Author:Dorothy Quick

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Dorothy Quick
(1896–1962)

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American writer and poet who became friends with Mark Twain as a girl, who encouraged her to write

Works

Short Fiction

"Scented Gardens," in Oriental Stories (Spring 1932, vol. 2, no. 2)
"The Black Adder," in Oriental Stories (Summer 1932, vol. 2, no. 3)
"The Horror in the Studio" in Weird Tales, 25 (6) (June 1935)
"The Lost Door" in Weird Tales, 28 (3) (October 1936)
"Strange Orchids" in Weird Tales, 29 (3) (March 1937)
"The Witch's Mark" in Weird Tales, 31 (1) (January 1938) (external scan)
Blue and Silver Brocade (1939)—Copyrighted in the United States until 2034 due to Renewal R394277
Transparent Stuff (1940)—Copyrighted in the United States until 2035 due to Renewal R412787
Two for a Bargain (1940)—Copyrighted in the United States until 2035 due to Renewal R420856
The Bag of Skin (1940)—Copyrighted in the United States until 2035 due to Renewal R419654
The Manci Curse (1940)—Copyrighted in the United States until 2035 due to Renewal R443936
"Turn Over" in Weird Tales, 35 (6) (November-December 1940) (external scan)
"Edge of the Cliff" in Weird Tales, 35 (8) (March-April 1941)
"The Lost Gods" in Weird Tales, 36 (1) (September-October 1941)
"The White Lady" in Weird Tales, 36 (3) (January 1942) (external scan)
"The Enchanted River" in Weird Tales, 36 (5) (May 1942) (external scan)
"The Gothic Window" in Weird Tales, 37 (5) (May 1944)
A Year From Tonight (external scan)
"The Man in Purple" in Weird Tales, 39 (5) (May 1946) (external scan)
"The Cracks of Time" in Weird Tales, 40 (6) (September 1948)
"The Woman on the Balcony" in Weird Tales, 41 (6) (September 1949)
"The Artist and the Door" in Weird Tales, 44 (7) (November 1952)
"More Than Shadow" in Weird Tales, 46 (3) (July 1954)

Poetry

"Candles" in Weird Tales, 23 (1) (January 1934)
"Anne Boleyn" in Weird Tales, 24 (5) (November 1934)
"Vampires" in Weird Tales, 26 (3) (September 1935)
"Unsought Advice" in Weird Tales, 29 (5) (May 1937)
"After an Air Raid" in Weird Tales, 36 (9) (January 1943)
"Strange Music" in Weird Tales, 36 (12) (July 1943)
"Tree Woman" in Weird Tales, 39 (4) (March 1946)
"Long Watch" in Weird Tales, 39 (6) (July 1946)
Forest God (1947)
- "Forest God" in Weird Tales, 42 (1) (November 1949)
Strange (1947)
The Wolves of Egremont (1947)
"The River" in Weird Tales, 40 (6) (September 1948)
"Ghostlings" in Weird Tales, 41 (1) (November 1948)
"Sea King's Daughter" in Weird Tales, 42 (2) (January 1950)
"Pattern" in Weird Tales, 42 (5) (July 1950)
"For a Sea Lover" in Weird Tales, 43 (2) (January 1951)
"Three Men" in Weird Tales, 43 (5) (July 1951)
"Sleepers" in Weird Tales, 43 (6) (September 1951)
"Out of Space" in Weird Tales, 44 (4) (May 1952)
The Forest (1953)
Undertone (1953)
"House of Life" in Weird Tales, 45 (3) (July 1953)
"The Dark Things" in Weird Tales, 45 (4) (September 1953)
"Demon Lover" in Weird Tales, 45 (5) (November 1953)
"Walpurgis Night" in Weird Tales, 45 (6) (January 1954)
"Witch's Brew" in Weird Tales, 46 (1) (March 1954)
"Witch Woman" in Weird Tales, 46 (2) (May 1954)
"This Night" in Weird Tales, 46 (4) (September 1954)
The Monster (1961)

Some or all works by this author are in the public domain in the United States because they were legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.

For Class A renewal records (books only) published between 1923 and 1963, check the Stanford University Copyright Renewal Database.
For other renewal records of publications between 1922–1950, see the University of Pennsylvania copyright records.
For all records since 1978, search the U.S. Copyright Office records.

Works could have had their copyright renewed between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st of the 29th year.

This author died in 1962, so works by this author are in the public domain in countries and areas where the copyright term is the author's life plus 61 years or less. These works may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.

It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.

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