis) a | c!( b) g \break b8( ais) fis-! | a!( gis) e-! | g! fis e dis4. | e | fis | g | a | ais | b8 fis dis b8 b b | b b b | b4. \fermata _ "Segue (Fugue)" \bar ".." } \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key g \major \time 3/8 g4 d16 b | g8. a16[ b c] | d8 fis e | d4 dis8 | e4 b16 g e8. fis16[ g a] | b8 d cis | b4 b8 | c c c | c e fis g8 d b g4 r8 | r d' fis | g4 r8 \break d8 b g | d4 r8 | a''8 g16 fis e g | fis e d e fis d e16 d cis a b cis | d4.~ | d8 e d | cis b a | b4 cis8 d16[ cis] b8 a | g8 g'4 | fis8 e d | b g a | d,4 r8 \break d'8 fis4~ | fis8 a d, | \once \stemDown cis8 e4~ | e8 a cis, | b \stemUp d4~ d8 fis b, | a cis4~ | cis8 fis a, | g b4~ | b8 d g, fis8 a d | \override Stem.length-fraction = #0.7 \stemUp b \stemDown b' a \stemNeutral \override Stem.length-fraction = #1 g4 fis8 | e4 d8 | cis4 b8 \break a4 cis8 d4 dis8 | e4. | cis | \once \stemUp d | b | cis | ais \override Stem.length-fraction = #0.75 \stemUp b8 \stemDown b' a \stemNeutral \override Stem.length-fraction = #1 g8 fis e | dis cis b | e8 e16 fis g a | b4 b8 gis8 a r | fis g r \break e8 fis r | dis e r | ais,4. | b8. c!16 b a | g8 gis[ a]~ a8 ais[ b]~ | b b[ c!]~ | c a[ g] \override Stem.length-fraction = #0.65 \stemUp fis8 \stemDown fis' e \stemNeutral \override Stem.length-fraction = #1 dis8 fis dis | b b b | b b b | b4. \fermata \bar ".." } >>$

$\version "2.20.1" \layout { system-count = #2 indent = #15 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = \markup { \column { "Fugue" " " "Gossec." } } } << \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key e \minor \time 4/2 % "C" \tempo "Larghetto." R \breve * 4 | b1 ais2 b4. c8 | d1 cis \break b2 cis4. d8 e2 d | cis fis, b2. a4 g4. fis8 g4. a8 b4. a8 g4. fis8 e2 e'1 dis2 | e2. d4 cis4. a8 b4. cis8 } \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key e \minor \time 4/2 e1 dis2 e4. fis8 | g1 fis | e2 fis4. g8 a2 g fis2 b, e1 | d!4. \once \stemDown cis8 d4. e8 fis4. e8 d4. cis8 b2 b'1 ais2 \break b,4 b'2 a4 g4. e8 fis4. gis8 | a4. g!8 fis4. e8 dis2 r e1 dis2 e4. fis8 | g1 fis | e2 fis4. gis8 a2. g!4 } >>$

$\version "2.20.1" % ---- continued from previous page ---- \layout { system-count = #5 indent = #0 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \omit Score.TimeSignature \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key e \minor \time 4/2 d'2. cis4 b4. g8 a4. b8 | cis2. b4 ais4. fis8 gis4. ais8 b4 fis b1 ais2 | b r r1 | r e, \break dis2 e4. fis8 g1 | fis e2 a2~ | a4 g8 fis g4 a8 b c4 c, c'2~ c2 b2~ b4 e a,2~ | a4 d g,1 fis2 \break g1 e2 fis4. g8 | a1 g | fis2 g4. a8 b2 a g4 c~ c8 b a g fis4 b~ b8 a g fis | e2 e'1 d2 c2. fis,4 b2. a8 g \break a1 ais | b r2 b | ais2 b4. cis8 d1~ | d2 cis4. b8 cis1 %ronde dans la même séquence d2 r r1 | r2 c! b cis4. dis8 \break e4 e, e'1 d4. c!8 | b1 ais | b4 b, b'1 a4 gis a4 a, a'1 g4 fis | g g, g'1 fis4 e | dis2 b'1 a2~ a2 g fis1 \mordent \override NoteHead.style = #'baroque e \breve \fermata \bar ".." } \new Staff \with { \omit Score.TimeSignature \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key e \minor \time 4/2 fis4. d8 e4. fis8 g2. fis4 | e4. \once \stemDown cis8 d4. e8 fis2. e4 d4. cis8 \once \stemUp d4. b8 fis'2 fis, | b1 ais2 b4. cis8 d1 cis2 ais2 \break b1 e,2 e'~ | e d1 c2 | b b'1 a8 g fis e d2 g8 fis e d c2 fis8 e d c | b2. e4 a, b8 c \once \stemUp d4 c \break b2 r r1 | r2 a'4. b8 cis4. a8 b4. cis8 d2 r r4 r8 b,8 cis4. \once \stemUp dis8 | e1 dis2 e4. fis8 g1 fis2 b~ | b4 gis4 a2. fis4 g!2~ \break g4 fis8 e fis2 r e | dis2 e4. fis8 g1~ g4. fis8 g4. e8 fis4. e8 fis4. d8 | e2 a1 g2 fis2 f e fis4. gis8 | a4 a, a'1 g4. fis8 \break e1 fis | g4 g, g'1 fis4. e8 | \once \stemUp dis2. b4 d1 | cis2. a4 c1 b2. e4 ais,1 | \override NoteHead.style = #'baroque b \breve~ | b \breve e, \breve \fermata } >>$

