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THE INDIAN DRUM

never drank; he never spoke to others unless they spoke first to him, but then he talked freely about old days on the lakes, about ships which had been lost and about men long dead.

Alan decided that there could be no better place to interview old Burr than here; he waited therefore, and in the early evening the old man came in.

Alan watched him curiously as, without speaking to any one, he went to the chair recognized as his and sat down. He was a slender but muscularly built man seeming about sixty-five, but he might be considerably younger or older than that. His hair was completely white; his nose was thin and sensitive; his face was smoothly placid, emotionless, contented; his eyes were queerly clouded, deep-set and intent.

Those whose names Alan had found on Corvet's list had been of all ages, young and old; but Burr might well have been a contemporary of Corvet on the lakes. Alan moved over and took a seat beside the old man.

"You're from No. 25?" he asked, to draw him into conversation.

"Yes."

"I've been working on the carrier Pontiac as lookout. She's on her way to tie up at Cleveland, so I left her and came on here. You don't know whether there's a chance for me to get a place through the winter on No. 25?"

Old Burr reflected. "One of our boys has been talking of leaving. I don't know when he expects to go. You might ask."

"Thank you; I will. My name's Conrad—Alan Conrad."

He saw no recognition of the name in Burr's recep-