Diamonds To Sit On
DIAMONDS TO SIT ON
A RUSSIAN COMEDY OF ERRORS
by
ILYA ILF AND EUGENE PETROV
TRANSLATED FROM THE RUSSIAN BY
ELIZABETH HILL
and
DORIS MUDIE
HARPER & BROTHERS
PUBLISHERS
NEW YORK AND LONDON
MCMXXX
Originally published in Russian under the title
'dvenadtsat’ stul’ev’
(twelve chairs)
printed in great britain
CONTENTS
PART I
THE LION OF STARGOROD
chapter | page | ||
I. | BEZENCHUK AND 'THE NYMPHS' | 1 | |
II. | THE DEATH OF MADAM PETUKHOV | 9 | |
III. | THE MIRROR OF SIN | 16 | |
IV. | THE MUSE OF DISTANT JOURNEYS | 22 | |
V. | THE GREAT SCHEMER | 25 | |
VI. | DIAMOND DREAMS | 33 | |
VII. | TRACES OF THE 'TITANIC' | 38 | |
VIII. | A NERVOUS THIEF | 42 | |
IX. | WHERE ARE YOUR LOCKS | 51 | |
X. | A LOCKSMITH, A PARROT, AND A FORTUNE-TELLER | 57 | |
XI. | THE ALPHABET OF 'THE MIRROR OF LIFE' | 65 | |
XII. | A PASSIONATE WOMAN—A POET'S DREAM | 77 | |
XIII. | MAY DAY | 83 | |
XIV. | THE SECRET UNION OF THE SWORD AND PLOUGH | 90 |
PART II
IN MOSCOW
chapter | page | ||
XV. | THE CHAIRS AND A HOSTEL | 101 | |
XVI. | QUARREL | 107 | |
XVII. | THE MUSEUM OF FURNITURE | 110 | |
XVIII. | WHERE ARE THE OTHERS? | 118 | |
XIX. | FROM PILLAR TO POST | 123 | |
XX. | THE AUCTION | 133 | |
XXI. | LITTLE ELLA | 142 | |
XXII. | ABSALOM VLADIMIROVICH IZNURENKOV | 148 | |
XXIII. | THE AUTOMOBILE CLUB | 156 | |
XXIV. | A CONVERSATION WITH A NAKED ENGINEER | 164 | |
XXV. | TWO VISITS | 170 | |
XXVI. | STARGOROD | 175 | |
XXVII. | HUSBAND AND WIFE | 181 | |
XXVIII. | POET | 187 | |
XXIX. | THE COLUMBUS THEATRE | 191 |
PART III
MADAM PETUKHOV'S TREASURE
chapter | page | ||
XXX. | A MAGIC NIGHT ON THE VOLGA | 201 | |
XXXI. | A SHADY PAIR | 207 | |
XXXII. | A LETTER | 213 | |
XXXIII. | EXPULSION FROM PARADISE | 215 | |
XXXIV. | THE INTERPLANETARY CHESS CONGRESS | 219 | |
XXXV. | ETCETERA | 231 | |
XXXVI. | THE VIEW ON TO THE MALACHITE POOL | 236 | |
XXXVII. | THE ENGINEER BRUNS | 245 | |
XXXVIII. | UNDER THE CLOUDS | 253 | |
XXXIX. | AN EARTHQUAKE | 260 | |
XL. | THE TREASURE | 272 |
This work is a translation and has a separate copyright status to the applicable copyright protections of the original content.
Original: |
This work is in the public domain in the United States because it was published in 1928, before the cutoff of January 1, 1930. The longest-living author of this work died in 1942, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 82 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works.
Public domainPublic domainfalsefalse |
---|---|
Translation: |
This work is in the public domain in the United States because it was legally published within the United States (or the United Nations Headquarters in New York subject to Section 7 of the United States Headquarters Agreement) before 1964, and copyright was not renewed.
Works published in 1930 could have had their copyright renewed in 1957 or 1958, i.e. between January 1st of the 27th year after publication or registration and December 31st of the 28th year. As this work's copyright was not renewed, it entered the public domain on January 1st, 1959. The longest-living author of this work died in 1996, so this work is in the public domain in countries and areas where the copyright term is the author's life plus 28 years or less. This work may be in the public domain in countries and areas with longer native copyright terms that apply the rule of the shorter term to foreign works. It is imperative that contributors ascertain that there is no evidence of a copyright renewal before using this license. Failure to do so will result in the deletion of the work as a copyright violation.
Public domainPublic domainfalsefalse |