3

$\version "2.20.1" % ---- continues on next page ---- \layout { system-count = #2 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key c \minor \time 3/2 \tempo "Largo." c1. \p | d | ees2 aes g | fis1. | g2 b d~ d g, c~ | c2 bes aes~ | aes g f~ \break f2 ees ees'~ | ees d c | b g g | g1. \fermata \key c \major \time 2/2 % "2" s1 _ "Segue (Fugue)" \bar "" } \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key c \minor \time 3/2 c1. \p | g | \once \stemDown c2. d4 ees2~ ees d \once \stemDown c | b g' f | ees1. d1. | e1 \once \stemUp d4 c \break b2 c r | fis1. | g2 g, g | g1. _ \fermata \key c \major \time 2/2 % "2" s1 } >>$

$\version "2.20.1" % ---- continued from previous page ---- \layout { system-count = #7 indent = #10 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace instrumentName = "Fuga." } << \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \once \override Staff.TimeSignature.style = #'single-digit \time 2/2 % "2" \tempo "Alla breve." R1 * 6 | c'1 g2 e'~ | e d~ \break d2 c~ | c b | a4 b8 c d4 c | b g a b | c2 r4 b c dis e b | a cis d a | g b c2~ | c b \break c2 r4 c | b g b c | d1 | c4 a c d | e1 dis2 b~ | b a~ | a g~ | g fis \break g4 a b g | a b8 c d2~ | d c | b e | ais, b~ b2 ais | b1 | e,2 c'~ | c b \break a4 cis d a | g a8 b c4 g | fis a b fis e4 fis8 g a4 r | d1 | g,2 e'~ | e d~ | d c~ \break c2 b | cis4 a d2~ | d cis | dis4 b e2~ e d!( | cis1) \trill | b2 r | R1 | R1 \break R1 | g1 _ "Reversed." | d'2 fis,~ | fis g~ g a~ | a b | c4 b8 a b4 cis | d2 r | r4 g, g g } \new Staff \with { \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \once \override Staff.TimeSignature.style = #'single-digit \time 2/2 g1 | \once \stemDown c,2 a'~ | a g~ | g f~ | f e | d4 e8 f g4 f e d e fis | g2 r4 g | fis a b fis \break e4 gis a e | d fis g2~ | g fis | g1 | \once \stemDown c,2 a'~ a2 g~ | g f~ | f e | d g4 f \break e4 \once \stemDown c e f | g1 | f4 d f g | a1 | g4 e g a b2 r4 dis, | e g f e | \stemUp dis b e d | c a d c \break b2 \stemNeutral g'~ | g fis | gis a~ | a g! | fis4 e \once \stemUp d! b fis'1 | b,2 r | r4 e e e | d e8 fis g2~ \break g2 fis~ | fis e~ | e d~ | d c! | b r r4 g' g g | fis g8 a b4 fis | e g a e \break d4 e8 fis g2~ | g fis | gis4 e a2~ | a gis ais4 fis b2~ | b ais | b1 | e,2 c'~ | c b \break a4 b8 c d4 c | b2 r | r4 d, d d d \stemDown c b g'8 fis | e4 d c a'8 g | fis4 d g fis e2 r4 a | d,1 _ "Reversed." | g2 \stemNeutral b,~ } >>$

$\version "2.20.1" % ---- continued from the previous page ---- \layout { system-count = #7 indent = #0 \context { \Score \omit BarNumber } } \new ChoirStaff \with { systemStartDelimiter = #'SystemStartBrace } << \new Staff \with { \omit Score.TimeSignature \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 2/2 g4 fis e c' | a g fis d' | b a g e' | d2 r b1 | e2 gis,~ | gis a | b4 a8 gis a4 b \break c4 a2 bes4 | a g f! e | d2 r | g1 | c,2 a'~ a2 g~ | g f | e4 d e \once \stemDown c | d r g r \break fis4 r f r | e r fis r | g1 \f | c,2 c'~ c4 b8 a g4 bes | a2 d~ | d4 c8 b! a4 c b2 e | a,2. g4 \break f4-. a-. f-. a-. | f-. a-. f-. a-. | f2 fis g4 b c gis | a e f cis | \once \stemUp d b c a | g2 r | g'1 \break \once \stemDown c,2 c'~ | c4 b d2~ | d4 g, bes2~ | bes4 a c2~ c4 f, a2~ | a4 d, f2~ | f e | d4 e8 f g4 a8 b c4 e8 d c b a g \break fis1 | g4 a b g | a cis d a | g b c2~ | c b4 a b1 \trill | c4 g c2 | r4 e, a2 | r4 c, f2 \break r4 d g2 | r4 g c2 | r4 e, a2 | r4 c, f2 r4 d g g, | c1~ | c1~ | c2 r \bar ".." s1 \bar "" } \new Staff \with { \omit Score.TimeSignature \magnifyStaff #0.9 } \relative { \override Staff.Rest.style = #'classical \clef bass \key c \major \time 2/2 b,2 c~ | c \stemUp d~ | d e | \stemNeutral fis4 e8 d e4 fis g4 b8 a g4 fis | e2 r | R1 | e1 \break a2 cis,~ | cis d4 e | f! e d \once \stemDown c | b g a b c4 b a g | f r g r | a r b r | c1 | g2 e'~ e2 d~ | \once \stemUp d c | b r | c1 \f | g2 g'~ | g4 f8 e d4 f e2 a~ | a4 g8 f e4 g | f e8 d \once \stemDown cis4 e \break d2 d | d d | \once \stemUp d4 c8 b a4 c | b b' c gis a4 e f cis | \once \stemUp d b c a | g2 r | R1 \break c1 | g | bes | f | a2. cis4 | \once \stemUp d2. a4 | b! g c2~ c2 b! | a1~ \break a4 a'8 g fis e d c | b2 g'~ | g f~ | f e4 \once \stemDown c g1~ | g1 | c2 r4 \stemUp e | a,2 r4 c | f,2 r4 d' \break g,2 r4 g | c2 r4 \once \stemDown e | a,2 r4 c | f,2 r4 d' g,2 r4 g | c1~ | c1~ | c2 r s1 _"Fine" \bar "" } >>$

This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.

Original:	This work was published before January 1, 1930, and is in the public domain worldwide because the author died at least 100 years ago. Public domainPublic domainfalsefalse
Translation:	This work is released under the Creative Commons Attribution 4.0 International license, which allows free use, distribution, and creation of derivatives, so long as the license is unchanged and clearly noted, and the original author is attributed. Public domainPublic domainfalsefalse

↑ This prelate loved music, and in his episcopal palace he did not disdain to sing his part with musicians... his love for singing strengthened his friendships with those among the canons who willingly went to the Eagle? to sing there, and he similarly accepted? all the tourists, singers, clerks and other shopkeepers who had a good voice and knew their profession, provided they were good mannered, he even liked to play instruments, and often before dinner he played a harpsichord, to sit at the table with a brighter mind after his serious studies.
The esteem he showed for the musicians emboldened them to take over the ancient antiphonal Cathedral system of Psalmodia, whose modulation was used at least since Charlemagne, and remove everything that was wrong with their new principles of understanding, making dissonant what was previously soft, thus introducing a barbarity and an amazing shortage? able to inspire contempt for Plainsong. What consoled zealous people for Gregorian singing and other ancient songs, however, is that at the very time of these changes, a canon of our Bishop and his treasurer invented an instrument capable of giving a new merit to Gregorian chant. This canon was named Edme Guillaume etc. (Life of Amyot by Abbé Leboeuf.)
↑ Serpentist from the Cathedral of Paris in 1772.

[1] This prelate loved music, and in his episcopal palace he did not disdain to sing his part with musicians... his love for singing strengthened his friendships with those among the canons who willingly went to the Eagle? to sing there, and he similarly accepted? all the tourists, singers, clerks and other shopkeepers who had a good voice and knew their profession, provided they were good mannered, he even liked to play instruments, and often before dinner he played a harpsichord, to sit at the table with a brighter mind after his serious studies.
The esteem he showed for the musicians emboldened them to take over the ancient antiphonal Cathedral system of Psalmodia, whose modulation was used at least since Charlemagne, and remove everything that was wrong with their new principles of understanding, making dissonant what was previously soft, thus introducing a barbarity and an amazing shortage? able to inspire contempt for Plainsong. What consoled zealous people for Gregorian singing and other ancient songs, however, is that at the very time of these changes, a canon of our Bishop and his treasurer invented an instrument capable of giving a new merit to Gregorian chant. This canon was named Edme Guillaume etc. (Life of Amyot by Abbé Leboeuf.)

[2] Serpentist from the Cathedral of Paris in 1772.

[1]

[2]